19th-century French painting · art-to-room palette

Mrs. William Astor (Caroline Webster Schermerhorn, 1831–1908) Color Palette & Paint Colors

Mrs. William Astor by Carolus-Duran is dominated by very dark brown and deep red-orange, lit by golds and a soft yellow. It suits a dining room or library that is meant to feel rich in the evening.

Quick answer

Use the pale yellow #FFE58D on the walls and the gold #DCA847 for the main furniture. Use #A25513 as an accent, #854313 for wood and #C6861E for textiles.

Date
1890
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
79
Mrs. William Astor (Caroline Webster Schermerhorn, 1831–1908) by Carolus-Duran (Charles-Auguste-Emile Durant)
Carolus-Duran (Charles-Auguste-Emile Durant), Mrs. William Astor (Caroline Webster Schermerhorn, 1831–1908), 1890. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Espresso Black Brown
#241814 · 39.4% · LRV 1
Rust Brown
#854313 · 26.6% · LRV 9
Burnt Sienna
#A25513 · 20.6% · LRV 14
Golden Sand
#DCA847 · 6.7% · LRV 44
Warm Amber Gold
#C6861E · 4.7% · LRV 29
Pale Butter Yellow
#FFE58D · 2.1% · LRV 79

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Mrs. William Astor (Caroline Webster Schermerhorn, 1831–1908) reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Espresso Black Brown is strongest
Espresso Black Brown
Detail of the painting where Rust Brown is strongest
Rust Brown
Detail of the painting where Burnt Sienna is strongest
Burnt Sienna
Detail of the painting where Golden Sand is strongest
Golden Sand
Detail of the painting where Warm Amber Gold is strongest
Warm Amber Gold
Detail of the painting where Pale Butter Yellow is strongest
Pale Butter Yellow

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Espresso Black Brown
#241814
  • Sherwin-Williams SW 7630 Raisin Similar
  • Behr BNC-21 Double Espresso Similar
1 Small accents, art, accessories
Rust Brown
#854313
  • Behr 240D-7 Chestnut Stallion Close
  • Sherwin-Williams SW 9100 Umber Rust Similar
9 Small accents, art, accessories
Burnt Sienna
#A25513
  • Behr 280D-7 Sesame Crunch Close
  • Sherwin-Williams SW 7703 Earthen Jug Similar
  • Valspar 3011-5 Autumn Surprise Similar
14 One bold piece
Golden Sand
#DCA847
  • Behr 320D-5 Sweet Maple Very close
  • Valspar 3009-3 Roman Ornament Very close
  • Sherwin-Williams SW 6690 Gambol Gold Close
  • Farrow & Ball No. 66 India Yellow Similar
44 Bed, sofa, curtains
Warm Amber Gold
#C6861E
  • Behr 310D-6 Light Copper Very close
  • Sherwin-Williams SW 6692 Auric Very close
  • Valspar 3009-5 Pumpkin Squash Similar
  • Farrow & Ball No. 66 India Yellow Similar
29 One small textile
Pale Butter Yellow
#FFE58D
  • Behr 330B-4 Cheerful Hue Near-identical
  • Valspar 3006-2A Tangy Lemon Very close
  • Sherwin-Williams SW 6908 Fun Yellow Very close
  • Farrow & Ball No. 233 Dayroom Yellow Close
79 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale butter yellow looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#DCCE9B

In north light the pale yellow #FFE58D, at LRV 79, may look less sunny, but it still reflects a lot of light.

South-facing room#FFE598

In strong south light the yellow can look bright and saturated on a large wall, so test it before using it everywhere.

Evening, warm lamps (2700K)#D2B56E

Under warm evening bulbs the golds and rust colors glow and the near-black brown stays dark.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes Warm Amber Gold in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Butter Yellow
Golden Sand
Burnt Sienna
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Mrs. William Astor (Caroline Webster Schermerhorn, 1831–1908)

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

More palettes like this

FAQ

Is the yellow wall color too bright?

It is a very light, warm yellow with an LRV of 79. If it feels strong, use it on one wall or on the ceiling.

How do I use the dark red-browns?

The #854313 has an LRV of 9 and the #241814 an LRV of 1. They suit cabinets, doors or a wood stain.

What is the role of the gold?

The #DCA847 has an LRV of 44 and works for upholstery, a mirror frame or a painted chair.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.