19th-century French painting · art-to-room palette

Unfinished Study of Sheep Color Palette & Paint Colors

This palette comes from Constant Troyon's Unfinished Study of Sheep, c. 1850, at The Art Institute of Chicago. It is a warm family of earthy browns, ochres and soft golds, and it suits living rooms, studies and dining rooms where you want a settled, low-contrast feel.

Quick answer

Use the light gold #D4B980 (LRV 50) on the walls and the mid-tone #A88D56 as the main color in larger furnishings. Keep the deep browns #7D5E32 for wood and #584828 for one accent, with #C69351 in textiles.

Date
c. 1850
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
50
Unfinished Study of Sheep by Constant Troyon
Constant Troyon, Unfinished Study of Sheep, c. 1850. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep Umber Brown
#584828 · 45.4% · LRV 7
Dark Walnut Brown
#7D5E32 · 31.1% · LRV 13
Muted Straw Gold
#A88D56 · 8.9% · LRV 28
Burnt Sand Orange
#B27F46 · 8.5% · LRV 25
Warm Honey Ochre
#C69351 · 3.6% · LRV 34
Pale Wheat Gold
#D4B980 · 2.5% · LRV 50

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Unfinished Study of Sheep reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep Umber Brown is strongest
Deep Umber Brown
Detail of the painting where Dark Walnut Brown is strongest
Dark Walnut Brown
Detail of the painting where Muted Straw Gold is strongest
Muted Straw Gold
Detail of the painting where Burnt Sand Orange is strongest
Burnt Sand Orange
Detail of the painting where Warm Honey Ochre is strongest
Warm Honey Ochre
Detail of the painting where Pale Wheat Gold is strongest
Pale Wheat Gold

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep Umber Brown
#584828
  • Behr S-H-700 Burley Wood Very close
  • Sherwin-Williams SW 9125 Oliva Oscuro Close
  • Valspar 6009-3 Montana Moss Similar
7 One bold piece
Dark Walnut Brown
#7D5E32
  • Behr 270F-7 English Saddle Very close
  • Sherwin-Williams SW 6139 Mossy Gold Close
  • Valspar 3006-9A Grecian Helmet Similar
  • Farrow & Ball No. 290 Salon Drab Similar
13 Wood and frames
Muted Straw Gold
#A88D56
  • Behr 300F-5 Brown Rabbit Very close
  • Sherwin-Williams SW 43 Peristyle Brass Very close
  • Valspar 3008-7A Grecian Olive Close
  • Farrow & Ball No. 66 India Yellow Similar
28 Bed, sofa, curtains
Burnt Sand Orange
#B27F46
  • Behr S270-6 Almond Brittle Near-identical
  • Sherwin-Williams SW 6377 Butterscotch Very close
  • Valspar 3003-5A Amber Sienna Very close
25 Small accents, art, accessories
Warm Honey Ochre
#C69351
  • Valspar 3004-5A Poseidon's Gold Very close
  • Sherwin-Williams SW 6383 Golden Rule Very close
  • Behr M250-5 Burnt Pumpkin Very close
  • Farrow & Ball No. 66 India Yellow Close
34 One small textile
Pale Wheat Gold
#D4B980
  • Sherwin-Williams SW 6401 Independent Gold Near-identical
  • Behr MQ2-18 Honey Tea Very close
  • Valspar 3007-5C Harpswell Green Very close
  • Farrow & Ball No. 51 Sudbury Yellow Close
50 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale wheat gold looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#C0B292

North light is cool and flat, so the pale wheat gold #D4B980 (LRV 50) will look a little grayer and quieter than the swatch. It still reads as a soft, sandy wall, but it will not bounce much light, so keep the trim and ceiling lighter to stop the room feeling heavy.

South-facing room#DDC38E

Strong south light brings out the yellow in #D4B980 and makes it look warmer and brighter. At LRV 50 it should stay comfortable rather than glaring, and it is a good choice for a sunny room where you want a gentle glow.

Evening, warm lamps (2700K)#BA9B66

Warm evening bulbs add even more yellow, so the wall will turn deeper and more golden. The dark browns #584828 (LRV 7) and #7D5E32 (LRV 13) will nearly merge in low light, so add a lamp or two near them to keep their shape visible.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Dark Walnut Brown and the rug border takes Warm Honey Ochre in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Wheat Gold
Muted Straw Gold
Deep Umber Brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Unfinished Study of Sheep

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

Can I paint a whole room in these colors?

The light gold #D4B980 (LRV 50) is the only one here that works across all four walls. The others are mid-tone to very dark, with LRVs from 7 to 33, so they suit furniture, textiles and a single accent wall.

How do I use the darkest brown without making the room feel small?

Limit #584828 (LRV 7) to one accent, such as a built-in, a door or a single wall behind a sofa. Pair it with the light gold on the other walls so the room still has plenty of reflected light.

What should I use for wood and fabrics?

The walnut brown #7D5E32 (LRV 13) suits wood tones like floors, tables and frames. The honey ochre #C69351 (LRV 33) works well in cushions, curtains and throws, where it adds warmth without taking over.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.