19th-century painting · art-to-room palette

Mount Washington Color Palette & Paint Colors

This palette comes from Winslow Homer's 1869 oil painting "Mount Washington," held by the Art Institute of Chicago. Its muted sage, olive, and umber tones suit rooms that want a calm, earthy base with warm contrast.

Quick answer

Use the sage gray on the main walls, parchment on the ceiling or trim, and olive bronze for wood pieces. Keep the rust brown to one accent and bring in camel for textiles.

Date
1869
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
77
Mount Washington by Winslow Homer
Winslow Homer, Mount Washington, 1869. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Weathered sage gray
#A5A28F · 40.4% · LRV 36
Deep olive bronze
#736C51 · 29.4% · LRV 15
Smoky umber charcoal
#585347 · 20.8% · LRV 9
Warm parchment white
#E9E3CB · 4.2% · LRV 77
Rust clay brown
#81503B · 3.9% · LRV 11
Soft camel tan
#B99164 · 1.3% · LRV 32

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Mount Washington reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Weathered sage gray is strongest
Weathered sage gray
Detail of the painting where Deep olive bronze is strongest
Deep olive bronze
Detail of the painting where Smoky umber charcoal is strongest
Smoky umber charcoal
Detail of the painting where Warm parchment white is strongest
Warm parchment white
Detail of the painting where Rust clay brown is strongest
Rust clay brown
Detail of the painting where Soft camel tan is strongest
Soft camel tan

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Weathered sage gray
#A5A28F
  • Behr BXC-10 Warm Stone Very close
  • Farrow & Ball No. 25 Pigeon Close
  • Valspar 6002-2A Tornado Watch Close
  • Sherwin-Williams SW 9127 At Ease Soldier Close
36 Bed, sofa, curtains
Deep olive bronze
#736C51
  • Behr BXC-05 Mudslide Very close
  • Valspar 6006-4C City Arboretum Close
  • Sherwin-Williams SW 2851 Sage Green Light Close
  • Farrow & Ball No. 298 Bancha Similar
15 Wood and frames
Smoky umber charcoal
#585347
  • Sherwin-Williams SW 2846 Roycroft Bronze Green Very close
  • Valspar 6009-3 Montana Moss Very close
  • Behr N210-6 Swiss Brown Very close
  • Farrow & Ball No. 255 Tanner's Brown Similar
9 Small accents, art, accessories
Warm parchment white
#E9E3CB
  • Behr 1823 Antique White 1823 Near-identical
  • Sherwin-Williams SW 6413 Restoration Ivory Very close
  • Valspar 6007-3A Ginger Sugar Very close
  • Farrow & Ball No. 1 Lime White Close
77 Main walls
Rust clay brown
#81503B
  • Valspar 2010-6 Burnt Caramel Close
  • Behr 240F-6 Sable Brown Close
  • Sherwin-Williams SW 9100 Umber Rust Close
  • Farrow & Ball No. 42 Picture Gallery Red Similar
11 One bold piece
Soft camel tan
#B99164
  • Valspar 3003-7C Corner Café Very close
  • Sherwin-Williams SW 6123 Baguette Very close
  • Behr S260-5 Almond Roca Very close
  • Farrow & Ball No. 66 India Yellow Similar
32 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How warm parchment white looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#CDCDC2

In north light, the sage wall (LRV 36) will look cooler and grayer than the swatch. If the room feels dim, the parchment (LRV 77) is the safer choice for walls.

South-facing room#EEE4C8

In strong south light, the sage wall will look warmer and softer, and its yellow undertone will show more. Parchment will look bright and may need a shade lighter on the ceiling so the room does not feel washed out.

Evening, warm lamps (2700K)#C5B391

Under warm evening bulbs, the sage and camel will look golden and cozy. The rust brown and umber will deepen, so keep those for a single accent wall or furniture rather than large surfaces.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Deep olive bronze and the rug border takes Soft camel tan in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Warm parchment white
Weathered sage gray
Rust clay brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Mount Washington

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

Can I paint a whole room in the sage gray?

You can. At LRV 36 it is a mid-tone, so it reads as a solid, grounded wall without feeling dark. Pair it with parchment on the trim or ceiling so the room keeps some lightness.

What if my room gets very little natural light?

Choose the parchment (LRV 77) for the walls. It reflects light and keeps a small or dim room from feeling closed in. Add the olive bronze in furniture or frames for depth.

How can I use these colors without repainting?

Start with textiles. The camel tan (LRV 31) works well in throws and pillows, and the rust brown suits a single vase, rug, or cushion. Olive bronze wood pieces, such as a side table or frame, bring in the darker part of the palette.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.