15th-century Italian painting · art-to-room palette

The Massacre of the Innocents Color Palette & Paint Colors

Six colors measured from The Massacre of the Innocents by Sano di Pietro (Ansano di Pietro di Mencio), with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Light Linen on most walls, use Soft Green for the bed, sofa or curtains, and keep Warm Red to one bold piece. A warm mid-brown suits floors, wood and frames, and Light Yellow works best in a single textile.

Date
ca. 1470
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
53
The Massacre of the Innocents by Sano di Pietro (Ansano di Pietro di Mencio)
Sano di Pietro (Ansano di Pietro di Mencio), The Massacre of the Innocents, ca. 1470. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Soft Green
#A4A489 · 35.3% · LRV 36
Light Linen
#CAC0A0 · 21.1% · LRV 53
Light Red
#ECA58B · 18.8% · LRV 47
Deep Violet
#4A598A · 13% · LRV 10
Warm Red
#D96952 · 8.5% · LRV 26
Light Yellow
#D0B25F · 3.2% · LRV 46

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Massacre of the Innocents reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Soft Green is strongest
Soft Green
Detail of the painting where Light Linen is strongest
Light Linen
Detail of the painting where Light Red is strongest
Light Red
Detail of the painting where Deep Violet is strongest
Deep Violet
Detail of the painting where Warm Red is strongest
Warm Red
Detail of the painting where Light Yellow is strongest
Light Yellow

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Soft Green
#A4A489
  • Farrow & Ball No. 19 Lichen Very close
  • Valspar 6005-4A Dusty Olive Very close
  • Sherwin-Williams SW 7728 Green Sprout Very close
  • Behr PPU9-22 Cricket Close
36 Bed, sofa, curtains
Light Linen
#CAC0A0
  • Behr 710C-3 Gobi Desert Very close
  • Sherwin-Williams SW 7732 Lemongrass Very close
  • Valspar 6008-3C Epic Very close
  • Farrow & Ball No. 75 Ball Green Close
53 Main walls
Light Red
#ECA58B
  • Valspar 2005-4A Apricot Jam Very close
  • Behr 240D-4 Ceramic Glaze Close
  • Sherwin-Williams SW 6619 Sockeye Close
47 Small accents, art, accessories
Deep Violet
#4A598A
  • Behr 620F-6 Purple Orchid Near-identical
  • Valspar 4009-8 Classic Royal Blue Very close
  • Sherwin-Williams SW 6971 Morning Glory Close
  • Farrow & Ball No. 220 Pitch Blue Similar
10 Small accents, art, accessories
Warm Red
#D96952
  • Valspar 2010-3 Ultra Orange Very close
  • Sherwin-Williams SW 6620 Rejuvenate Close
  • Farrow & Ball No. 268 Charlotte's Locks Close
  • Behr 230D-5 Aztec Brick Close
26 One bold piece
Light Yellow
#D0B25F
  • Valspar 3008-5B Dylan Velvet Very close
  • Behr 340F-5 Beachwalk Very close
  • Farrow & Ball No. 51 Sudbury Yellow Close
  • Sherwin-Williams SW 6697 Nugget Close
46 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How light linen looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#BAB7A7

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#D6C8A7

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#B49F79

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes Light Yellow in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Light Linen
Soft Green
Warm Red
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Massacre of the Innocents

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

What colors are in The Massacre of the Innocents?

Measured from the image, the painting's six main colors are Soft Green (#A4A489, 35.3% of the canvas), Light Linen (#CAC0A0, 21.1% of the canvas), Light Red (#ECA58B, 18.8% of the canvas), Deep Violet (#4A598A, 13% of the canvas), Warm Red (#D96952, 8.5% of the canvas), Light Yellow (#D0B25F, 3.2% of the canvas).

Does this palette work in a small room?

Use it with care. The lightest wall color in this painting has an LRV of about 53, so in a small room pair it with plenty of daylight or a lighter white on the ceiling.

Can I use this image on my own mood board?

The Metropolitan Museum of Art releases this image as public domain (cc0), so it can be reused freely.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.