#B6C8D4In north light the wall looks cooler and a little greyer, so the blue stays soft and calm. It works well in rooms that get indirect daylight.
Paint colors for your home, inside and out
19th-century French painting · art-to-room palette
This palette comes from Achille-Etna Michallon's 1818 oil painting "Waterfall at Mont-Dore," held at The Metropolitan Museum of Art. It runs from near-black olive to a pale slate blue, with mossy greens and warm browns in between. It suits rooms that want a quiet, earthy base with one cool, light wall.
Quick answer
Use the pale blue #C5DAE6 on the walls. Use the dusty olive #A29E6E for large furnishings or upholstery, the deep olive #4B4B32 for textiles, the walnut brown #4A3E2C for wood, and the near-black #2B2C1F for small accents like frames or a door.
Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.
Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.
The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.
| Painting color | Closest paints | LRV | Use it for |
|---|---|---|---|
Near-black olive#2B2C1F |
|
2 | One bold piece |
Dark walnut brown#4A3E2C |
|
5 | Wood and frames |
Deep olive drab#4B4B32 |
|
7 | One small textile |
Muted khaki grey#6C6856 |
|
14 | Small accents, art, accessories |
Dusty olive gold#A29E6E |
|
33 | Bed, sofa, curtains |
Pale slate blue#A2BCCA |
|
48 | Main walls |
Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.
This painting has no light tone, so the wall color above is a lightened version of its palest color (#C5DAE6).
The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.
#B6C8D4In north light the wall looks cooler and a little greyer, so the blue stays soft and calm. It works well in rooms that get indirect daylight.
#D2DDDDIn strong south light the wall brightens and the blue reads clearer and more airy. Expect it to look lighter than it does in a dim room.
#B1AEA1Under warm evening bulbs the wall shifts toward grey-green and the blue loses some of its clarity. Test the color at night before you commit.
Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.
Wood takes Dark walnut brown and the rug border takes Deep olive drab in every combination.
Details from the painting next to the colors and materials that carry them into a room.
A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.
The two darkest tones reflect very little light, with light reflectance values of 2 and 5. They work best on trim, doors, cabinets, or one feature wall. Using them everywhere can make a small room feel closed in.
Yes. Paint a large swatch on the actual wall and look at it in morning light, midday, and evening. The same color can change a lot across the day.
No. The paint names on this page are the closest commercial matches measured from these colors. Compare a sample against the painting or your fabric before buying.
Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.