19th-century French painting · art-to-room palette

Rocks at Port-Goulphar, Belle-Île Color Palette & Paint Colors

This palette is drawn from Claude Monet's 1886 painting Rocks at Port-Goulphar, Belle-Île, held by The Art Institute of Chicago. It moves from pale fog blue through slate and deep navy into a warm brown and a muted sage green.

Quick answer

Use the pale blue #B9C4D6 on the walls and the mid blue #8999AF on larger pieces such as cabinetry or a sofa. Keep the near-black #3C4254 for small accents like a door or trim, and bring in the sage #618878 through textiles.

Date
1886
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
55
Rocks at Port-Goulphar, Belle-Île by Claude Monet
Claude Monet, Rocks at Port-Goulphar, Belle-Île, 1886. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Pale fog blue
#B9C4D6 · 23.1% · LRV 55
Near-black slate
#3C4254 · 22% · LRV 6
Deep storm grey
#575A6C · 21.7% · LRV 10
Soft slate blue
#8999AF · 13.2% · LRV 31
Deep brick brown
#644742 · 12.5% · LRV 8
Muted sage green
#618878 · 7.4% · LRV 22

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Rocks at Port-Goulphar, Belle-Île reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Pale fog blue is strongest
Pale fog blue
Detail of the painting where Near-black slate is strongest
Near-black slate
Detail of the painting where Deep storm grey is strongest
Deep storm grey
Detail of the painting where Soft slate blue is strongest
Soft slate blue
Detail of the painting where Deep brick brown is strongest
Deep brick brown
Detail of the painting where Muted sage green is strongest
Muted sage green

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Pale fog blue
#B9C4D6
  • Behr MQ3-62 Dancing Mist Very close
  • Valspar 4002-5B Lilac Macchiato Very close
  • Sherwin-Williams SW 6968 Hyacinth Tint Close
  • Farrow & Ball No. 89 Lulworth Blue Similar
55 Main walls
Near-black slate
#3C4254
  • Behr HDC-CL-26A Indigo Ink Very close
  • Valspar 4011-3 Blue Coal Close
  • Sherwin-Williams SW 2739 Charcoal Blue Close
  • Farrow & Ball No. 31 Railings Similar
6 One bold piece
Deep storm grey
#575A6C
  • Behr N570-5 Curtain Call Very close
  • Sherwin-Williams SW 2740 Mineral Gray Close
  • Valspar 4003-4C Dark Night Close
  • Farrow & Ball No. 281 Stiffkey Blue Similar
10 Small accents, art, accessories
Soft slate blue
#8999AF
  • Sherwin-Williams SW 9072 Dried Lavender Very close
  • Behr PPU15-10 China Silk Very close
  • Valspar 4003-4A Mulberry Shadow Very close
  • Farrow & Ball No. 237 Cook's Blue Similar
31 Bed, sofa, curtains
Deep brick brown
#644742
  • Behr MQ1-54 Death By Chocolate Near-identical
  • Valspar 1005-9A Rich Chocolate Very close
  • Sherwin-Williams SW 2856 Fairfax Brown Close
  • Farrow & Ball No. 297 Preference Red Similar
8 Small accents, art, accessories
Muted sage green
#618878
  • Behr MQ6-43 Dark Jade Very close
  • Sherwin-Williams SW 6473 Surf Green Very close
  • Valspar 5005-6B Hanging Vine Close
  • Farrow & Ball No. 34 Calke Green Similar
22 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale fog blue looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#AFB9C9

In north light the pale blue wall reads cooler and a little greyer. It stays calm and keeps its softness, so it suits a room that gets little direct sun.

South-facing room#C8CBD1

In strong south light the wall brightens and bounces more light into the room. The blue looks paler and fresher, and the deeper tones in the scheme stand out more clearly.

Evening, warm lamps (2700K)#ABA198

Under warm evening bulbs the blue tends to lose some of its coolness and can look greyer or slightly softer. Check the wall after dark before you commit to a full room.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes Muted sage green in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale fog blue
Soft slate blue
Near-black slate
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Rocks at Port-Goulphar, Belle-Île

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Can I paint a whole room in the darkest blue?

The darkest tone, #3C4254, has a light reflectance value of 5, so it absorbs most of the light that hits it. Use it on one wall, a door, or built-in shelving rather than on every surface.

Does the deep brown fit with the blues?

The deep brick brown, #644742, has a warm red-orange undertone that contrasts with the cool blues. A small amount, such as a frame, a rug edge, or a vase, adds warmth without overpowering the scheme.

Where does the sage green work best?

The muted sage green, #618878, has a light reflectance value of 22 and works well in textiles. Try it in cushions, a throw, or curtains, where it adds a soft green note against the blues.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.