20th-century Italian painting · art-to-room palette

Jacques and Berthe Lipchitz Color Palette & Paint Colors

This palette pairs a deep brown and a smoky gray with a gray-green mid-tone, then warms it with terracotta and soft peach. It suits a calm, grown-up living room, study or bedroom where you want depth without a cold feel.

Quick answer

Use the pale peach (#FFCAA5) on the walls and the gray-green (#A2A79F) for main pieces like a sofa, curtains or built-ins. Keep the deep brown (#4B342F) for accents such as a door, a bookcase or a small table, and use the coral (#F99D81) in textiles.

Date
1916
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
66
Jacques and Berthe Lipchitz by Amedeo Modigliani
Amedeo Modigliani, Jacques and Berthe Lipchitz, 1916. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep Cocoa Brown
#4B342F · 44.6% · LRV 4
Smoky Slate Gray
#5F6463 · 19.7% · LRV 12
Soft Sage Gray
#A2A79F · 17.8% · LRV 38
Dusty Terracotta
#B97F6A · 10.2% · LRV 27
Pale Peach Cream
#FFCAA5 · 4.7% · LRV 66
Warm Coral Pink
#F99D81 · 3% · LRV 46

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Jacques and Berthe Lipchitz reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep Cocoa Brown is strongest
Deep Cocoa Brown
Detail of the painting where Smoky Slate Gray is strongest
Smoky Slate Gray
Detail of the painting where Soft Sage Gray is strongest
Soft Sage Gray
Detail of the painting where Dusty Terracotta is strongest
Dusty Terracotta
Detail of the painting where Pale Peach Cream is strongest
Pale Peach Cream
Detail of the painting where Warm Coral Pink is strongest
Warm Coral Pink

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep Cocoa Brown
#4B342F
  • Behr S-G-770 Wild Horse Very close
  • Sherwin-Williams SW 9182 Rojo Marrón Very close
  • Valspar 1011-8 Antique Burgundy Similar
  • Farrow & Ball No. 36 Mahogany Similar
4 One bold piece
Smoky Slate Gray
#5F6463
  • Sherwin-Williams SW 2848 Roycroft Pewter Near-identical
  • Behr HDC-MD-28 Cordite Near-identical
  • Farrow & Ball No. 26 Down Pipe Very close
  • Valspar 4008-2C Muted Ebony Very close
12 Small accents, art, accessories
Soft Sage Gray
#A2A79F
  • Sherwin-Williams SW 7059 Unusual Gray Near-identical
  • Behr N200-4 Rustic Taupe Very close
  • Valspar 5005-2A Secret Moss Very close
  • Farrow & Ball No. 265 Manor House Gray Close
38 Bed, sofa, curtains
Dusty Terracotta
#B97F6A
  • Behr QE-03 Clay Ground Very close
  • Valspar 2002-7C Western Pink Close
  • Sherwin-Williams SW 2854 Caribbean Coral Close
  • Farrow & Ball No. 64 Red Earth Close
27 Small accents, art, accessories
Pale Peach Cream
#FFCAA5
  • Valspar 2003-2B Coral Gable Very close
  • Behr 290C-3 Chai Latte Very close
  • Sherwin-Williams SW 6639 Avid Apricot Close
  • Farrow & Ball No. 231 Setting Plaster Similar
66 Main walls
Warm Coral Pink
#F99D81
  • Behr P210-4 Lollipop Close
  • Valspar 2001-1C Poppy Petal Close
  • Sherwin-Williams SW 6612 Ravishing Coral Close
46 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale peach cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#DCBEA9

The pale peach wall (#FFCAA5, LRV 66) will look a little cooler and quieter in north light, so its warm undertone helps keep the room from feeling flat. Plan on it reading softer than the swatch.

South-facing room#FFD0AB

In strong south light the peach wall will glow and may read more pink or orange, especially near sunlit floors. Test a large sample and look at it at midday before you commit.

Evening, warm lamps (2700K)#D2A57B

Under warm evening bulbs the peach deepens and turns cozier, and the gray-green and slate pieces will pick up some warmth. Choose bulbs with a soft white tone so the walls do not tip too orange.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes Warm Coral Pink in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Peach Cream
Soft Sage Gray
Deep Cocoa Brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Jacques and Berthe Lipchitz

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

Can I use the dark brown on a whole wall?

You can, but at LRV 4 it absorbs almost all the light and will make a small or dim room feel closed in. It works best on a single wall in a large room, or on a door, shelving or trim as an accent.

What color should my sofa be with peach walls?

The gray-green (#A2A79F, LRV 38) is the main color in this palette, so it suits a sofa or curtains well. Its green undertone sits comfortably against the warm peach and keeps the room from looking all pink.

How do I use the coral and terracotta without overdoing them?

Keep them to small touches. The coral (#F99D81) works in pillows, a throw or a rug, and the terracotta (#B97F6A) in a vase, a chair or a framed print. Together they should cover only a small part of the room.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.