18th-century painting · art-to-room palette

Mary (Polly) Lawton Bringhurst Color Palette & Paint Colors

Six colors measured from Mary (Polly) Lawton Bringhurst by James Peale, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Pale Yellow on most walls, use Light Green for the bed, sofa or curtains, and keep Warm Yellow to one bold piece. Warm Olive suits floors, wood and frames, and Light Yellow works best in a single textile.

Date
1790
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
85
Mary (Polly) Lawton Bringhurst by James Peale
James Peale, Mary (Polly) Lawton Bringhurst, 1790. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Muted Green
#A2A294 · 54.7% · LRV 36
Light Green
#AAAA9C · 23.3% · LRV 40
Warm Olive
#797052 · 14.7% · LRV 16
Light Yellow
#D5AC67 · 4% · LRV 45
Warm Yellow
#B08342 · 2.4% · LRV 26
Pale Yellow
#FFEF9F · 0.9% · LRV 86

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Mary (Polly) Lawton Bringhurst reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Muted Green is strongest
Muted Green
Detail of the painting where Light Green is strongest
Light Green
Detail of the painting where Warm Olive is strongest
Warm Olive
Detail of the painting where Light Yellow is strongest
Light Yellow
Detail of the painting where Warm Yellow is strongest
Warm Yellow
Detail of the painting where Pale Yellow is strongest
Pale Yellow

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Muted Green
#A2A294
  • Behr HDC-NT-01 Woodland Sage Near-identical
  • Farrow & Ball No. 25 Pigeon Near-identical
  • Sherwin-Williams SW 6199 Rare Gray Very close
  • Valspar 6002-2A Tornado Watch Very close
36 Small accents, art, accessories
Light Green
#AAAA9C
  • Sherwin-Williams SW 6185 Escape Gray Near-identical
  • Behr PPU10-16 Simply Sage Very close
  • Valspar 6002-1B Hunter's White Very close
  • Farrow & Ball No. 25 Pigeon Close
40 Bed, sofa, curtains
Warm Olive
#797052
  • Behr BXC-05 Mudslide Very close
  • Sherwin-Williams SW 7740 Messenger Bag Close
  • Valspar 6008-4C Valencia Moss Close
  • Farrow & Ball No. 298 Bancha Similar
16 Wood and frames
Light Yellow
#D5AC67
  • Behr M280-5 Inheritance Near-identical
  • Sherwin-Williams SW 9026 Tarnished Trumpet Very close
  • Valspar 3007-5B Earthen Sienna Close
  • Farrow & Ball No. 51 Sudbury Yellow Close
45 One small textile
Warm Yellow
#B08342
  • Behr S290-6 Golden Rice Very close
  • Valspar 3009-5 Pumpkin Squash Very close
  • Sherwin-Williams SW 6397 Nankeen Very close
  • Farrow & Ball No. 66 India Yellow Similar
26 One bold piece
Pale Yellow
#FFEF9F
  • Behr 360A-3 Banana Split Near-identical
  • Valspar 3008-2A Chickery Chick Very close
  • Sherwin-Williams SW 6908 Fun Yellow Very close
  • Farrow & Ball No. 233 Dayroom Yellow Close
86 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale yellow looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#DCD5A6

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#FFEDA6

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#D2BA78

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Warm Olive and the rug border takes Light Yellow in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Yellow
Light Green
Warm Yellow
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Mary (Polly) Lawton Bringhurst

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

What colors are in Mary (Polly) Lawton Bringhurst?

Measured from the image, the painting's six main colors are Muted Green (#A2A294, 54.7% of the canvas), Light Green (#AAAA9C, 23.3% of the canvas), Warm Olive (#797052, 14.7% of the canvas), Light Yellow (#D5AC67, 4% of the canvas), Warm Yellow (#B08342, 2.4% of the canvas), Pale Yellow (#FFEF9F, 0.9% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 85% of the light that hits it (LRV 85), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Art Institute of Chicago releases this image as public domain (cc0), so it can be reused freely.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.