19th-century French painting · art-to-room palette

The Beach at Sainte-Adresse Color Palette & Paint Colors

Six colors measured from The Beach at Sainte-Adresse by Claude Monet, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Soft White on most walls, use Deep Grey for the bed, sofa or curtains, and keep Deep Blue to one bold piece. Warm Linen suits floors, wood and frames, and Shadow Umber works best in a single textile.

Date
1867
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
77
The Beach at Sainte-Adresse by Claude Monet
Claude Monet, The Beach at Sainte-Adresse, 1867. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Light Grey
#A1A9AE · 48.8% · LRV 39
Deep Grey
#BDC2C2 · 29.9% · LRV 53
Soft White
#E5E4DD · 9.1% · LRV 77
Shadow Umber
#4F4C3F · 6.3% · LRV 7
Warm Linen
#7F6E5C · 4.4% · LRV 16
Deep Blue
#34527F · 1.4% · LRV 8

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Beach at Sainte-Adresse reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Light Grey is strongest
Light Grey
Detail of the painting where Deep Grey is strongest
Deep Grey
Detail of the painting where Soft White is strongest
Soft White
Detail of the painting where Shadow Umber is strongest
Shadow Umber
Detail of the painting where Warm Linen is strongest
Warm Linen
Detail of the painting where Deep Blue is strongest
Deep Blue

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Light Grey
#A1A9AE
  • Sherwin-Williams SW 6255 Morning Fog Very close
  • Behr MQ5-22 Rainmaster Close
  • Valspar 4006-1C Drizzling Mist Close
  • Farrow & Ball No. 27 Parma Gray Similar
39 Small accents, art, accessories
Deep Grey
#BDC2C2
  • Sherwin-Williams SW 6233 Samovar Silver Very close
  • Behr MQ5-31 Distant Star Very close
  • Valspar 4005-1B Gravity Close
  • Farrow & Ball No. 205 Skylight Close
53 Bed, sofa, curtains
Soft White
#E5E4DD
  • Valspar 7006-19 Mineral Ash Near-identical
  • Behr N220-1 Spun Wool Near-identical
  • Sherwin-Williams SW 6203 Spare White Near-identical
  • Farrow & Ball No. 252 Pavilion Blue Close
77 Main walls
Shadow Umber
#4F4C3F
  • Behr N220-7 Cavalry Brown Very close
  • Valspar 6010-3 Olive Suede Very close
  • Sherwin-Williams SW 2846 Roycroft Bronze Green Close
  • Farrow & Ball No. 93 Studio Green Similar
7 One small textile
Warm Linen
#7F6E5C
  • Sherwin-Williams SW 7509 Tiki Hut Very close
  • Behr PPU5-04 Mocha Latte Very close
  • Valspar 3009-10 Treetrunk Close
  • Farrow & Ball No. 290 Salon Drab Close
16 Wood and frames
Deep Blue
#34527F
  • Behr BXC-24 Atlantic Tide Very close
  • Sherwin-Williams SW 6967 Frank Blue Close
  • Valspar 4010-7 Precious Sapphire Close
  • Farrow & Ball No. 281 Stiffkey Blue Similar
8 One bold piece

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How soft white looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#CBCECE

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#EBE4D6

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#C4B49B

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Warm Linen and the rug border takes Shadow Umber in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Soft White
Deep Grey
Deep Blue
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Beach at Sainte-Adresse

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

What colors are in The Beach at Sainte-Adresse?

Measured from the image, the painting's six main colors are Light Grey (#A1A9AE, 48.8% of the canvas), Deep Grey (#BDC2C2, 29.9% of the canvas), Soft White (#E5E4DD, 9.1% of the canvas), Shadow Umber (#4F4C3F, 6.3% of the canvas), Warm Linen (#7F6E5C, 4.4% of the canvas), Deep Blue (#34527F, 1.4% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 77% of the light that hits it (LRV 77), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Art Institute of Chicago releases this image as public domain (cc0), so it can be reused freely.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.