#C5BFA9In north light, the pale wheat cream wall looks cooler and a little greyer. Its warm yellow undertone keeps it from going flat. Pair it with warmer wood tones to balance the room.
Paint colors for your home, inside and out
19th-century French painting · art-to-room palette
This palette comes from Paul Cézanne's "Bathers" (1874–75), an oil on canvas held by The Metropolitan Museum of Art. It mixes deep olive and forest greens with a soft slate blue and a pale wheat cream, so it suits rooms that want a calm, earthy scheme.
Quick answer
Use the pale wheat cream #DCCDA5 on the main walls. Place the soft slate blue #84A1B0 on one large piece such as a sofa or cabinet. Bring in the fresh olive green #8FA24C and the soft lime yellow #BAB95C through cushions, a throw, or a small accent.
Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.
Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.
The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.
| Painting color | Closest paints | LRV | Use it for |
|---|---|---|---|
deep olive moss#6A6E53 |
|
15 | Small accents, art, accessories |
soft slate blue#84A1B0 |
|
34 | Bed, sofa, curtains |
pale wheat cream#DCCDA5 |
|
62 | Main walls |
deep forest green#4B7E4C |
|
17 | Small accents, art, accessories |
fresh olive green#8FA24C |
|
32 | One bold piece |
soft lime yellow#BAB95C |
|
46 | One small textile |
Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.
The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.
#C5BFA9In north light, the pale wheat cream wall looks cooler and a little greyer. Its warm yellow undertone keeps it from going flat. Pair it with warmer wood tones to balance the room.
#E4D3ABIn strong south light, the wheat cream wall reads brighter and clearer. Its LRV of 62 bounces a good amount of light around the room. Check the sample at midday, because the yellow undertone may look stronger.
#BEA67BUnder warm evening bulbs, the wheat cream wall takes on a creamy glow. The yellow undertone becomes more noticeable. The slate blue will look softer and slightly deeper.
Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.
Wood takes a warm mid-brown and the rug border takes soft lime yellow in every combination.
Details from the painting next to the colors and materials that carry them into a room.
A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.
The deep olive moss and forest green have LRVs of 15 and 17, so they read very dark. Use them on one wall, a built-in, or a piece of furniture. Test them in the room's actual light before committing to more.
The wheat cream #DCCDA5 is the lightest color in the palette, with an LRV of 62. That lightness helps it spread light across a room. The slate blue, with an LRV of 34, works better as a deliberate accent.
Each color on this page has a closest measured commercial match listed on its own page. Those matches are the nearest the measurements allow, not exact copies. Always test a sample on your own wall and check it in morning, midday, and evening light.
Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.