19th-century French painting · art-to-room palette

The Forest of Fontainebleau Color Palette & Paint Colors

Six colors measured from The Forest of Fontainebleau by Narcisse-Virgile Diaz de la Peña, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Light Yellow on most walls, use Muted Teal for the bed, sofa or curtains, and keep Deep Umber to one bold piece. Warm Umber suits floors, wood and frames, and Ink Umber works best in a single textile.

Date
1874
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
50
The Forest of Fontainebleau by Narcisse-Virgile Diaz de la Peña
Narcisse-Virgile Diaz de la Peña, The Forest of Fontainebleau, 1874. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Ink Umber
#3E3429 · 42.3% · LRV 4
Soft Black
#2A2621 · 31.9% · LRV 2
Deep Umber
#706146 · 18.2% · LRV 12
Warm Umber
#977D5A · 4.7% · LRV 22
Muted Teal
#758986 · 1.7% · LRV 23
Light Yellow
#DCB689 · 1.2% · LRV 51

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Forest of Fontainebleau reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Ink Umber is strongest
Ink Umber
Detail of the painting where Soft Black is strongest
Soft Black
Detail of the painting where Deep Umber is strongest
Deep Umber
Detail of the painting where Warm Umber is strongest
Warm Umber
Detail of the painting where Muted Teal is strongest
Muted Teal
Detail of the painting where Light Yellow is strongest
Light Yellow

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Ink Umber
#3E3429
  • Sherwin-Williams SW 9183 Dark Clove Close
  • Behr N210-7 Havana Coffee Close
  • Farrow & Ball No. 256 Pitch Black Similar
  • Valspar 6010-2 Deep Earth Similar
4 One small textile
Soft Black
#2A2621
  • Sherwin-Williams SW 6258 Tricorn Black Similar
  • Behr 790B-7 Bitter Chocolate Similar
  • Farrow & Ball No. 256 Pitch Black Similar
  • Valspar 4011-2 Dark Kettle Black Similar
2 Small accents, art, accessories
Deep Umber
#706146
  • Behr PPU7-02 Tree Swing Very close
  • Valspar 6008-2C Prairie Foliage Close
  • Sherwin-Williams SW 2843 Roycroft Brass Close
  • Farrow & Ball No. 290 Salon Drab Close
12 One bold piece
Warm Umber
#977D5A
  • Behr 280F-5 New Chestnut Very close
  • Valspar 3006-7A Olive Branch Gold Very close
  • Sherwin-Williams SW 6138 Artifact Very close
  • Farrow & Ball No. 40 Mouse's Back Similar
22 Wood and frames
Muted Teal
#758986
  • Behr BNC-25 Gray Pepper Very close
  • Valspar 5001-4B Northern Juniper Very close
  • Sherwin-Williams SW 6214 Underseas Close
  • Farrow & Ball No. 299 De Nimes Similar
23 Bed, sofa, curtains
Light Yellow
#DCB689
  • Behr UL150-4 Fortune Cookie Near-identical
  • Valspar 3003-5C Imperial Gold Very close
  • Sherwin-Williams SW 9023 Dakota Wheat Very close
  • Farrow & Ball No. 51 Sudbury Yellow Similar
51 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How light yellow looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#C5B198

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#E4C195

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#BE9A6C

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Warm Umber and the rug border takes Ink Umber in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Light Yellow
Muted Teal
Deep Umber
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Forest of Fontainebleau

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

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FAQ

What colors are in The Forest of Fontainebleau?

Measured from the image, the painting's six main colors are Ink Umber (#3E3429, 42.3% of the canvas), Soft Black (#2A2621, 31.9% of the canvas), Deep Umber (#706146, 18.2% of the canvas), Warm Umber (#977D5A, 4.7% of the canvas), Muted Teal (#758986, 1.7% of the canvas), Light Yellow (#DCB689, 1.2% of the canvas).

Does this palette work in a small room?

Use it with care. The lightest wall color in this painting has an LRV of about 50, so in a small room pair it with plenty of daylight or a lighter white on the ceiling.

Can I use this image on my own mood board?

The Metropolitan Museum of Art releases this image as public domain (cc0), so it can be reused freely.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.