17th-century Flemish painting · art-to-room palette

The Dead Christ in the Tomb with Two Angels Color Palette & Paint Colors

Six colors measured from The Dead Christ in the Tomb with Two Angels by Abraham Janssen van Nuyssen, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Pale Yellow on most walls, use Light Yellow for the bed, sofa or curtains, and keep Warm Umber to one bold piece. A warm mid-brown suits floors, wood and frames, and Warm Red works best in a single textile.

Date
ca. 1610
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
74
The Dead Christ in the Tomb with Two Angels by Abraham Janssen van Nuyssen
Abraham Janssen van Nuyssen, The Dead Christ in the Tomb with Two Angels, ca. 1610. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Ink Umber
#332A1C · 60.3% · LRV 2
Warm Umber
#916D33 · 12% · LRV 17
Pale Yellow
#EAE1AB · 11.7% · LRV 74
Light Yellow
#DAC179 · 9.2% · LRV 54
Deep Red
#7D2B19 · 4.7% · LRV 6
Warm Red
#B4592F · 2.1% · LRV 17

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Dead Christ in the Tomb with Two Angels reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Ink Umber is strongest
Ink Umber
Detail of the painting where Warm Umber is strongest
Warm Umber
Detail of the painting where Pale Yellow is strongest
Pale Yellow
Detail of the painting where Light Yellow is strongest
Light Yellow
Detail of the painting where Deep Red is strongest
Deep Red
Detail of the painting where Warm Red is strongest
Warm Red

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Ink Umber
#332A1C
  • Behr S-H-710 Dried Leaf Similar
  • Sherwin-Williams SW 9183 Dark Clove Similar
  • Farrow & Ball No. 256 Pitch Black Similar
2 Small accents, art, accessories
Warm Umber
#916D33
  • Behr S290-7 Wave Of Grain Very close
  • Sherwin-Williams SW 6398 Sconce Gold Very close
  • Valspar 3005-9A Magic Lamp Similar
17 One bold piece
Pale Yellow
#EAE1AB
  • Sherwin-Williams SW 6701 Moonraker Very close
  • Behr PPU8-12 Refreshing Tea Very close
  • Valspar 3006-4B Pecan Cream Very close
  • Farrow & Ball No. 71 Pale Hound Close
74 Main walls
Light Yellow
#DAC179
  • Valspar 3008-5C Swiftly Green Near-identical
  • Behr 350F-5 Camel Very close
  • Sherwin-Williams SW 6401 Independent Gold Close
  • Farrow & Ball No. 51 Sudbury Yellow Close
54 Bed, sofa, curtains
Deep Red
#7D2B19
  • Sherwin-Williams SW 2839 Roycroft Copper Red Close
  • Behr S-H-200 New Brick Similar
  • Valspar 1010-3 Heirloom Red Similar
6 Small accents, art, accessories
Warm Red
#B4592F
  • Behr M220-7 Jack O Lantern Close
  • Sherwin-Williams SW 7703 Earthen Jug Close
  • Valspar 2011-2 Dark Palomino Close
  • Farrow & Ball No. 268 Charlotte's Locks Similar
17 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale yellow looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#CECCAE

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#EFE2AF

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#C6B27F

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes Warm Red in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Yellow
Light Yellow
Warm Umber
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Dead Christ in the Tomb with Two Angels

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

What colors are in The Dead Christ in the Tomb with Two Angels?

Measured from the image, the painting's six main colors are Ink Umber (#332A1C, 60.3% of the canvas), Warm Umber (#916D33, 12% of the canvas), Pale Yellow (#EAE1AB, 11.7% of the canvas), Light Yellow (#DAC179, 9.2% of the canvas), Deep Red (#7D2B19, 4.7% of the canvas), Warm Red (#B4592F, 2.1% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 74% of the light that hits it (LRV 74), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Metropolitan Museum of Art releases this image as public domain (cc0), so it can be reused freely.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.