17th-century Dutch painting · art-to-room palette

Anna van der Aar (born 1576/77, died after 1626) Color Palette & Paint Colors

Six colors measured from Anna van der Aar (born 1576/77, died after 1626) by Frans Hals, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Soft White on most walls, use Light Ochre for the bed, sofa or curtains, and keep Deep Red to one bold piece. Warm Ochre suits floors, wood and frames, and Warm Linen works best in a single textile.

Date
1626
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
76
Anna van der Aar (born 1576/77, died after 1626) by Frans Hals
Frans Hals, Anna van der Aar (born 1576/77, died after 1626), 1626. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep Red
#6D402F · 51.7% · LRV 7
Soft Black
#25211F · 15.9% · LRV 2
Warm Linen
#80705B · 14.9% · LRV 17
Light Ochre
#CC9E82 · 6.7% · LRV 39
Soft White
#EEE0D1 · 6.7% · LRV 76
Warm Ochre
#A86C4D · 4% · LRV 20

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Anna van der Aar (born 1576/77, died after 1626) reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep Red is strongest
Deep Red
Detail of the painting where Soft Black is strongest
Soft Black
Detail of the painting where Warm Linen is strongest
Warm Linen
Detail of the painting where Light Ochre is strongest
Light Ochre
Detail of the painting where Soft White is strongest
Soft White
Detail of the painting where Warm Ochre is strongest
Warm Ochre

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep Red
#6D402F
  • Behr S200-7 Earth Fired Red Very close
  • Sherwin-Williams SW 6062 Rugged Brown Close
  • Valspar 2011-6 Cowboy Suede Similar
7 One bold piece
Soft Black
#25211F
  • Sherwin-Williams SW 6258 Tricorn Black Similar
  • Behr 790B-7 Bitter Chocolate Similar
  • Farrow & Ball No. 256 Pitch Black Similar
2 Small accents, art, accessories
Warm Linen
#80705B
  • Sherwin-Williams SW 6159 High Tea Near-identical
  • Behr N260-6 Outdoor Cafe Very close
  • Valspar 3007-9A Twilight Jungle Very close
  • Farrow & Ball No. 290 Salon Drab Similar
17 One small textile
Light Ochre
#CC9E82
  • Valspar 2005-5C Ginger Bite Very close
  • Behr 260F-4 Sunset Beige Very close
  • Sherwin-Williams SW 69 Rose Tan Very close
  • Farrow & Ball No. 28 Dead Salmon Similar
39 Bed, sofa, curtains
Soft White
#EEE0D1
  • Sherwin-Williams SW 6343 Alluring White Near-identical
  • Valspar 2005-8C Buttery Pink Near-identical
  • Behr S240-1 Creme Fraiche Near-identical
  • Farrow & Ball No. 2008 Dimity Very close
76 Main walls
Warm Ochre
#A86C4D
  • Sherwin-Williams SW 7710 Brandywine Very close
  • Behr QE-13 Smoldering Copper Very close
  • Valspar 2006-5A Woodland Very close
  • Farrow & Ball No. 42 Picture Gallery Red Similar
20 Wood and frames

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How soft white looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D1CBC6

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#F2E1CD

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#C9B195

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Warm Ochre and the rug border takes Warm Linen in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Soft White
Light Ochre
Deep Red
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Anna van der Aar (born 1576/77, died after 1626)

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

What colors are in Anna van der Aar (born 1576/77, died after 1626)?

Measured from the image, the painting's six main colors are Deep Red (#6D402F, 51.7% of the canvas), Soft Black (#25211F, 15.9% of the canvas), Warm Linen (#80705B, 14.9% of the canvas), Light Ochre (#CC9E82, 6.7% of the canvas), Soft White (#EEE0D1, 6.7% of the canvas), Warm Ochre (#A86C4D, 4% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 76% of the light that hits it (LRV 76), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Metropolitan Museum of Art releases this image as public domain (cc0), so it can be reused freely.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.