19th-century Scandinavian painting · art-to-room palette

Study of Water and Plants Color Palette & Paint Colors

This palette comes from Thomas Fearnley's 1837 oil study "Study of Water and Plants," held at The Metropolitan Museum of Art. It pairs a pale, slightly green cream with deep olive greens and browns, plus a warm rust accent, so it suits rooms that want a calm, earthy base with a few darker notes.

Quick answer

Use the pale cream #DDDDC3 on the walls, the mossy olive #787C46 for a large piece or cabinetry, and the near-black #342F1A on a door, trim, or one accent wall. Bring in the ochre wood tone for frames or floors, and add the rust #AF6938 through pillows, throws, or a rug.

Date
1837
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
71
Study of Water and Plants by Thomas Fearnley
Thomas Fearnley, Study of Water and Plants, 1837. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Near-black olive brown
#342F1A · 54% · LRV 3
Dark bronze brown
#594B28 · 17.4% · LRV 7
Pale greenish cream
#DDDDC3 · 10.7% · LRV 71
Mossy olive green
#787C46 · 10.1% · LRV 19
Dark ochre brown
#70592F · 4.3% · LRV 11
Burnt sienna rust
#AF6938 · 3.4% · LRV 20

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Study of Water and Plants reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Near-black olive brown is strongest
Near-black olive brown
Detail of the painting where Dark bronze brown is strongest
Dark bronze brown
Detail of the painting where Pale greenish cream is strongest
Pale greenish cream
Detail of the painting where Mossy olive green is strongest
Mossy olive green
Detail of the painting where Dark ochre brown is strongest
Dark ochre brown
Detail of the painting where Burnt sienna rust is strongest
Burnt sienna rust

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Near-black olive brown
#342F1A
  • Behr S-H-710 Dried Leaf Similar
  • Sherwin-Williams SW 6174 Andiron Similar
3 One bold piece
Dark bronze brown
#594B28
  • Behr 300F-7 Centaur Close
  • Sherwin-Williams SW 7735 Palm Leaf Similar
  • Valspar 6009-3 Montana Moss Similar
7 Small accents, art, accessories
Pale greenish cream
#DDDDC3
  • Valspar 6002-3A Panacea Near-identical
  • Behr BWC-27 Alpaca Blanket Very close
  • Sherwin-Williams SW 6421 Celery Very close
  • Farrow & Ball No. 206 Green Ground Close
71 Main walls
Mossy olive green
#787C46
  • Behr MQ6-61 Basil Chiffonade Close
  • Sherwin-Williams SW 6432 Garden Spot Close
  • Valspar 6005-6C Green Jalapeño Close
  • Farrow & Ball No. 298 Bancha Similar
19 Bed, sofa, curtains
Dark ochre brown
#70592F
  • Behr 300F-7 Centaur Close
  • Sherwin-Williams SW 9125 Oliva Oscuro Close
  • Valspar 3006-9A Grecian Helmet Similar
  • Farrow & Ball No. 290 Salon Drab Similar
11 Wood and frames
Burnt sienna rust
#AF6938
  • Sherwin-Williams SW 7709 Copper Pot Near-identical
  • Valspar 3009-6 Orange Glaze Close
  • Behr 260D-6 Chai Spice Close
20 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale greenish cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#C6C9BE

In north light the cream wall reads cooler, and its green undertone may look a little grayer. Pair it with warmer wood tones to keep the room from feeling flat.

South-facing room#E4DFC2

Strong south light makes the cream wall, at LRV 71, look bright and airy, and it may read warmer than in shade. The olive and near-black areas will look richer and more defined in this light.

Evening, warm lamps (2700K)#BFB08D

Under warm evening bulbs, the yellow undertones in the browns and ochre deepen and glow. The cream wall takes on a golden cast, so the room feels cozy and the rust accents stand out.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Dark ochre brown and the rug border takes Burnt sienna rust in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale greenish cream
Mossy olive green
Near-black olive brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Study of Water and Plants

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

Can I paint a whole room in the cream wall color?

Yes. At LRV 71 it is a light color that bounces light, so it works well in small or dimly lit rooms. Test a sample patch first, since the green undertone can shift with the light.

Is the near-black shade too dark for a small room?

It can be, if used on a full wall. At LRV 3 it reads very dark, so use it on one accent wall, a door, or trim to add depth without closing the room in.

How should I test these colors before buying?

Paint sample patches on large sheets of paper or foam board and move them around the room. Check them in morning light, midday sun, and evening lamps, since each light changes how these colors read.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.