19th-century French painting · art-to-room palette

Henri Fantin-Latour (1836–1904) Color Palette & Paint Colors

Six colors measured from Henri Fantin-Latour (1836–1904) by Carolus-Duran (Charles-Auguste-Emile Durant), with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Soft White on most walls, use Light Linen for the bed, sofa or curtains, and keep Ink Umber to one bold piece. Deep Umber suits floors, wood and frames, and Warm Linen works best in a single textile.

Date
1861
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
90
Henri Fantin-Latour (1836–1904) by Carolus-Duran (Charles-Auguste-Emile Durant)
Carolus-Duran (Charles-Auguste-Emile Durant), Henri Fantin-Latour (1836–1904), 1861. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Soft Black
#0F0F0E · 79.8% · LRV 1
Ink Umber
#342B24 · 9.1% · LRV 3
Warm Linen
#A28976 · 4.4% · LRV 27
Deep Umber
#5F4D42 · 4.2% · LRV 8
Light Linen
#D4BCA4 · 1.6% · LRV 53
Soft White
#FCF3E1 · 0.8% · LRV 90

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Henri Fantin-Latour (1836–1904) reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Soft Black is strongest
Soft Black
Detail of the painting where Ink Umber is strongest
Ink Umber
Detail of the painting where Warm Linen is strongest
Warm Linen
Detail of the painting where Deep Umber is strongest
Deep Umber
Detail of the painting where Light Linen is strongest
Light Linen
Detail of the painting where Soft White is strongest
Soft White

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Soft Black
#0F0F0E
1 Small accents, art, accessories
Ink Umber
#342B24
  • Behr 790B-7 Bitter Chocolate Close
  • Sherwin-Williams SW 6006 Black Bean Close
  • Farrow & Ball No. 256 Pitch Black Similar
  • Valspar 1011-8 Antique Burgundy Similar
3 One bold piece
Warm Linen
#A28976
  • Behr QE-22 Terrazzo Brown Very close
  • Sherwin-Williams SW 9082 Chocolate Powder Very close
  • Valspar 2005-9C Delta Sandbar Very close
  • Farrow & Ball No. 40 Mouse's Back Close
27 One small textile
Deep Umber
#5F4D42
  • Sherwin-Williams SW 2808 Rookwood Dark Brown Near-identical
  • Behr UL130-2 Roasted Nuts Near-identical
  • Valspar 2011-10 Cabin Plank Very close
  • Farrow & Ball No. 36 Mahogany Similar
8 Wood and frames
Light Linen
#D4BCA4
  • Behr HDC-SM14-3 Concept Beige Near-identical
  • Sherwin-Williams SW 9095 Ginger Root Very close
  • Valspar 3001-10B Milk Toast Very close
  • Farrow & Ball No. 264 Oxford Stone Very close
53 Bed, sofa, curtains
Soft White
#FCF3E1
  • Behr W-D-720 Innocence Near-identical
  • Sherwin-Williams SW 7105 Paperwhite Near-identical
  • Farrow & Ball No. 2002 White Tie Very close
  • Valspar 7002-19 Night Light Very close
90 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How soft white looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#DAD7D0

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#FDF0DA

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#D0BC9E

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Deep Umber and the rug border takes Warm Linen in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Soft White
Light Linen
Ink Umber
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Henri Fantin-Latour (1836–1904)

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

What colors are in Henri Fantin-Latour (1836–1904)?

Measured from the image, the painting's six main colors are Soft Black (#0F0F0E, 79.8% of the canvas), Ink Umber (#342B24, 9.1% of the canvas), Warm Linen (#A28976, 4.4% of the canvas), Deep Umber (#5F4D42, 4.2% of the canvas), Light Linen (#D4BCA4, 1.6% of the canvas), Soft White (#FCF3E1, 0.8% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 90% of the light that hits it (LRV 90), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Metropolitan Museum of Art releases this image as public domain (cc0), so it can be reused freely.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.