16th-century German painting · art-to-room palette

Portrait of a Woman of the Slosgin Family of Cologne Color Palette & Paint Colors

This palette comes from a 1557 oak-panel portrait and pairs a deep blue-gray and near-black browns with one pale green-tinted wall color. It suits rooms that want a grounded, dark scheme with one light surface to keep the space from feeling closed in.

Quick answer

Put the pale green-gray on the largest wall and the deep blue-gray on one feature wall or cabinetry. Use the dark brown for trim, doors, or wood floors, the rust as a small accent in art or pillows, and the ochre in curtains or a rug.

Date
1557
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
72
Portrait of a Woman of the Slosgin Family of Cologne by Barthel Bruyn the Younger
Barthel Bruyn the Younger, Portrait of a Woman of the Slosgin Family of Cologne, 1557. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Near-black warm brown
#19140E · 49.7% · LRV 1
Pale green-gray white
#DCDED6 · 14.7% · LRV 72
Deep blue-gray slate
#5E757D · 13.8% · LRV 17
Dark warm umber brown
#53401C · 13% · LRV 6
Muted rust red-orange
#A84F36 · 4.5% · LRV 14
Soft ochre tan
#C09156 · 4.4% · LRV 32

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Portrait of a Woman of the Slosgin Family of Cologne reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Near-black warm brown is strongest
Near-black warm brown
Detail of the painting where Pale green-gray white is strongest
Pale green-gray white
Detail of the painting where Deep blue-gray slate is strongest
Deep blue-gray slate
Detail of the painting where Dark warm umber brown is strongest
Dark warm umber brown
Detail of the painting where Muted rust red-orange is strongest
Muted rust red-orange
Detail of the painting where Soft ochre tan is strongest
Soft ochre tan

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Near-black warm brown
#19140E
1 Small accents, art, accessories
Pale green-gray white
#DCDED6
  • Sherwin-Williams SW 6189 Opaline Near-identical
  • Valspar 5005-3A Luna Near-identical
  • Behr MQ3-45 Looking Glass Near-identical
  • Farrow & Ball No. 204 Pale Powder Very close
72 Main walls
Deep blue-gray slate
#5E757D
  • Behr 750F-5 Silver Hill Very close
  • Sherwin-Williams SW 7619 Labradorite Very close
  • Valspar 5001-2B Relaxed Navy Close
  • Farrow & Ball No. 299 De Nimes Close
17 Bed, sofa, curtains
Dark warm umber brown
#53401C
  • Behr S-H-700 Burley Wood Close
  • Sherwin-Williams SW 9125 Oliva Oscuro Similar
6 Wood and frames
Muted rust red-orange
#A84F36
  • Behr M200-7 Rusty Gate Very close
  • Sherwin-Williams SW 6629 Jalapeño Very close
  • Valspar 2011-5 Crimson Glow Close
  • Farrow & Ball No. 42 Picture Gallery Red Similar
14 One bold piece
Soft ochre tan
#C09156
  • Sherwin-Williams SW 6390 Bosc Pear Near-identical
  • Behr MQ4-7 Radiance Very close
  • Valspar 3002-5B Butternut Tree Very close
  • Farrow & Ball No. 66 India Yellow Close
32 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale green-gray white looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#C5CAC9

North light is cool, so the pale green-gray wall will look a little cooler and grayer. Its light reflectance value of 72 keeps the room bright even in dim light.

South-facing room#E4E0D1

Strong south light brightens the pale green-gray and softens its green undertone, so it can read close to white. The deep blue-gray will look richer and more saturated in the same light.

Evening, warm lamps (2700K)#BEB098

Warm evening bulbs push the pale green-gray toward cream and make the room feel cozier. The deep blue-gray will look darker and more muted after dark.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Dark warm umber brown and the rug border takes Soft ochre tan in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale green-gray white
Deep blue-gray slate
Muted rust red-orange
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Portrait of a Woman of the Slosgin Family of Cologne

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

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FAQ

Can I paint a whole room in the near-black brown?

The near-black brown has a light reflectance value of 1, so it absorbs almost all light. Use it on trim, doors, or floors rather than full walls, unless the room gets plenty of daylight.

How much of the room should be the deep blue-gray?

Keep the deep blue-gray to one wall, a built-in, or a cabinet. Its light reflectance value of 17 reads very dark, so using it on every wall can make a room feel small.

Do I need the rust and ochre colors at all?

They are the smallest shares of the palette, but they add warmth against the cool blue-gray. Use the rust in a few small pieces, such as a pillow or artwork, and the ochre in one textile.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.