17th-century Italian painting · art-to-room palette

Saint Francis in Ecstasy Color Palette & Paint Colors

Six colors measured from Saint Francis in Ecstasy by Giovanni Benedetto Castiglione (Il Grechetto), with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Pale Yellow on most walls, use Light Yellow for the bed, sofa or curtains, and keep Deep Umber to one bold piece. Soft Umber suits floors, wood and frames, and Muted Green works best in a single textile.

Date
ca. 1650
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
86
Saint Francis in Ecstasy by Giovanni Benedetto Castiglione (Il Grechetto)
Giovanni Benedetto Castiglione (Il Grechetto), Saint Francis in Ecstasy, ca. 1650. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep Umber
#544036 · 30.8% · LRV 6
Soft Black
#271F1D · 30.4% · LRV 2
Muted Green
#7B7F71 · 15.5% · LRV 21
Soft Umber
#83634D · 14.5% · LRV 14
Light Yellow
#C9A67F · 7.4% · LRV 41
Pale Yellow
#FFEEC3 · 1.4% · LRV 86

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Saint Francis in Ecstasy reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep Umber is strongest
Deep Umber
Detail of the painting where Soft Black is strongest
Soft Black
Detail of the painting where Muted Green is strongest
Muted Green
Detail of the painting where Soft Umber is strongest
Soft Umber
Detail of the painting where Light Yellow is strongest
Light Yellow
Detail of the painting where Pale Yellow is strongest
Pale Yellow

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep Umber
#544036
  • Sherwin-Williams SW 6041 Otter Very close
  • Behr 760B-7 Revival Mahogany Very close
  • Farrow & Ball No. 36 Mahogany Similar
  • Valspar 2011-10 Cabin Plank Similar
6 One bold piece
Soft Black
#271F1D
  • Sherwin-Williams SW 7630 Raisin Similar
  • Behr 790B-7 Bitter Chocolate Similar
  • Farrow & Ball No. 256 Pitch Black Similar
2 Small accents, art, accessories
Muted Green
#7B7F71
  • Sherwin-Williams SW 6186 Dried Thyme Very close
  • Valspar 5004-2B Fields of Green Very close
  • Behr PPU10-18 Lizard Green Close
  • Farrow & Ball No. 47 Green Smoke Close
21 One small textile
Soft Umber
#83634D
  • Behr UL130-3 Burnt Terra Very close
  • Sherwin-Williams SW 2806 Rookwood Brown Very close
  • Valspar 3002-9A Mona's Mane Very close
  • Farrow & Ball No. 290 Salon Drab Similar
14 Wood and frames
Light Yellow
#C9A67F
  • Behr HDC-AC-13 Butter Nut Very close
  • Sherwin-Williams SW 7693 Stonebriar Very close
  • Valspar 3004-7C Buckskin Pony Very close
  • Farrow & Ball No. 6 London Stone Similar
41 Bed, sofa, curtains
Pale Yellow
#FFEEC3
  • Behr P260-2 Yogurt Near-identical
  • Valspar 3004-2C Coconut Cream Near-identical
  • Sherwin-Williams SW 6686 Lemon Chiffon Very close
  • Farrow & Ball No. 71 Pale Hound Close
86 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale yellow looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#DCD5BE

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#FFECC2

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#D2BA8D

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Soft Umber and the rug border takes Muted Green in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Yellow
Light Yellow
Deep Umber
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Saint Francis in Ecstasy

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

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FAQ

What colors are in Saint Francis in Ecstasy?

Measured from the image, the painting's six main colors are Deep Umber (#544036, 30.8% of the canvas), Soft Black (#271F1D, 30.4% of the canvas), Muted Green (#7B7F71, 15.5% of the canvas), Soft Umber (#83634D, 14.5% of the canvas), Light Yellow (#C9A67F, 7.4% of the canvas), Pale Yellow (#FFEEC3, 1.4% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 86% of the light that hits it (LRV 86), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Metropolitan Museum of Art releases this image as public domain (cc0), so it can be reused freely.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.