17th-century Italian painting · art-to-room palette

Charity Color Palette & Paint Colors

This palette is taken from Charity, an oil on canvas by Cesare Dandini, ca. 1630, held at The Metropolitan Museum of Art. Its deep browns, slate blue, camel and rust, with a pale warm cream, suit rooms that need warmth and depth.

Quick answer

Use the pale cream on the walls and the camel for large furniture or a secondary wall. Put the walnut brown on wood pieces and the slate blue on textiles such as curtains or upholstery, use the rust for small accents like pillows or art, and keep the near-black for the deepest shadows or trim.

Date
ca. 1630
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
76
Charity by Cesare Dandini
Cesare Dandini, Charity, ca. 1630. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Near-Black Charcoal
#2B2925 · 53.4% · LRV 2
Deep Walnut Brown
#795C3E · 19.7% · LRV 12
Deep Slate Blue
#365276 · 8.9% · LRV 8
Warm Camel Tan
#C9A17B · 7.5% · LRV 39
Brick Rust Red
#A7543E · 5.6% · LRV 15
Pale Cream Wheat
#F2E0B8 · 5% · LRV 76

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Charity reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Near-Black Charcoal is strongest
Near-Black Charcoal
Detail of the painting where Deep Walnut Brown is strongest
Deep Walnut Brown
Detail of the painting where Deep Slate Blue is strongest
Deep Slate Blue
Detail of the painting where Warm Camel Tan is strongest
Warm Camel Tan
Detail of the painting where Brick Rust Red is strongest
Brick Rust Red
Detail of the painting where Pale Cream Wheat is strongest
Pale Cream Wheat

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Near-Black Charcoal
#2B2925
  • Sherwin-Williams SW 6258 Tricorn Black Close
  • Behr 790B-7 Bitter Chocolate Close
  • Farrow & Ball No. 256 Pitch Black Similar
  • Valspar 4011-2 Dark Kettle Black Similar
2 Small accents, art, accessories
Deep Walnut Brown
#795C3E
  • Behr MQ2-9 Clockworks Very close
  • Sherwin-Williams SW 9107 Über Umber Very close
  • Valspar 3011-8 Dark Earth Close
  • Farrow & Ball No. 290 Salon Drab Similar
12 Wood and frames
Deep Slate Blue
#365276
  • Behr S500-7 Infinite Deep Sea Very close
  • Sherwin-Williams SW 6531 Indigo Close
  • Valspar 4010-7 Precious Sapphire Close
  • Farrow & Ball No. 281 Stiffkey Blue Similar
8 One small textile
Warm Camel Tan
#C9A17B
  • Behr PPU4-16 Kenya Near-identical
  • Valspar 3002-7C Pale Blush Very close
  • Sherwin-Williams SW 6115 Totally Tan Very close
  • Farrow & Ball No. 66 India Yellow Similar
39 Bed, sofa, curtains
Brick Rust Red
#A7543E
  • Valspar 2011-5 Crimson Glow Very close
  • Behr BIC-45 Airbrushed Copper Very close
  • Sherwin-Williams SW 6629 Jalapeño Very close
  • Farrow & Ball No. 42 Picture Gallery Red Close
15 One bold piece
Pale Cream Wheat
#F2E0B8
  • Behr PPU6-12 Calla Near-identical
  • Valspar 3006-6C Demure Yellow Near-identical
  • Sherwin-Williams SW 6679 Full Moon Near-identical
  • Farrow & Ball No. 67 Farrow's Cream Very close
76 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale cream wheat looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D4CBB6

In north light the cream wall (LRV 76) reads softer and a little cooler, and its warm yellow undertone becomes more noticeable. It still bounces enough light to keep a room from feeling closed in.

South-facing room#F5E1BA

In strong south light the cream wall looks brighter and warmer, and it can read close to white. The camel and rust accents will look more saturated against it.

Evening, warm lamps (2700K)#CAB186

Under warm evening bulbs the cream takes on a golden glow and feels richer. The slate blue textiles will look deeper, and the brown wood pieces will blend more closely with the walls.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Deep Walnut Brown and the rug border takes Deep Slate Blue in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Cream Wheat
Warm Camel Tan
Brick Rust Red
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Charity

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Can I paint a whole room in the near-black charcoal?

The near-black (LRV 2) absorbs most of the light that hits it, so a full room in this color can feel very closed in. Use it on one wall, a door, or the trim, where it adds depth without overwhelming the space.

Will the cream wall work in a small room with little daylight?

Yes, the cream (LRV 76) reflects a lot of light, which helps a small or dim room feel more open. Its warm undertone will look cozier under evening lamps than under daylight.

How do I balance the camel and the cream on the walls?

Use the cream as the main wall color and the camel on one large piece, such as a sofa, chair, or a single accent wall. Because the camel (LRV 39) is darker, it adds contrast without making the room feel dark.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.