17th-century British painting · art-to-room palette

Portrait of Mary of Modena Color Palette & Paint Colors

This palette comes from a watercolor portrait on vellum and pairs deep brown shades with a pale warm cream, a soft tan, a mid sky blue and a dark violet-leaning blue. It suits a calm, traditional room such as a study, dining room or bedroom where warm wood and one cool accent can share the space.

Quick answer

Use the cream (#E4DACC, LRV 71) on the walls, the sky blue (#729CC9) as the main color on a feature wall or large upholstery, and the tan (#D39C66) for curtains or throws. Keep the browns for wood furniture and trim, and save the dark blue (#0B3D95) for small accents like pillows or a vase.

Date
c. 1673
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
71
Portrait of Mary of Modena by Nicholas Dixon
Nicholas Dixon, Portrait of Mary of Modena, c. 1673. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Dark Walnut Brown
#3A291D · 38.4% · LRV 3
Warm Chestnut Brown
#5F3B23 · 25% · LRV 6
Soft Parchment Cream
#E4DACC · 12.5% · LRV 71
Sandy Tan
#D39C66 · 8.8% · LRV 39
Soft Sky Blue
#729CC9 · 7.8% · LRV 32
Deep Violet Blue
#0B3D95 · 7.5% · LRV 6

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Portrait of Mary of Modena reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Dark Walnut Brown is strongest
Dark Walnut Brown
Detail of the painting where Warm Chestnut Brown is strongest
Warm Chestnut Brown
Detail of the painting where Soft Parchment Cream is strongest
Soft Parchment Cream
Detail of the painting where Sandy Tan is strongest
Sandy Tan
Detail of the painting where Soft Sky Blue is strongest
Soft Sky Blue
Detail of the painting where Deep Violet Blue is strongest
Deep Violet Blue

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Dark Walnut Brown
#3A291D
  • Sherwin-Williams SW 6076 Turkish Coffee Similar
  • Behr 780B-7 Bison Brown Similar
3 Small accents, art, accessories
Warm Chestnut Brown
#5F3B23
  • Behr 240F-7 Root Beer Close
  • Sherwin-Williams SW 6090 Java Close
  • Valspar 2009-10 Roasted Coffee Similar
6 Wood and frames
Soft Parchment Cream
#E4DACC
  • Behr HDC-CT-05 Pale Palomino Near-identical
  • Sherwin-Williams SW 6105 Divine White Near-identical
  • Valspar 2007-10C Coconut Milk Very close
  • Farrow & Ball No. 241 Skimming Stone Very close
71 Main walls
Sandy Tan
#D39C66
  • Behr MQ4-8 Golden Aura Near-identical
  • Sherwin-Williams SW 2858 Harvest Gold Very close
  • Valspar 3003-5B Autumn Spice Very close
  • Farrow & Ball No. 66 India Yellow Similar
39 One small textile
Soft Sky Blue
#729CC9
  • Behr 590F-5 Magic Spell Very close
  • Sherwin-Williams SW 6809 Lobelia Very close
  • Valspar 4008-8A Enchanted Sea Close
  • Farrow & Ball No. 237 Cook's Blue Close
32 Bed, sofa, curtains
Deep Violet Blue
#0B3D95
  • Behr 600D-7 Daring Indigo Very close
  • Sherwin-Williams SW 6811 Honorable Blue Similar
  • Valspar 4009-9 Homecoming Blue Similar
6 One bold piece

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How soft parchment cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#CAC8C3

The cream wall color (LRV 71) will read a little cooler and grayer in north light, so its yellow warmth softens. It still bounces enough light to keep a north-facing room from feeling heavy, especially next to dark wood.

South-facing room#EADDC9

In strong south light the cream looks brighter and more yellow, and it can feel glowing on a large wall. The high LRV of 71 means you may want to keep glossy or very pale trim away from it so the walls do not look washed out.

Evening, warm lamps (2700K)#C3AE92

Under warm evening bulbs the cream turns richer and more golden, and the brown wood tones deepen to near black. The mid blue will look slightly grayer, so test it near your lamps before you commit.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Warm Chestnut Brown and the rug border takes Sandy Tan in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Soft Parchment Cream
Soft Sky Blue
Deep Violet Blue
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Portrait of Mary of Modena

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color from this palette works best on walls?

The pale cream (#E4DACC, LRV 71) is the best wall choice. It reflects plenty of light and has a warm yellow undertone that sits well with wood and the tan textile color.

Can I use the dark browns on walls?

You can, but with LRV values of 3 and 6 they read very dark and absorb most light. They suit a small room with good lighting, or a single wall. In most homes they work better as wood furniture, shelving or door color.

How much of the dark blue should I use?

Use it sparingly. At LRV 6 and a violet undertone, #0B3D95 makes a strong accent in pillows, a rug border, art or a single piece of furniture. The lighter sky blue (#729CC9, LRV 32) can carry more of the room as the main color.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.