19th-century British painting · art-to-room palette

The Bridge at Villeneuve-la-Garenne Color Palette & Paint Colors

Six colors measured from The Bridge at Villeneuve-la-Garenne by Alfred Sisley, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Pale Yellow on most walls, use Soft Blue for the bed, sofa or curtains, and keep Dusky Green to one bold piece. Deep Umber suits floors, wood and frames, and Deep Green works best in a single textile.

Date
1872
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
75
The Bridge at Villeneuve-la-Garenne by Alfred Sisley
Alfred Sisley, The Bridge at Villeneuve-la-Garenne, 1872. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Soft Blue
#719AB7 · 37.8% · LRV 30
Soft Green
#778371 · 26.4% · LRV 21
Deep Green
#676F57 · 15.8% · LRV 15
Pale Yellow
#F2DEB7 · 10.2% · LRV 75
Dusky Green
#8C9C65 · 5.6% · LRV 30
Deep Umber
#704A28 · 4.2% · LRV 9

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Bridge at Villeneuve-la-Garenne reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Soft Blue is strongest
Soft Blue
Detail of the painting where Soft Green is strongest
Soft Green
Detail of the painting where Deep Green is strongest
Deep Green
Detail of the painting where Pale Yellow is strongest
Pale Yellow
Detail of the painting where Dusky Green is strongest
Dusky Green
Detail of the painting where Deep Umber is strongest
Deep Umber

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Soft Blue
#719AB7
  • Sherwin-Williams SW 9071 Dyer's Woad Close
  • Behr S510-4 Jean Jacket Blue Close
  • Valspar 4004-6A Splendid Blue Close
  • Farrow & Ball No. 237 Cook's Blue Close
30 Bed, sofa, curtains
Soft Green
#778371
  • Behr MQ6-16 Gazebo Green Near-identical
  • Sherwin-Williams SW 6193 Privilege Green Very close
  • Valspar 5005-4B Green Peppercorn Very close
  • Farrow & Ball No. 47 Green Smoke Close
21 Small accents, art, accessories
Deep Green
#676F57
  • Behr N320-6 Arrowhead Very close
  • Valspar 5008-4C April Arbor Close
  • Sherwin-Williams SW 6180 Oakmoss Close
  • Farrow & Ball No. 298 Bancha Close
15 One small textile
Pale Yellow
#F2DEB7
  • Behr PPU6-12 Calla Near-identical
  • Farrow & Ball No. 67 Farrow's Cream Near-identical
  • Valspar 3007-6B Homey Cream Very close
  • Sherwin-Williams SW 6679 Full Moon Very close
75 Main walls
Dusky Green
#8C9C65
  • Farrow & Ball No. 287 Yeabridge Green Very close
  • Behr HDC-MD-15 Zesty Apple Close
  • Sherwin-Williams SW 6725 Pickle Close
  • Valspar 6004-6B Emerald Isle Close
30 One bold piece
Deep Umber
#704A28
  • Sherwin-Williams SW 6097 Sturdy Brown Very close
  • Behr 290F-7 Wooden Cabin Close
  • Valspar 3011-8 Dark Earth Similar
9 Wood and frames

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale yellow looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D4CAB5

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#F5E0B9

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#CAB086

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Deep Umber and the rug border takes Deep Green in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Yellow
Soft Blue
Dusky Green
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Bridge at Villeneuve-la-Garenne

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

What colors are in The Bridge at Villeneuve-la-Garenne?

Measured from the image, the painting's six main colors are Soft Blue (#719AB7, 37.8% of the canvas), Soft Green (#778371, 26.4% of the canvas), Deep Green (#676F57, 15.8% of the canvas), Pale Yellow (#F2DEB7, 10.2% of the canvas), Dusky Green (#8C9C65, 5.6% of the canvas), Deep Umber (#704A28, 4.2% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 75% of the light that hits it (LRV 75), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Metropolitan Museum of Art releases this image as public domain (cc0), so it can be reused freely.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.