18th-century British painting · art-to-room palette

The Third Duke of Dorset's Hunter with a Groom and a Dog Color Palette & Paint Colors

Six colors measured from The Third Duke of Dorset's Hunter with a Groom and a Dog by George Stubbs, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Pale Yellow on most walls, use Warm Yellow for the bed, sofa or curtains, and keep Deep Green to one bold piece. Warm Umber suits floors, wood and frames, and Deep Umber works best in a single textile.

Date
1768
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
78
The Third Duke of Dorset's Hunter with a Groom and a Dog by George Stubbs
George Stubbs, The Third Duke of Dorset's Hunter with a Groom and a Dog, 1768. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Pale Yellow
#F2E3C1 · 27.9% · LRV 78
Ink Umber
#272118 · 27.9% · LRV 2
Deep Umber
#574028 · 17% · LRV 6
Deep Green
#5E5F35 · 12.8% · LRV 11
Warm Yellow
#9C8D53 · 10.4% · LRV 27
Warm Umber
#8F663E · 4% · LRV 16

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Third Duke of Dorset's Hunter with a Groom and a Dog reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Pale Yellow is strongest
Pale Yellow
Detail of the painting where Ink Umber is strongest
Ink Umber
Detail of the painting where Deep Umber is strongest
Deep Umber
Detail of the painting where Deep Green is strongest
Deep Green
Detail of the painting where Warm Yellow is strongest
Warm Yellow
Detail of the painting where Warm Umber is strongest
Warm Umber

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Pale Yellow
#F2E3C1
  • Valspar 3002-4C Cream Cake Near-identical
  • Behr 330C-2 Lightweight Beige Very close
  • Sherwin-Williams SW 6679 Full Moon Very close
  • Farrow & Ball No. 2012 House White Very close
78 Main walls
Ink Umber
#272118
  • Behr 790B-7 Bitter Chocolate Similar
  • Sherwin-Williams SW 6258 Tricorn Black Similar
  • Farrow & Ball No. 256 Pitch Black Similar
2 Small accents, art, accessories
Deep Umber
#574028
  • Behr 280F-7 Breakfast Blend Very close
  • Sherwin-Williams SW 7041 Van Dyke Brown Close
  • Valspar 3011-8 Dark Earth Similar
6 One small textile
Deep Green
#5E5F35
  • Sherwin-Williams SW 6426 Basque Green Near-identical
  • Behr 750D-6 Lemon Pepper Close
  • Valspar 6005-4C Summer's End Close
  • Farrow & Ball No. 298 Bancha Close
11 One bold piece
Warm Yellow
#9C8D53
  • Behr S320-6 Garden Salt Green Very close
  • Sherwin-Williams SW 6417 Tupelo Tree Very close
  • Valspar 6007-4B Rolling Prairie Close
27 Bed, sofa, curtains
Warm Umber
#8F663E
  • Sherwin-Williams SW 6118 Leather Bound Very close
  • Behr QE-31 Barcelona Brown Very close
  • Valspar 3011-5 Autumn Surprise Close
16 Wood and frames

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale yellow looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D4CDBC

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#F5E4C1

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#CAB38B

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Warm Umber and the rug border takes Deep Umber in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Yellow
Warm Yellow
Deep Green
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Third Duke of Dorset's Hunter with a Groom and a Dog

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

What colors are in The Third Duke of Dorset's Hunter with a Groom and a Dog?

Measured from the image, the painting's six main colors are Pale Yellow (#F2E3C1, 27.9% of the canvas), Ink Umber (#272118, 27.9% of the canvas), Deep Umber (#574028, 17% of the canvas), Deep Green (#5E5F35, 12.8% of the canvas), Warm Yellow (#9C8D53, 10.4% of the canvas), Warm Umber (#8F663E, 4% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 78% of the light that hits it (LRV 78), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Metropolitan Museum of Art releases this image as public domain (cc0), so it can be reused freely.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.