19th-century British painting · art-to-room palette

Mrs. Robert Shurlock Sr. (Ann Manwaring) Color Palette & Paint Colors

Six colors measured from Mrs. Robert Shurlock Sr. (Ann Manwaring) by John Russell, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Light Linen on most walls, use Deep Linen for the bed, sofa or curtains, and keep Deep Umber to one bold piece. Warm Ochre suits floors, wood and frames, and Deep Red works best in a single textile.

Date
1801
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
53
Mrs. Robert Shurlock Sr. (Ann Manwaring) by John Russell
John Russell, Mrs. Robert Shurlock Sr. (Ann Manwaring), 1801. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep Umber
#4E4033 · 48.5% · LRV 6
Warm Ochre
#A17F6B · 18.3% · LRV 24
Light Linen
#CDBEAB · 16.5% · LRV 53
Deep Linen
#BCAC99 · 12.1% · LRV 43
Deep Ochre
#C29476 · 2.8% · LRV 34
Deep Red
#85533E · 1.8% · LRV 12

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Mrs. Robert Shurlock Sr. (Ann Manwaring) reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep Umber is strongest
Deep Umber
Detail of the painting where Warm Ochre is strongest
Warm Ochre
Detail of the painting where Light Linen is strongest
Light Linen
Detail of the painting where Deep Linen is strongest
Deep Linen
Detail of the painting where Deep Ochre is strongest
Deep Ochre
Detail of the painting where Deep Red is strongest
Deep Red

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep Umber
#4E4033
  • Sherwin-Williams SW 9183 Dark Clove Very close
  • Behr 760B-7 Revival Mahogany Close
  • Valspar 6010-2 Deep Earth Similar
  • Farrow & Ball No. 36 Mahogany Similar
6 One bold piece
Warm Ochre
#A17F6B
  • Behr MQ2-42 Warm Cognac Near-identical
  • Valspar 2006-7B Chocolate Cheesecake Very close
  • Sherwin-Williams SW 9092 Iced Mocha Close
  • Farrow & Ball No. 295 Sulking Room Pink Similar
24 Wood and frames
Light Linen
#CDBEAB
  • Behr UL170-7 Cabo Near-identical
  • Valspar 3003-10B Hopsack Near-identical
  • Sherwin-Williams SW 9110 Malabar Near-identical
  • Farrow & Ball No. 211 Stony Ground Very close
53 Main walls
Deep Linen
#BCAC99
  • Sherwin-Williams SW 7548 Portico Very close
  • Behr PPU7-07 Riviera Beach Very close
  • Valspar 2007-10A Timber Dust Very close
  • Farrow & Ball No. 17 Light Gray Very close
43 Bed, sofa, curtains
Deep Ochre
#C29476
  • Sherwin-Williams SW 39 Portrait Tone Very close
  • Valspar 2005-7C Desert Carnation Very close
  • Behr HDC-AC-02 Copper Moon Very close
  • Farrow & Ball No. 28 Dead Salmon Similar
34 Small accents, art, accessories
Deep Red
#85533E
  • Valspar 2010-6 Burnt Caramel Very close
  • Behr 240F-6 Sable Brown Close
  • Sherwin-Williams SW 2803 Rookwood Terra Cotta Close
  • Farrow & Ball No. 42 Picture Gallery Red Similar
12 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How light linen looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#BCB5AE

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#D8C7AF

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#B59E7F

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Warm Ochre and the rug border takes Deep Red in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Light Linen
Deep Linen
Deep Umber
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Mrs. Robert Shurlock Sr. (Ann Manwaring)

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

More palettes like this

FAQ

What colors are in Mrs. Robert Shurlock Sr. (Ann Manwaring)?

Measured from the image, the painting's six main colors are Deep Umber (#4E4033, 48.5% of the canvas), Warm Ochre (#A17F6B, 18.3% of the canvas), Light Linen (#CDBEAB, 16.5% of the canvas), Deep Linen (#BCAC99, 12.1% of the canvas), Deep Ochre (#C29476, 2.8% of the canvas), Deep Red (#85533E, 1.8% of the canvas).

Does this palette work in a small room?

Use it with care. The lightest wall color in this painting has an LRV of about 53, so in a small room pair it with plenty of daylight or a lighter white on the ceiling.

Can I use this image on my own mood board?

The Metropolitan Museum of Art releases this image as public domain (cc0), so it can be reused freely.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.