15th-century painting · art-to-room palette

Virgin and Child in an Apse Color Palette & Paint Colors

Robert Campin's Virgin and Child in an Apse, held by The Metropolitan Museum of Art, gives a muted palette of olive-brown, cream and one quiet brick red. It suits a bedroom, a reading nook or a hallway that should feel calm.

Quick answer

Use the cream #E9E0BE on walls, the sandy olive #948D77 for sofas or curtains, and the near-black #050505 only for hardware, frames or a single door.

Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
74
Virgin and Child in an Apse by Robert Campin
Robert Campin, Virgin and Child in an Apse. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Chapel Olive Brown
#4F4C42 · 36.7% · LRV 7
Dry Sage Khaki
#948D77 · 25.7% · LRV 27
Pure Charcoal Black
#050505 · 14.3% · LRV 0
Candle Cream
#E9E0BE · 13.3% · LRV 74
Terracotta Brick
#945949 · 5.7% · LRV 14
Deep Moss Green
#535829 · 4.2% · LRV 9

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Virgin and Child in an Apse reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Chapel Olive Brown is strongest
Chapel Olive Brown
Detail of the painting where Dry Sage Khaki is strongest
Dry Sage Khaki
Detail of the painting where Pure Charcoal Black is strongest
Pure Charcoal Black
Detail of the painting where Candle Cream is strongest
Candle Cream
Detail of the painting where Terracotta Brick is strongest
Terracotta Brick
Detail of the painting where Deep Moss Green is strongest
Deep Moss Green

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Chapel Olive Brown
#4F4C42
  • Valspar 6010-3 Olive Suede Very close
  • Behr N200-7 Underground Very close
  • Sherwin-Williams SW 2846 Roycroft Bronze Green Close
  • Farrow & Ball No. 93 Studio Green Similar
7 Wood and frames
Dry Sage Khaki
#948D77
  • Valspar 6008-2B Sandalwood Very close
  • Sherwin-Williams SW 2845 Bunglehouse Gray Very close
  • Behr PPU8-03 Dry Pasture Very close
  • Farrow & Ball No. 292 Treron Close
27 Bed, sofa, curtains
Pure Charcoal Black
#050505
0 Small accents, art, accessories
Candle Cream
#E9E0BE
  • Behr YL-W6 YL-W6 Very close
  • Farrow & Ball No. 71 Pale Hound Very close
  • Valspar 6006-5A Tempered Sage Very close
  • Sherwin-Williams SW 6693 Lily Very close
74 Main walls
Terracotta Brick
#945949
  • Behr 230F-6 Earth Tone Very close
  • Valspar 2009-6 Autumn Russet Very close
  • Sherwin-Williams SW 2803 Rookwood Terra Cotta Close
  • Farrow & Ball No. 42 Picture Gallery Red Close
14 One bold piece
Deep Moss Green
#535829
  • Sherwin-Williams SW 6426 Basque Green Close
  • Behr N340-7 Kilimanjaro Close
  • Valspar 6010-5 Dark Meadow Similar
  • Farrow & Ball No. 298 Bancha Similar
9 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How candle cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#CDCBBA

The cream #E9E0BE has an LRV of 74, the highest in this palette, so it brightens a north-facing wall and its yellow undertone offsets the cool daylight.

South-facing room#EEE1BE

In strong south light the cream looks clean and pale, and the sandy olive #948D77 settles into a soft, dusty green-beige.

Evening, warm lamps (2700K)#C5B18A

Under warm evening bulbs the cream glows and the deep moss #535829 turns almost black, so the green shows best in daytime.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Chapel Olive Brown and the rug border takes Deep Moss Green in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Candle Cream
Dry Sage Khaki
Terracotta Brick
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Virgin and Child in an Apse

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

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FAQ

Is the black in this palette necessary?

No. The #050505 shade has an LRV of 0 and covers about 14 percent of the painting, but at home it works best in small doses such as picture frames, lamp bases or window hardware.

What trim color goes with these walls?

Use the same cream #E9E0BE in a satin finish, or go one step lighter. A trim that is too white will make the yellow undertone in the walls look dingy.

Where does the brick red #945949 belong?

With an LRV of 14, it works on an upholstered chair, a rug border or a small cabinet. It is too strong to cover a whole wall in a small room.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.