#DCCAADIn north light the cream wall at LRV 77 stays soft and calm, though its warm yellow undertone can read a little muted. It still bounces enough light to keep a room from feeling closed in.
Paint colors for your home, inside and out
18th-century French painting · art-to-room palette
This palette comes from Jacques Louis David's 1787 painting The Death of Socrates, held at The Metropolitan Museum of Art. Most of the canvas is deep brown and charcoal, with one pale cream that lifts the whole scheme, so it suits rooms that want warmth, depth and a sense of enclosure.
Quick answer
Use the pale cream #FFDFAA on the walls, the mid-tone ochre #977F5F on a main feature wall or large furniture, and the dark umber #423C33 on wood trim and doors. Add the rust #92513B and the clay #B87F5F in small amounts through textiles and accents, and keep the deepest charcoal #2C2822 for a few grounding details.
Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.
Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.
The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.
| Painting color | Closest paints | LRV | Use it for |
|---|---|---|---|
Deep Warm Charcoal#2C2822 |
|
2 | Small accents, art, accessories |
Smoked Umber Brown#423C33 |
|
5 | Wood and frames |
Muted Ochre Tan#977F5F |
|
23 | Bed, sofa, curtains |
Deep Rust Red#92513B |
|
12 | One bold piece |
Pale Warm Cream#FFDFAA |
|
77 | Main walls |
Warm Clay Terracotta#B87F5F |
|
26 | One small textile |
Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.
The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.
#DCCAADIn north light the cream wall at LRV 77 stays soft and calm, though its warm yellow undertone can read a little muted. It still bounces enough light to keep a room from feeling closed in.
#FFE1AFIn strong south light the cream wall looks brighter and warmer, and the ochre and rust tones gain punch. Expect the dark umber and charcoal to look richer rather than heavy.
#D2B17FUnder warm evening bulbs the yellow undertones move toward gold and the room feels cozy. The darker browns deepen, so check a large sample at night before committing to the darkest shades.
Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.
Wood takes Smoked Umber Brown and the rug border takes Warm Clay Terracotta in every combination.
Details from the painting next to the colors and materials that carry them into a room.
A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.
Use the pale cream #FFDFAA on the main walls. At LRV 77 it reflects enough light to balance the darker shades in the rest of the room.
It is possible, but it works best in small amounts. Try it on a door, a built-in or a window trim, where it adds depth without closing in the whole room.
The cream wall and the clay textile #B87F5F pair well with #423C33. Add a rust accent such as #92513B in a pillow or rug to bring warmth to the room.
Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.