19th-century Italian painting · art-to-room palette

Resting Color Palette & Paint Colors

This palette comes from Antonio Mancini's "Resting" (c. 1887, The Art Institute of Chicago). It pairs a creamy off-white with caramel, tan and deep brown, and it suits living rooms, bedrooms and dens where you want a warm, settled feel.

Quick answer

Put the creamy #F0E5D0 on the walls, the golden #D2AA77 as the main color in larger furnishings, and the brown #664528 in wood pieces. Use #B3885C for textiles, #987E5F for an accent wall or pillows, and keep the near-black #2F231B for small, strong touches.

Date
c. 1887
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
79
Resting by Antonio Mancini
Antonio Mancini, Resting, c. 1887. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Espresso Shadow Brown
#2F231B · 46.1% · LRV 2
Muted Khaki Tan
#987E5F · 19% · LRV 22
Deep Walnut Brown
#664528 · 16.5% · LRV 7
Warm Cream White
#F0E5D0 · 14.1% · LRV 79
Caramel Textile Tan
#B3885C · 2.7% · LRV 28
Soft Golden Sand
#D2AA77 · 1.6% · LRV 44

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Resting reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Espresso Shadow Brown is strongest
Espresso Shadow Brown
Detail of the painting where Muted Khaki Tan is strongest
Muted Khaki Tan
Detail of the painting where Deep Walnut Brown is strongest
Deep Walnut Brown
Detail of the painting where Warm Cream White is strongest
Warm Cream White
Detail of the painting where Caramel Textile Tan is strongest
Caramel Textile Tan
Detail of the painting where Soft Golden Sand is strongest
Soft Golden Sand

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Espresso Shadow Brown
#2F231B
  • Sherwin-Williams SW 6006 Black Bean Similar
  • Behr 780B-7 Bison Brown Similar
  • Farrow & Ball No. 256 Pitch Black Similar
2 Small accents, art, accessories
Muted Khaki Tan
#987E5F
  • Valspar 3004-9B Crunch Granola Very close
  • Sherwin-Williams SW 6138 Artifact Very close
  • Behr PPU7-04 Collectible Very close
  • Farrow & Ball No. 40 Mouse's Back Similar
22 One bold piece
Deep Walnut Brown
#664528
  • Sherwin-Williams SW 6097 Sturdy Brown Very close
  • Behr 290F-7 Wooden Cabin Close
  • Valspar 3011-8 Dark Earth Similar
7 Wood and frames
Warm Cream White
#F0E5D0
  • Behr HDC-NT-11A Warm Marshmallow Near-identical
  • Valspar 3003-8C Kabuki Clay Near-identical
  • Sherwin-Williams SW 7556 Crème Near-identical
  • Farrow & Ball No. 59 New White Very close
79 Main walls
Caramel Textile Tan
#B3885C
  • Valspar 3003-7C Corner Café Very close
  • Behr S260-5 Almond Roca Very close
  • Sherwin-Williams SW 6116 Tatami Tan Very close
  • Farrow & Ball No. 66 India Yellow Similar
28 One small textile
Soft Golden Sand
#D2AA77
  • Behr MQ2-17 Glittering Sun Near-identical
  • Sherwin-Williams SW 6388 Golden Fleece Near-identical
  • Valspar 3005-5C Ambitious Very close
  • Farrow & Ball No. 66 India Yellow Similar
44 Bed, sofa, curtains

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How warm cream white looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D2CEC6

With an LRV of 79, the cream wall color stays bright, but north light is cool and can pull the warm yellow undertone toward a flatter, grayer beige. Pick a sample that looks a little warmer than you want and check it on the wall before you commit.

South-facing room#F3E5CC

Strong south light suits this cream well. It will read as a clean, soft off-white that bounces light around the room, and the yellow undertone may look a touch more buttery at midday.

Evening, warm lamps (2700K)#CAB595

Warm evening bulbs will push the cream toward yellow and make it feel cozier and slightly deeper. If you want it to stay closer to off-white, choose bulbs with a softer, less orange glow.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Deep Walnut Brown and the rug border takes Caramel Textile Tan in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Warm Cream White
Soft Golden Sand
Muted Khaki Tan
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Resting

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Can I paint a whole room in the dark brown #2F231B?

You can, but an LRV of 2 absorbs almost all light and makes a room feel small unless it is large and well lit. It works better on a single wall, a door, trim or built-in shelving, set against the cream.

Which color works best as the main wall color?

The cream #F0E5D0 is the best wall choice in this palette. At LRV 79 it reads light and reflects light, and it gives the darker browns and tans a calm backdrop.

How do I use the mid-tones without making the room feel heavy?

Keep #987E5F (LRV 22) and #B3885C (LRV 28) to smaller areas such as pillows, throws, a single accent wall or a rug. Let the cream cover most of the surfaces, and add the golden #D2AA77 (LRV 44) for furniture or drapes to bridge light and dark.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.