18th-century Italian painting · art-to-room palette

Cavalier and Shepherd Color Palette & Paint Colors

This palette is built from sage greens, deep browns and soft ochres, taken from Francesco Casanova's oil painting "Cavalier and Shepherd" at The Metropolitan Museum of Art. It suits rooms that want a calm, earthy base with a few warm, dark notes.

Quick answer

Use the main sage grey #AAB2A9 on the largest walls. Put the pale sage #D2DDCF on the ceiling or on a lighter adjoining wall. Use the very dark brown #5F3B25 as a single accent, such as a door or cabinet, and the walnut #895D34 on wood furniture or floors. Bring in the light honey #E9BE7D through cushions, curtains or throws.

Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
70
Cavalier and Shepherd by Francesco Casanova
Francesco Casanova, Cavalier and Shepherd. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Soft sage grey
#AAB2A9 · 34.5% · LRV 43
Deep umber brown
#5F3B25 · 26% · LRV 6
Pale sage mist
#D2DDCF · 18.1% · LRV 70
Warm walnut brown
#895D34 · 11.6% · LRV 13
Muted ochre tan
#BE9762 · 8.7% · LRV 34
Light honey cream
#E9BE7D · 1.2% · LRV 56

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Cavalier and Shepherd reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Soft sage grey is strongest
Soft sage grey
Detail of the painting where Deep umber brown is strongest
Deep umber brown
Detail of the painting where Pale sage mist is strongest
Pale sage mist
Detail of the painting where Warm walnut brown is strongest
Warm walnut brown
Detail of the painting where Muted ochre tan is strongest
Muted ochre tan
Detail of the painting where Light honey cream is strongest
Light honey cream

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Soft sage grey
#AAB2A9
  • Sherwin-Williams SW 6206 Oyster Bay Very close
  • Behr PPU12-14 Verdigris Very close
  • Valspar 5007-1C Coastal Jetty Close
  • Farrow & Ball No. 22 Light Blue Close
43 Bed, sofa, curtains
Deep umber brown
#5F3B25
  • Behr 240F-7 Root Beer Close
  • Sherwin-Williams SW 6090 Java Close
  • Valspar 2009-10 Roasted Coffee Similar
6 One bold piece
Pale sage mist
#D2DDCF
  • Behr N370-2 Eon Very close
  • Sherwin-Williams SW 6455 Fleeting Green Very close
  • Valspar 5007-3B Mellow Spring Close
  • Farrow & Ball No. 204 Pale Powder Close
70 Main walls
Warm walnut brown
#895D34
  • Sherwin-Williams SW 6118 Leather Bound Very close
  • Behr S260-7 Nugget Gold Close
  • Valspar 2008-7A Natural Cork Similar
13 Wood and frames
Muted ochre tan
#BE9762
  • Sherwin-Williams SW 6130 Mannered Gold Very close
  • Behr UL160-3 Gold Torch Very close
  • Valspar 3004-7B Lariat Tan Very close
  • Farrow & Ball No. 66 India Yellow Close
34 Small accents, art, accessories
Light honey cream
#E9BE7D
  • Behr 320D-4 Arizona Tan Very close
  • Valspar 3006-5C Golden Chime Very close
  • Sherwin-Williams SW 7682 Bee's Wax Very close
  • Farrow & Ball No. 51 Sudbury Yellow Close
56 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale sage mist looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#BEC9C5

In north light, the main wall color #AAB2A9 reads cooler and greyer, so the green undertone becomes more noticeable. The pale #D2DDCF stays clear and holds its brightness, which helps a small or dim room feel open.

South-facing room#DCDFCB

Strong south light brings out the warmth in the sage grey and softens its green. The darker tones, including the umber #5F3B25 and walnut #895D34, read richer and more defined in bright sun.

Evening, warm lamps (2700K)#B9B094

Under warm evening bulbs, the green undertones in the sage walls shift toward a softer olive grey. The ochre #BE9762 and honey #E9BE7D glow, so textiles and wood pieces look especially warm at night.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Warm walnut brown and the rug border takes Light honey cream in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale sage mist
Soft sage grey
Deep umber brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Cavalier and Shepherd

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color should I paint the largest wall?

Use the sage grey #AAB2A9 on the largest wall or walls. It makes up the largest share of the painting's palette and works as a calm base for the rest of the room.

Can I use the very dark brown on a whole wall?

It is better as an accent. At LRV 6, the dark brown #5F3B25 reads almost black in most rooms, so a door, cabinet or built-in works well. Using it on one wall can make a small room feel closed in.

How do I keep the scheme from feeling too heavy?

Balance the dark brown and walnut with the pale sage #D2DDCF and the light honey #E9BE7D. Put the lighter colors on the ceiling, trim or textiles so the room keeps its brightness.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.