19th-century French painting · art-to-room palette

The Outskirts of a Village Color Palette & Paint Colors

This palette comes from a warm village landscape, with olive and khaki earth tones, golden wheat, and soft apricot. It suits rooms that need a calm, grounded feel with a sunny lift.

Quick answer

Use the pale apricot (#F0D6BF) on the main walls. Put the soft wheat gold (#D0B166) on a feature wall or large furniture, and bring in the warm marigold (#FAC273) through cushions, curtains, or a rug. Keep the deep olive bronze (#726A42) for wood, such as trim, doors, or a floor.

Date
ca. 1880
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
70
The Outskirts of a Village by Edmond-François Aman-Jean
Edmond-François Aman-Jean, The Outskirts of a Village, ca. 1880. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

deep olive bronze
#726A42 · 26.3% · LRV 14
muted khaki gold
#A48F5B · 24.9% · LRV 28
soft wheat gold
#D0B166 · 18.7% · LRV 46
pale apricot blush
#F0D6BF · 14.5% · LRV 70
warm marigold
#FAC273 · 10.9% · LRV 60
camel tan
#C69663 · 4.7% · LRV 35

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Outskirts of a Village reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where deep olive bronze is strongest
deep olive bronze
Detail of the painting where muted khaki gold is strongest
muted khaki gold
Detail of the painting where soft wheat gold is strongest
soft wheat gold
Detail of the painting where pale apricot blush is strongest
pale apricot blush
Detail of the painting where warm marigold is strongest
warm marigold
Detail of the painting where camel tan is strongest
camel tan

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
deep olive bronze
#726A42
  • Behr HDC-CL-20 Portsmouth Olive Close
  • Valspar 6005-4C Summer's End Close
  • Sherwin-Williams SW 6412 Eminent Bronze Close
  • Farrow & Ball No. 298 Bancha Close
14 Wood and frames
muted khaki gold
#A48F5B
  • Behr 300F-5 Brown Rabbit Very close
  • Sherwin-Williams SW 6409 Edgy Gold Close
  • Valspar 3007-7A Lioness Close
  • Farrow & Ball No. 66 India Yellow Similar
28 One bold piece
soft wheat gold
#D0B166
  • Behr 340F-5 Beachwalk Near-identical
  • Valspar 3008-5B Dylan Velvet Very close
  • Farrow & Ball No. 51 Sudbury Yellow Close
  • Sherwin-Williams SW 6402 Antiquity Close
46 Bed, sofa, curtains
pale apricot blush
#F0D6BF
  • Valspar 2006-6C French Cream Near-identical
  • Behr UL130-11 Iced Apricot Very close
  • Sherwin-Williams SW 6358 Creamery Very close
  • Farrow & Ball No. 202 Pink Ground Close
70 Main walls
warm marigold
#FAC273
  • Valspar 3002-3C Peach Tea Very close
  • Sherwin-Williams SW 6668 Sunrise Very close
  • Behr 290B-5 Torchlight Very close
  • Farrow & Ball No. 223 Babouche Similar
60 One small textile
camel tan
#C69663
  • Valspar 3002-5B Butternut Tree Very close
  • Sherwin-Williams SW 6130 Mannered Gold Very close
  • Behr S250-4 Fresh Croissant Very close
  • Farrow & Ball No. 66 India Yellow Similar
35 Small accents, art, accessories

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale apricot blush looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D2C5BB

North light is cooler and softer, so the pale apricot wall can look more muted and slightly greyer. Its light reflectance value of 70 still keeps the room bright. Pair it with warm white trim to keep it from looking flat.

South-facing room#F3DABF

Strong south light brings out the warm red-orange undertone in the apricot wall. Its reflectance of 70 will bounce a lot of light, so the room can feel bright and airy. The deeper olive and bronze tones will look richer in the same light.

Evening, warm lamps (2700K)#CAAB8B

Warm evening bulbs push the yellow and orange undertones forward. The apricot and marigold will look glowing and cozy. The khaki and olive tones will look deeper and more golden.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes deep olive bronze and the rug border takes warm marigold in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

pale apricot blush
soft wheat gold
muted khaki gold
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Outskirts of a Village

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

Which color should cover the most wall space?

Use the pale apricot (#F0D6BF) for most of the walls. Its light reflectance value of 70 keeps the room bright. The soft wheat gold can take over one feature wall if you want more depth.

Can I use the darkest color in a bedroom or small room?

Use the deep olive bronze (#726A42) on wood trim, doors, or a single piece of furniture rather than on every wall. Its reflectance value of 14 is very dark, and in a small room it can make the space feel closed in.

How close will a paint match be to the painting colors?

The paint matches listed on the page are the closest measured matches to each color, not exact copies. Light changes how every color looks, so test a sample on your own wall and check it at morning, midday, and night.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.