19th-century painting · art-to-room palette

New England Scenery Color Palette & Paint Colors

This palette comes from Thomas Cole's 1839 oil painting "New England Scenery," held at The Art Institute of Chicago. It moves from pale warm clay and cream through ochre and bronze to deep brown, so it suits rooms that want warmth, depth and a settled, earthy feel.

Quick answer

Use the pale cream #F9E2B6 on the walls and the pale warm clay #DFC4AE for soft furnishings like sofas and curtains. Bring in the dark honey brown #5E4B20 through wood pieces, the mid-tone camel gold #B69250 for larger furniture, and the bronze ochre #81662B as an accent. Keep the deep umber #352C1B for small touches only.

Date
1839
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
78
New England Scenery by Thomas Cole
Thomas Cole, New England Scenery, 1839. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Pale Warm Clay
#DFC4AE · 41.1% · LRV 58
Deep Umber Brown
#352C1B · 31.7% · LRV 3
Dark Honey Brown
#5E4B20 · 11.3% · LRV 8
Soft Ivory Cream
#F9E2B6 · 7.3% · LRV 78
Mid Bronze Ochre
#81662B · 5.7% · LRV 14
Muted Camel Gold
#B69250 · 2.8% · LRV 31

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

New England Scenery reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Pale Warm Clay is strongest
Pale Warm Clay
Detail of the painting where Deep Umber Brown is strongest
Deep Umber Brown
Detail of the painting where Dark Honey Brown is strongest
Dark Honey Brown
Detail of the painting where Soft Ivory Cream is strongest
Soft Ivory Cream
Detail of the painting where Mid Bronze Ochre is strongest
Mid Bronze Ochre
Detail of the painting where Muted Camel Gold is strongest
Muted Camel Gold

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Pale Warm Clay
#DFC4AE
  • Valspar 2007-8B Sahara Sands Very close
  • Behr PPU3-08 Sienna Dust Very close
  • Sherwin-Williams SW 2859 Beige Very close
  • Farrow & Ball No. 231 Setting Plaster Very close
58 One small textile
Deep Umber Brown
#352C1B
  • Behr S-H-710 Dried Leaf Similar
  • Sherwin-Williams SW 9183 Dark Clove Similar
  • Farrow & Ball No. 256 Pitch Black Similar
3 Small accents, art, accessories
Dark Honey Brown
#5E4B20
  • Behr 300F-7 Centaur Very close
  • Sherwin-Williams SW 9125 Oliva Oscuro Similar
8 Wood and frames
Soft Ivory Cream
#F9E2B6
  • Behr BIC-28 Butter Creme Near-identical
  • Valspar 3004-4C Pretty Pretty Picture Very close
  • Sherwin-Williams SW 6673 Banana Cream Very close
  • Farrow & Ball No. 67 Farrow's Cream Very close
78 Main walls
Mid Bronze Ochre
#81662B
  • Behr 300F-6 Highland Ridge Very close
  • Sherwin-Williams SW 6412 Eminent Bronze Similar
  • Valspar 3006-9A Grecian Helmet Similar
14 One bold piece
Muted Camel Gold
#B69250
  • Valspar 3007-5A Corduroy Very close
  • Sherwin-Williams SW 6396 Different Gold Very close
  • Behr S300-5 Spiced Mustard Very close
  • Farrow & Ball No. 66 India Yellow Close
31 Bed, sofa, curtains

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How soft ivory cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D8CCB4

The cream wall has an LRV of 78, so it reflects a lot of light even in north light. Its warm yellow undertone keeps it from looking grey, though it may read a little cooler than it does in other light.

South-facing room#FAE3B8

Strong south light will make the cream wall look bright and fairly creamy. Check it in the afternoon, since direct sun can make it look more yellow than expected.

Evening, warm lamps (2700K)#CFB386

Under warm evening bulbs the cream wall will look softer and more golden. The clay and brown tones will also deepen, so the room will feel cosier.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Dark Honey Brown and the rug border takes Pale Warm Clay in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Soft Ivory Cream
Muted Camel Gold
Mid Bronze Ochre
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for New England Scenery

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color should I paint my walls with this palette?

The cream #F9E2B6 is the wall color in this scheme. It has an LRV of 78, so it keeps a room light and reflects daylight well.

Can I use the darkest brown in a small room?

Use it sparingly, such as on a door, a picture frame or a single piece of furniture. Its LRV of 3 is very dark, so large areas of it can make a small room feel closed in.

What should I pair the pale clay with?

Pair the pale warm clay #DFC4AE with the cream walls and the dark honey brown wood. The clay has a warm red-orange undertone, so it works well next to the warm yellow tones in the rest of the palette.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.