18th-century Italian painting · art-to-room palette

Ancient Rome Color Palette & Paint Colors

This palette is measured from Ancient Rome, an oil on canvas by Giovanni Paolo Panini, dated 1757, in The Metropolitan Museum of Art. It is a warm, earthy scheme of stone, tan, khaki and brown that suits living rooms, dining rooms and studies.

Quick answer

Use the pale warm stone #D0C5A3 on the walls. Add the mid taupe as an accent on one feature wall or cabinetry, the deep olive khaki on curtains or upholstery, the golden ochre on a large piece of furniture, and the burnt sienna on wood floors, frames or trim.

Date
1757
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
56
Ancient Rome by Giovanni Paolo Panini
Giovanni Paolo Panini, Ancient Rome, 1757. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Warm mid taupe
#A5936D · 31.5% · LRV 30
Deep umber brown
#6A5A3E · 24.9% · LRV 11
Deep olive khaki
#796A47 · 23.6% · LRV 15
Pale warm stone
#D0C5A3 · 15.6% · LRV 56
Golden ochre tan
#C8AB70 · 2.7% · LRV 43
Burnt sienna brown
#925E3F · 1.7% · LRV 15

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Ancient Rome reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Warm mid taupe is strongest
Warm mid taupe
Detail of the painting where Deep umber brown is strongest
Deep umber brown
Detail of the painting where Deep olive khaki is strongest
Deep olive khaki
Detail of the painting where Pale warm stone is strongest
Pale warm stone
Detail of the painting where Golden ochre tan is strongest
Golden ochre tan
Detail of the painting where Burnt sienna brown is strongest
Burnt sienna brown

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Warm mid taupe
#A5936D
  • Valspar 6008-4B Caraway Shield Very close
  • Behr 290F-4 Cliff Rock Very close
  • Sherwin-Williams SW 2842 Roycroft Suede Very close
  • Farrow & Ball No. 40 Mouse's Back Similar
30 One bold piece
Deep umber brown
#6A5A3E
  • Behr PPU7-01 Moss Stone Very close
  • Sherwin-Williams SW 9125 Oliva Oscuro Very close
  • Valspar 6008-2C Prairie Foliage Close
  • Farrow & Ball No. 290 Salon Drab Similar
11 Small accents, art, accessories
Deep olive khaki
#796A47
  • Sherwin-Williams SW 6412 Eminent Bronze Very close
  • Behr PPU8-01 Olive Very close
  • Valspar 3006-9A Grecian Helmet Close
  • Farrow & Ball No. 290 Salon Drab Similar
15 One small textile
Pale warm stone
#D0C5A3
  • Behr BXC-80 Wildwood Very close
  • Sherwin-Williams SW 7732 Lemongrass Very close
  • Valspar 6008-3C Epic Very close
  • Farrow & Ball No. 16 Cord Close
56 Main walls
Golden ochre tan
#C8AB70
  • Behr S300-4 Flax Straw Near-identical
  • Valspar 3007-5B Earthen Sienna Very close
  • Sherwin-Williams SW 6402 Antiquity Close
  • Farrow & Ball No. 51 Sudbury Yellow Close
43 Bed, sofa, curtains
Burnt sienna brown
#925E3F
  • Behr S230-7 Toasted Bagel Very close
  • Valspar 3011-6 Toffee Glaze Close
  • Sherwin-Williams SW 45 Antiquarian Brown Close
  • Farrow & Ball No. 42 Picture Gallery Red Similar
15 Wood and frames

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale warm stone looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#BEBAA8

In north light the wall color #D0C5A3 looks cooler and slightly greyer. Its yellow undertone softens, so the room stays calm and neutral.

South-facing room#DACCA9

In strong south light the wall color #D0C5A3 looks warm and bright, and its yellow undertone shows more. Its LRV of 56 means it reflects a good amount of light, but it reads a little deeper than a white.

Evening, warm lamps (2700K)#B7A27B

Under warm evening bulbs the wall color #D0C5A3 glows and looks more golden. The deeper colors, especially #6A5A3E and #796A47, look richer and more brown.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Burnt sienna brown and the rug border takes Deep olive khaki in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale warm stone
Golden ochre tan
Warm mid taupe
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Ancient Rome

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Can I paint all four walls in the pale warm stone?

You can, but the room will feel more even and less layered. Many rooms look fuller when one wall takes the mid taupe #A5936D and the rest use #D0C5A3.

Which wood tone works with this palette?

The burnt sienna #925E3F is the wood color in this palette, with an LRV of 14. It suits wood floors, frames, and furniture that already has a warm red-orange tone.

Will the deep colors make a small room feel closed in?

They can. Keep the deepest colors, #6A5A3E and #796A47, to textiles, rugs or a single piece of furniture, and use the lighter stone and ochre on larger surfaces.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.