18th-century French painting · art-to-room palette

A Woman Seated on a Balustrade Color Palette & Paint Colors

This palette comes from "A Woman Seated on a Balustrade" by Marie Denise Villers, ca. 1801, at The Metropolitan Museum of Art. Most of the painting sits in deep browns and warm greys, with a pale cool grey and a soft tan to lift the darkest areas.

Quick answer

Use the pale grey #D4D8D9 on the walls, the soft tan #CCAB79 for large textiles or a main piece, and the deep brown #644D36 for upholstery or rugs. Pick up the ochre #8A754F in wood furniture or frames, and save the espresso #412F21 for a few small accents such as a door, a lamp base, or a picture frame.

Date
ca. 1801
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
68
A Woman Seated on a Balustrade by Marie Denise Villers
Marie Denise Villers, A Woman Seated on a Balustrade, ca. 1801. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep espresso brown
#412F21 · 30.1% · LRV 3
Warm taupe grey
#858279 · 27.1% · LRV 22
Deep umber brown
#644D36 · 18.7% · LRV 8
Cool pale grey
#B0B5B7 · 13.7% · LRV 46
Muted ochre brown
#8A754F · 6.9% · LRV 19
Soft wheat tan
#CCAB79 · 3.4% · LRV 43

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

A Woman Seated on a Balustrade reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep espresso brown is strongest
Deep espresso brown
Detail of the painting where Warm taupe grey is strongest
Warm taupe grey
Detail of the painting where Deep umber brown is strongest
Deep umber brown
Detail of the painting where Cool pale grey is strongest
Cool pale grey
Detail of the painting where Muted ochre brown is strongest
Muted ochre brown
Detail of the painting where Soft wheat tan is strongest
Soft wheat tan

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep espresso brown
#412F21
  • Sherwin-Williams SW 6076 Turkish Coffee Close
  • Behr 760B-7 Revival Mahogany Similar
3 One bold piece
Warm taupe grey
#858279
  • Valspar 6004-2B Mountain Smoke Near-identical
  • Behr PPU8-22 Pier Very close
  • Sherwin-Williams SW 7743 Mountain Road Close
  • Farrow & Ball No. 276 Mole's Breath Close
22 Small accents, art, accessories
Deep umber brown
#644D36
  • Behr N250-7 Mission Brown Near-identical
  • Sherwin-Williams SW 9115 Cowboy Boots Very close
  • Valspar 3011-8 Dark Earth Close
  • Farrow & Ball No. 290 Salon Drab Similar
8 One small textile
Cool pale grey
#B0B5B7
  • Sherwin-Williams SW 7072 Online Very close
  • Valspar 4005-1C Metropolis Very close
  • Behr N140-3 Metropolis Very close
  • Farrow & Ball No. 27 Parma Gray Close
46 Main walls
Muted ochre brown
#8A754F
  • Behr PPU6-20 Eden Prairie Very close
  • Valspar 6008-4C Valencia Moss Close
  • Sherwin-Williams SW 9124 Verde Marrón Close
  • Farrow & Ball No. 40 Mouse's Back Similar
19 Wood and frames
Soft wheat tan
#CCAB79
  • Sherwin-Williams SW 2813 Downing Straw Very close
  • Behr PPU6-15 Romanesque Gold Very close
  • Valspar 3005-7C Lewis Gold Close
  • Farrow & Ball No. 51 Sudbury Yellow Similar
43 Bed, sofa, curtains

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

This painting has no light tone, so the wall color above is a lightened version of its palest color (#D4D8D9).

How the lightest tone looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#C0C6CB

North light is cool and even, so the pale grey wall #D4D8D9 may look a little bluer and cooler than it does in the painting. Warm up the room with the tan and ochre in textiles and wood to balance it.

South-facing room#DDDBD3

Strong south light makes the pale grey wall #D4D8D9 look brighter and more open. Deep browns will stay rich, and the tan and ochre will look warmer and more golden.

Evening, warm lamps (2700K)#BAAD9A

Under warm evening bulbs, the grey wall takes on a softer, slightly warm cast. The tan, ochre, and brown tones will glow, and the room will feel cozy.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Muted ochre brown and the rug border takes Deep umber brown in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Cool pale grey
Soft wheat tan
Deep espresso brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for A Woman Seated on a Balustrade

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Can I use the espresso brown #412F21 on a whole wall?

It is very dark, with a measured LRV of 3, so a full wall will make a room feel closed in. Use it on one wall in a large room, or on a door, trim, or cabinet instead.

Which wood tones go with this scheme?

The ochre brown #8A754F is the closest match to the painting's wood tones, and it pairs well with the soft tan and deep umber. Choose furniture in that warm, mid-brown range so it sits comfortably with the walls.

Why is the wall color not one of the painting's colors?

The painting has no light tone, so the wall color #D4D8D9 is a lighter version of its palest color, the cool grey #B0B5B7. It is meant to give the room some lift without losing the palette's balance.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.