17th-century Dutch painting · art-to-room palette

Portrait of a Seated Man Color Palette & Paint Colors

This palette is built from deep browns, olive-khaki darks, and warm clay tones taken from a seated portrait. It suits rooms where you want a quiet, grounded scheme with warm wood and fabric in the mix.

Quick answer

Use #F0D1BB on the walls, with #9B7D65 on larger main pieces such as upholstery. Bring in #67604B for wood, #524B3D as an accent, #3D2C27 for textiles, and #1A1917 in small amounts for the darkest detail.

Date
late 1650s or early 1660s
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
68
Portrait of a Seated Man by Gerard ter Borch the Younger
Gerard ter Borch the Younger, Portrait of a Seated Man, late 1650s or early 1660s. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Near-black soft charcoal
#1A1917 · 53.8% · LRV 1
Deep warm olive
#524B3D · 17.1% · LRV 7
Dark khaki umber
#67604B · 16.8% · LRV 12
Dark warm brown
#3D2C27 · 8.3% · LRV 3
Light warm clay
#D2AF94 · 2.5% · LRV 47
Mid warm taupe
#9B7D65 · 1.5% · LRV 23

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Portrait of a Seated Man reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Near-black soft charcoal is strongest
Near-black soft charcoal
Detail of the painting where Deep warm olive is strongest
Deep warm olive
Detail of the painting where Dark khaki umber is strongest
Dark khaki umber
Detail of the painting where Dark warm brown is strongest
Dark warm brown
Detail of the painting where Light warm clay is strongest
Light warm clay
Detail of the painting where Mid warm taupe is strongest
Mid warm taupe

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Near-black soft charcoal
#1A1917
  • Sherwin-Williams SW 6258 Tricorn Black Similar
  • Behr 770F-7 Beluga Similar
1 Small accents, art, accessories
Deep warm olive
#524B3D
  • Behr N220-7 Cavalry Brown Near-identical
  • Sherwin-Williams SW 7055 Enduring Bronze Very close
  • Valspar 6009-3 Montana Moss Very close
  • Farrow & Ball No. 255 Tanner's Brown Similar
7 One bold piece
Dark khaki umber
#67604B
  • Behr HDC-FL14-8 Deer Trail Near-identical
  • Valspar 6010-4 Amazon Silt Very close
  • Sherwin-Williams SW 6167 Garden Gate Close
  • Farrow & Ball No. 290 Salon Drab Similar
12 Wood and frames
Dark warm brown
#3D2C27
  • Sherwin-Williams SW 6006 Black Bean Close
  • Behr BXC-78 Cordovan Leather Close
  • Valspar 1011-8 Antique Burgundy Similar
  • Farrow & Ball No. 36 Mahogany Similar
3 One small textile
Light warm clay
#D2AF94
  • Behr MQ2-4 Butterscotch Amber Near-identical
  • Sherwin-Williams SW 7704 Tower Tan Very close
  • Valspar 3001-8A Pale Powder Very close
  • Farrow & Ball No. 231 Setting Plaster Similar
47 Main walls
Mid warm taupe
#9B7D65
  • Behr MQ2-19 Home Sweet Home Very close
  • Sherwin-Williams SW 2823 Rookwood Clay Very close
  • Valspar 3001-7B Tender Twig Very close
  • Farrow & Ball No. 40 Mouse's Back Similar
23 Bed, sofa, curtains

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

This painting has no light tone, so the wall color above is a lightened version of its palest color (#F0D1BB).

How the lightest tone looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D2C1B8

In north light, #F0D1BB looks softer and cooler than in the photo. Its warm red-orange tone stays present but quiet, so the room feels calm.

South-facing room#F3D6BC

In strong south light, #F0D1BB reads warm and bright. It can look close to pale peach at midday, so test a sample board before committing.

Evening, warm lamps (2700K)#CAA988

Under warm evening bulbs, #F0D1BB takes on a deeper, glowing warmth. The darker browns in the scheme will look richer and more cohesive.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Dark khaki umber and the rug border takes Dark warm brown in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Light warm clay
Mid warm taupe
Deep warm olive
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Portrait of a Seated Man

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

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FAQ

Can I paint a whole room in the darkest color?

#1A1917 has an LRV of 1, which reads very dark. Use it on small areas, such as a door, a built-in, or a single accent wall, rather than across a full room.

Which color works best for wood trim?

#67604B is the wood tone in this palette, with an LRV of 12. It has a deep warm yellow undertone, so it sits well beside the wall color without competing with it.

How do I check the wall color before painting?

Paint a sample board of #F0D1BB and view it at morning, midday, and evening. Because it is a lightened version of #D2AF94, its exact tone can shift with the light in your room.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.