19th-century French painting · art-to-room palette

Roses and Lilies Color Palette & Paint Colors

This palette is a set of warm ochres, russets and browns, taken from Henri Fantin-Latour's 1888 still life Roses and Lilies. It suits rooms that need a calm, earthy base with a few deeper notes.

Quick answer

Use the pale parchment #E3D1A9 on the walls and the soft wheat #C1B290 on larger surfaces like cabinets or an accent wall. Keep the deep ochre #8D6F4E for an accent wall or a large piece of furniture, the dark russet #644527 for wood tones, and the golden ochre #AE8235 for textiles like cushions or curtains.

Date
1888
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
65
Roses and Lilies by Henri Fantin-Latour
Henri Fantin-Latour, Roses and Lilies, 1888. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

deep ochre brown
#8D6F4E · 62.5% · LRV 18
dark russet wood
#644527 · 17% · LRV 7
soft wheat beige
#C1B290 · 11.4% · LRV 45
pale parchment cream
#E3D1A9 · 6.2% · LRV 65
very dark rust
#753021 · 1.9% · LRV 6
warm golden ochre
#AE8235 · 1% · LRV 25

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Roses and Lilies reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where deep ochre brown is strongest
deep ochre brown
Detail of the painting where dark russet wood is strongest
dark russet wood
Detail of the painting where soft wheat beige is strongest
soft wheat beige
Detail of the painting where pale parchment cream is strongest
pale parchment cream
Detail of the painting where very dark rust is strongest
very dark rust
Detail of the painting where warm golden ochre is strongest
warm golden ochre

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
deep ochre brown
#8D6F4E
  • Sherwin-Williams SW 6110 Steady Brown Very close
  • Behr UL180-26 Bazaar Close
  • Valspar 2008-7B Standing Still Close
  • Farrow & Ball No. 290 Salon Drab Similar
18 One bold piece
dark russet wood
#644527
  • Sherwin-Williams SW 6097 Sturdy Brown Very close
  • Behr 290F-7 Wooden Cabin Close
  • Valspar 3011-8 Dark Earth Similar
7 Wood and frames
soft wheat beige
#C1B290
  • Behr BXC-07 Palomino Tan Near-identical
  • Valspar 6008-4A Dry Earth Very close
  • Sherwin-Williams SW 9121 Sawgrass Basket Very close
  • Farrow & Ball No. 75 Ball Green Close
45 Bed, sofa, curtains
pale parchment cream
#E3D1A9
  • Sherwin-Williams SW 6400 Lucent Yellow Near-identical
  • Behr UL180-11 Lemon Drop Near-identical
  • Valspar 3006-8B Light Amber Very close
  • Farrow & Ball No. 67 Farrow's Cream Close
65 Main walls
very dark rust
#753021
  • Sherwin-Williams SW 2839 Roycroft Copper Red Very close
  • Behr S160-7 Red Chipotle Similar
  • Valspar 1011-4 Posh Red Similar
6 Small accents, art, accessories
warm golden ochre
#AE8235
  • Sherwin-Williams SW 6397 Nankeen Very close
  • Behr 320D-6 Lion Mane Close
  • Valspar 3009-5 Pumpkin Squash Close
  • Farrow & Ball No. 66 India Yellow Similar
25 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale parchment cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#C9C1AC

In north light the pale parchment wall will look cooler and a little greyer. Pair it with warm wood and brass to keep the room feeling inviting.

South-facing room#E9D6AE

Strong south light brings out the warm yellow undertone of the parchment wall, so it can read quite bright. Test a sample on the wall at midday before committing to the full room.

Evening, warm lamps (2700K)#C2A97E

Under warm evening bulbs the ochres and russets deepen and glow, and the room will feel cozy. The pale wall will hold its warmth without looking flat.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes dark russet wood and the rug border takes warm golden ochre in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

pale parchment cream
soft wheat beige
deep ochre brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Roses and Lilies

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color should I use on the main walls?

Use the pale parchment #E3D1A9, which has an LRV of 65 and reads light and bounces light. It keeps a small room from feeling closed in while staying warm.

Can I use the darker colors in a small room?

Yes, but limit them to one surface, such as a single accent wall or a cabinet. The deep ochre #8D6F4E has an LRV of 18, so it reads quite dark and works best where there is good light.

How do I combine these colors without making the room feel heavy?

Keep the walls and the larger surfaces in the lighter wheat and parchment shades. Bring in the russet, rust and golden ochre through smaller pieces like textiles, frames and decorative objects.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.