16th-century Italian painting · art-to-room palette

Allegory of Avarice Color Palette & Paint Colors

This palette is built from deep browns, warm ochre, and a single cool slate blue, all taken from a dark, warm-toned old painting. It suits rooms that should feel enclosed and cozy, such as a study, library, or dining room.

Quick answer

Use the pale butter cream on the walls, and keep the deep cocoa brown for textiles like a rug or upholstery. The ochre works as the main color on large furnishings, the rust brown as an accent, and the walnut brown on wood trim or furniture.

Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
61
Allegory of Avarice by Jacopo Ligozzi
Jacopo Ligozzi, Allegory of Avarice. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep cocoa brown
#3A261C · 53.6% · LRV 2
Dark walnut brown
#5E3824 · 14.3% · LRV 5
Warm rust brown
#89582F · 10% · LRV 13
Soft ochre tan
#BE8A4C · 8.1% · LRV 30
Muted slate blue
#455D6D · 7.2% · LRV 10
Pale butter cream
#EDC984 · 6.8% · LRV 61

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Allegory of Avarice reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep cocoa brown is strongest
Deep cocoa brown
Detail of the painting where Dark walnut brown is strongest
Dark walnut brown
Detail of the painting where Warm rust brown is strongest
Warm rust brown
Detail of the painting where Soft ochre tan is strongest
Soft ochre tan
Detail of the painting where Muted slate blue is strongest
Muted slate blue
Detail of the painting where Pale butter cream is strongest
Pale butter cream

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep cocoa brown
#3A261C
  • Sherwin-Williams SW 2838 Polished Mahogany Close
  • Behr S-G-760 Chocolate Coco Similar
2 One small textile
Dark walnut brown
#5E3824
  • Behr 240F-7 Root Beer Very close
  • Sherwin-Williams SW 6048 Terra Brun Close
  • Valspar 1005-9A Rich Chocolate Similar
5 Wood and frames
Warm rust brown
#89582F
  • Behr 260F-7 Caramel Latte Close
  • Sherwin-Williams SW 6118 Leather Bound Close
  • Valspar 2008-7A Natural Cork Similar
13 One bold piece
Soft ochre tan
#BE8A4C
  • Valspar 3005-5A Garden Ochre Very close
  • Sherwin-Williams SW 6390 Bosc Pear Very close
  • Behr UL150-1 Golden Leaf Very close
  • Farrow & Ball No. 66 India Yellow Similar
30 Bed, sofa, curtains
Muted slate blue
#455D6D
  • Behr N490-6 Calligraphy Very close
  • Valspar 4011-5 Newport Gray Very close
  • Sherwin-Williams SW 48 Bunglehouse Blue Close
  • Farrow & Ball No. 281 Stiffkey Blue Close
10 Small accents, art, accessories
Pale butter cream
#EDC984
  • Farrow & Ball No. 218 Yellow Ground Very close
  • Behr MQ4-13 Golden Thread Very close
  • Valspar 3003-4A Dreamy Caramel Very close
  • Sherwin-Williams SW 6674 Jonquil Very close
61 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale butter cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D0BD94

North light is cool and even, so the butter cream wall will look softer and a little greyer. Its light reflectance value of 61 still bounces enough light to keep a north-facing room from feeling heavy.

South-facing room#F1CF91

Strong south light brings out the warm yellow in the butter cream and makes it look brighter. The darker browns will look richer and more saturated in the same light.

Evening, warm lamps (2700K)#C8A569

Under warm evening bulbs the butter cream takes on a golden glow and the ochre and rust browns deepen. This is the lighting where the palette feels most like the original painting.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Dark walnut brown and the rug border takes Deep cocoa brown in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale butter cream
Soft ochre tan
Warm rust brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Allegory of Avarice

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

Which color should I use on the walls?

Use the pale butter cream, which is the lightest color in the palette at a light reflectance value of 61. It reads light and bounces light, so it works well as the base for the room. The darker browns can then carry the furniture and textiles.

Can I paint a whole room in the dark browns?

The deepest browns have very low light reflectance values, between 2 and 13, so a full room in them will feel very dark. Use them on a rug, upholstery, or a single piece of wood furniture instead. Keep at least one light surface in the room to balance them.

Where does the slate blue fit in?

The slate blue is the only cool color in the set, so it works best as a small contrast. Try it on a cushion, a book spine, or a small object. Used in larger amounts, it can pull the room away from the warm browns and ochres.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.