17th-century Flemish painting · art-to-room palette

The Good Samaritan Color Palette & Paint Colors

This palette is taken from "The Good Samaritan" by David Teniers the Younger, an oil on wood painting in The Metropolitan Museum of Art. It is warm and layered, with deep browns, golds, and a soft cream, which suits dining rooms, living rooms, and libraries.

Quick answer

Use the pale linen as the main wall color and the camel tan for larger main surfaces such as a sofa or upholstered chair. Use the dark walnut for wood floors or trim, the deep honey ochre for accents like curtains or art frames, and the deep brick red for small textiles. Keep the espresso brown for the deepest details, such as a single cabinet or a dark frame.

Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
75
The Good Samaritan by David Teniers the Younger
David Teniers the Younger, The Good Samaritan. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep roasted brown
#331A11 · 32.6% · LRV 2
Dark walnut brown
#673D18 · 26.5% · LRV 6
Deep honey ochre
#976F2C · 16.3% · LRV 18
Warm camel tan
#C4A061 · 15.1% · LRV 38
Pale warm linen
#EBE0CE · 7.8% · LRV 75
Deep brick red
#7D381A · 1.6% · LRV 7

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Good Samaritan reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep roasted brown is strongest
Deep roasted brown
Detail of the painting where Dark walnut brown is strongest
Dark walnut brown
Detail of the painting where Deep honey ochre is strongest
Deep honey ochre
Detail of the painting where Warm camel tan is strongest
Warm camel tan
Detail of the painting where Pale warm linen is strongest
Pale warm linen
Detail of the painting where Deep brick red is strongest
Deep brick red

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep roasted brown
#331A11
  • Sherwin-Williams SW 2838 Polished Mahogany Close
  • Behr S-G-770 Wild Horse Similar
2 Small accents, art, accessories
Dark walnut brown
#673D18
  • Sherwin-Williams SW 6097 Sturdy Brown Close
  • Behr 290F-7 Wooden Cabin Similar
6 Wood and frames
Deep honey ochre
#976F2C
  • Sherwin-Williams SW 6398 Sconce Gold Very close
  • Behr S290-7 Wave Of Grain Very close
  • Valspar 3011-5 Autumn Surprise Similar
18 One bold piece
Warm camel tan
#C4A061
  • Behr PPU6-17 Classic Gold Very close
  • Valspar 3005-7B Antelope Hide Very close
  • Sherwin-Williams SW 6402 Antiquity Very close
  • Farrow & Ball No. 66 India Yellow Close
38 Bed, sofa, curtains
Pale warm linen
#EBE0CE
  • Behr PPU7-15 Ivory Lace Near-identical
  • Sherwin-Williams SW 7571 Casa Blanca Near-identical
  • Farrow & Ball No. 2008 Dimity Very close
  • Valspar 3001-8C Manila Cream Very close
75 Main walls
Deep brick red
#7D381A
  • Behr 230D-7 Cinnamon Brandy Close
  • Sherwin-Williams SW 2839 Roycroft Copper Red Similar
  • Valspar 2010-6 Burnt Caramel Similar
7 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale warm linen looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#CFCBC4

In north light the pale linen wall stays soft and even. Its warm yellow undertone can look a little muted, so the room will feel calm rather than bright.

South-facing room#EFE1CB

In strong south light the pale linen wall looks brighter and creamier. The warm undertones show more clearly, and the deep browns and golds look richer.

Evening, warm lamps (2700K)#C7B193

Under warm evening bulbs the pale linen wall takes on a golden glow. The camel tan and honey ochre will look especially warm, and the deep browns will feel cozier.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Dark walnut brown and the rug border takes Deep brick red in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale warm linen
Warm camel tan
Deep honey ochre
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Good Samaritan

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Can I paint a whole room in the darkest brown?

The darkest brown has a light reflectance value of 1, so it absorbs nearly all light. It works best on one wall, a built-in cabinet, or a door. Pair it with the pale linen wall so the room does not feel closed in.

Will the pale linen wall look yellow?

The pale linen has a warm yellow undertone and a light reflectance value of 75, so it reads light but warm. It can look more golden under warm bulbs. Test a sample on your own wall in the light you use most.

How do I bring the deep brick red into a room?

Use it in small amounts, such as throw pillows, a rug, or a textile on a chair. In the painting it covers only a small share of the surface, so keep it as an accent rather than a main color.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.