North-facing room
#D4CAC9In north light the pale blush wall looks softer and slightly greyer. It stays light and calm, so it works well in rooms that need more brightness.
18th-century French painting · art-to-room palette
Portrait of a Woman Color Palette & Paint Colors
This palette is drawn from a mid-18th-century oil portrait by Jean Marc Nattier, with a pale blush against deep olive, bronze, and rust. It suits rooms where you want warmth and depth without heavy contrast.
Quick answer
Use the pale blush on the walls and the warm taupe for large upholstered pieces. Bring in the bronze for wood, the rust for textiles, and the near-black olive as a small accent.
- Artist
- Jean Marc Nattier
- Date
- 1753
- Movement
- 18th-century French painting
- Collection
- The Metropolitan Museum of Art
- Image license
- Public domain (CC0)
- Wall color LRV
- 76
The 6 colors in this painting
Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.
deep olive black
dark bronze olive
warm taupe clay
pale blush cream
muted teal slate
burnt sienna rust
Where each color lives in the painting
Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.
Closest paint colors
The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.
| Painting color | Closest paints | LRV | Use it for |
|---|---|---|---|
deep olive black#1F261A |
|
2 | One bold piece |
dark bronze olive#5A5432 |
|
9 | Wood and frames |
warm taupe clay#BFA492 |
|
40 | Bed, sofa, curtains |
pale blush cream#F3DED5 |
|
76 | Main walls |
muted teal slate#54818C |
|
20 | Small accents, art, accessories |
burnt sienna rust#A05A2E |
|
15 | One small textile |
Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.
How pale blush cream looks in your light
The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.
South-facing room
#F6E0D0In strong south light the pale blush wall reads warm and bright. Its LRV of 76 bounces a lot of light, so the room will feel open.
Evening, warm lamps (2700K)
#CBB097Under warm evening bulbs the blush shifts toward peach and the rust and bronze look richer. The room feels cozy, though the near-black olive can look heavier.
Try the palette in a room
Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.
Wood takes dark bronze olive and the rug border takes burnt sienna rust in every combination.
Mood board
Details from the painting next to the colors and materials that carry them into a room.
pale blush cream
warm taupe clay
deep olive black
Save this palette
A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.
Guides that use colors from this painting
More palettes like this
FAQ
Can I paint a whole room in the deep olive?
The deep olive has an LRV of 2, so it absorbs nearly all the light that hits it. It works best on one wall, a door, or built-in cabinetry, with the pale blush on the other walls to keep the room balanced.
What trim color works with this palette?
Choose a trim that is lighter than the wall and warm in tone, so it does not compete with the blush. Test samples next to the rust and bronze before you decide, because lighting changes how they sit together.
Will this palette work in a small room?
The pale blush at LRV 76 helps a small room feel open. Keep the darker colors to a few accents, such as a rust textile or a bronze frame, so the space does not feel closed in.
Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.