16th-century Dutch painting · art-to-room palette

Saint Jerome in Penitence Color Palette & Paint Colors

This palette comes from a panel painting and runs from near-black through deep browns to a warm, pale gold. It suits a snug room such as a study, a reading corner or a dining room where you want a calm, enclosed feel.

Quick answer

Put the pale gold #FFD195 on the walls and the olive-green #A8A174 on a main piece such as a sofa or a built-in. Use the deep browns #986E41 and #59432E for wood and one accent, the tan #D7A56B for textiles, and keep the near-black #15110F for small, sharp details.

Date
1525–30
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
69
Saint Jerome in Penitence by Master of the Lille Adoration
Master of the Lille Adoration, Saint Jerome in Penitence, 1525–30. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Soft Near Black
#15110F · 32.7% · LRV 1
Deep Chestnut Brown
#59432E · 22.4% · LRV 6
Warm Walnut Brown
#986E41 · 18% · LRV 18
Sandy Camel Tan
#D7A56B · 10% · LRV 42
Pale Honey Gold
#FFD195 · 9% · LRV 69
Muted Olive Khaki
#A8A174 · 7.8% · LRV 35

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Saint Jerome in Penitence reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Soft Near Black is strongest
Soft Near Black
Detail of the painting where Deep Chestnut Brown is strongest
Deep Chestnut Brown
Detail of the painting where Warm Walnut Brown is strongest
Warm Walnut Brown
Detail of the painting where Sandy Camel Tan is strongest
Sandy Camel Tan
Detail of the painting where Pale Honey Gold is strongest
Pale Honey Gold
Detail of the painting where Muted Olive Khaki is strongest
Muted Olive Khaki

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Soft Near Black
#15110F
1 Small accents, art, accessories
Deep Chestnut Brown
#59432E
  • Behr 280F-7 Breakfast Blend Near-identical
  • Sherwin-Williams SW 7041 Van Dyke Brown Close
  • Valspar 3011-8 Dark Earth Similar
  • Farrow & Ball No. 36 Mahogany Similar
6 One bold piece
Warm Walnut Brown
#986E41
  • Sherwin-Williams SW 9106 El Caramelo Very close
  • Behr 260F-6 Smokey Topaz Very close
  • Valspar 3011-5 Autumn Surprise Very close
18 Wood and frames
Sandy Camel Tan
#D7A56B
  • Behr M250-4 Cake Spice Near-identical
  • Valspar 3004-5B Safari Sun Very close
  • Sherwin-Williams SW 6381 Anjou Pear Very close
  • Farrow & Ball No. 66 India Yellow Close
42 One small textile
Pale Honey Gold
#FFD195
  • Behr P240-3 Mango Nectar Near-identical
  • Valspar 2007-2B Whipped Apricot Very close
  • Sherwin-Williams SW 6667 Afterglow Very close
  • Farrow & Ball No. 218 Yellow Ground Similar
69 Main walls
Muted Olive Khaki
#A8A174
  • Valspar 6006-6A Throw Rug Very close
  • Behr PPU9-04 Fresh Olive Very close
  • Sherwin-Williams SW 7726 Lemon Verbena Close
  • Farrow & Ball No. 19 Lichen Similar
35 Bed, sofa, curtains

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale honey gold looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#DCC19F

North light is cool and will take some of the warmth out of the pale gold wall, so it may look a little flatter and more cream than gold. At LRV 69 it still bounces light well, which helps a north-facing room feel less dim.

South-facing room#FFD69E

Strong south light will bring out the yellow in the wall color, and it may read as a glowing butter tone. At LRV 69 it is light enough that a large wall could feel bright at midday, so test it near a big window first.

Evening, warm lamps (2700K)#D2A973

Warm evening bulbs will push this wall toward amber and deepen the yellow undertone, which gives the room a cozy, candlelit feel. Choose bulbs with a soft white glow so the wall does not turn orange.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Warm Walnut Brown and the rug border takes Sandy Camel Tan in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Honey Gold
Muted Olive Khaki
Deep Chestnut Brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Saint Jerome in Penitence

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

Can I paint a whole room in the darkest colors from this palette?

You can, but go carefully. The near-black has an LRV of 1 and the deep brown has an LRV of 6, so both soak up most of the light. They work best in a small room with good lamps, or on one wall or a built-in rather than on every surface.

What should I use on the walls, and what should I save for accents?

The pale gold #FFD195 is the lightest color here at LRV 69, so it is the natural choice for walls. Save the deep red-orange brown #59432E for an accent such as a door, a bookcase or a single wall.

How do I use the wood and textile colors without a paint can?

The walnut brown #986E41 suits wood furniture, floors or beams, and the tan #D7A56B suits curtains, rugs or throws. Bring home samples of each and hold them against the wall color in the room's own light.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.