19th-century French painting · art-to-room palette

The Sacred Grove, Beloved of the Arts and the Muses Color Palette & Paint Colors

This palette comes from Pierre Puvis de Chavannes's painting The Sacred Grove, Beloved of the Arts and the Muses, and it runs from pale wheat cream to deep umber. Its colors are olive, sage, moss and putty, all with a warm yellow or green cast, so they suit rooms that need calm, earthy depth.

Quick answer

Use the pale wheat cream (#D9CDA1, LRV 61) on the walls and the warm putty beige (#BDB196) on the main large surfaces such as cabinets or an accent wall. Bring in the deep warm olive (#757259) for textiles, the soft moss green (#969966) for small accents, and the dark umber brown (#534D36) for wood or trim.

Date
1884–89
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
61
The Sacred Grove, Beloved of the Arts and the Muses by Pierre Puvis de Chavannes
Pierre Puvis de Chavannes, The Sacred Grove, Beloved of the Arts and the Muses, 1884–89. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

deep warm olive
#757259 · 22.5% · LRV 17
muted sage grey
#7E7E68 · 20.3% · LRV 20
soft moss green
#969966 · 20.2% · LRV 30
warm putty beige
#BDB196 · 14.7% · LRV 45
dark umber brown
#534D36 · 12.9% · LRV 7
pale wheat cream
#D9CDA1 · 9.4% · LRV 61

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Sacred Grove, Beloved of the Arts and the Muses reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where deep warm olive is strongest
deep warm olive
Detail of the painting where muted sage grey is strongest
muted sage grey
Detail of the painting where soft moss green is strongest
soft moss green
Detail of the painting where warm putty beige is strongest
warm putty beige
Detail of the painting where dark umber brown is strongest
dark umber brown
Detail of the painting where pale wheat cream is strongest
pale wheat cream

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
deep warm olive
#757259
  • Behr BXC-05 Mudslide Very close
  • Sherwin-Williams SW 2851 Sage Green Light Close
  • Valspar 6001-4C Tarragon Close
  • Farrow & Ball No. 298 Bancha Similar
17 One small textile
muted sage grey
#7E7E68
  • Behr BNC-36 Restful Brown Very close
  • Sherwin-Williams SW 6179 Artichoke Close
  • Valspar 6004-4C Gaucho Close
  • Farrow & Ball No. 292 Treron Close
20 Small accents, art, accessories
soft moss green
#969966
  • Behr 380F-6 River Bank Near-identical
  • Sherwin-Williams SW 6424 Tansy Green Very close
  • Valspar 6002-4B Garden of Paradise Close
  • Farrow & Ball No. 287 Yeabridge Green Close
30 One bold piece
warm putty beige
#BDB196
  • Behr 700D-4 Brown Teepee Very close
  • Sherwin-Williams SW 7543 Avenue Tan Very close
  • Valspar 3007-10A Wetland Clay Close
  • Farrow & Ball No. 75 Ball Green Close
45 Bed, sofa, curtains
dark umber brown
#534D36
  • Behr 710D-7 Chocolate Cupcake Close
  • Sherwin-Williams SW 7745 Muddled Basil Close
  • Valspar 6009-3 Montana Moss Close
7 Wood and frames
pale wheat cream
#D9CDA1
  • Valspar 3008-8B Ancient Scroll Very close
  • Behr PPU8-11 Mojito Very close
  • Sherwin-Williams SW 6407 Ancestral Gold Very close
  • Farrow & Ball No. 37 Hay Close
61 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale wheat cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#C3BFA7

In north light the pale wheat cream wall reads softer and a little cooler, so it can look grayer than its warm base suggests. It still bounces enough light to keep a small room from feeling closed in.

South-facing room#E1D3A8

In strong south light the wall warms up and looks brighter, and the putty and olive tones show more clearly. Keep the umber wood and deep olive textiles where the sun lands directly, because they can look heavy if the room is very bright.

Evening, warm lamps (2700K)#BCA67A

Under warm evening bulbs the wheat cream and putty take on a golden glow, and the olive and umber settle into a richer, cozier mood. Test the wall with the lamps you use most, since bulb color changes these yellow-based tones more than daylight does.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes dark umber brown and the rug border takes deep warm olive in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

pale wheat cream
warm putty beige
soft moss green
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Sacred Grove, Beloved of the Arts and the Muses

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Can I paint a whole room in the deep warm olive?

You can, but it is a dark color at LRV 17, so the room will feel enclosed. Paint the walls in the pale wheat cream instead and use the deep olive on a single chair, curtains or a rug.

How do I use the dark umber brown in a room?

Use it for wood, trim, a door or a bookcase, where a deep warm brown anchors the room. Keep it to the smaller share of the scheme so it grounds the wall colors rather than overpowering them.

Do these colors work together in a small room?

Yes, if the walls stay light. Use the pale wheat cream on the walls and ceiling, the warm putty beige on one surface, and add the olive, moss and umber in small pieces such as pillows, art or wood accents.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.