House exterior · Victorian · colors from 7 paintings

Victorian Exterior Paint Schemes

These Victorian exterior paint schemes each give a wall color, a trim color, a front door and shutter color and a roof. The paint colors were measured from paintings, with LRV and the closest paint match.

Quick answer

For a first scheme, try sage gray #A2A294 on the walls, light gray #D9D9D9 on trim and brown #70604D on the door and shutters, with a charcoal roof.

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Mary (Polly) Lawton Bringhurst by James Peale Portrait of a Monk in Prayer by French Painter Inter artes et naturam (Between Art and Nature) by Pierre Puvis de Chavannes Interior of St. Mark's, Venice by David Dalhoff Neal Every wall, trim and door color here was measured from one of these public-domain paintings.

4 complete exterior color schemes

Walls, trim, front door and roof together. Each scheme takes its colors from public-domain paintings, so the pairings are ones a painter already put side by side.

Sage and Umber

  • Walls #A2A294
  • Trim #D9D9D9
  • Front door & shutters #70604D
  • Roof: charcoal

Sage gray walls with light gray trim, umber door and shutters and a charcoal roof give a soft, balanced look.

Colors from Mary (Polly) Lawton Bringhurst, James Peale.

Closest paints for this scheme

Walls

  • Behr HDC-NT-01 Woodland Sage Near-identical
  • Farrow & Ball No. 25 Pigeon Near-identical
  • Sherwin-Williams SW 6199 Rare Gray Very close
  • Valspar 6002-2A Tornado Watch Very close

Trim

  • Behr N140-1 White City Near-identical
  • Sherwin-Williams SW 6259 Spatial White Near-identical
  • Valspar 4005-1A Polar Star Very close
  • Farrow & Ball No. 2011 Blackened Very close

Front door & shutters

  • Farrow & Ball No. 290 Salon Drab Very close
  • Sherwin-Williams SW 7040 Smokehouse Very close
  • Behr HDC-SM14-4 Tan Bark Trail Very close
  • Valspar 3008-9A Stampede Close
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Teal and Dark Brown

  • Walls #2B5863
  • Trim #D9D9D9
  • Front door & shutters #352818
  • Roof: black

Deep teal-blue walls with light gray trim, a dark brown door and shutters and a black roof make the strongest contrast.

Colors from Portrait of a Monk in Prayer, French Painter.

Closest paints for this scheme

Walls

  • Behr QE-47 Petro Blue Near-identical
  • Valspar 5011-8 Classic Teal Close
  • Sherwin-Williams SW 9060 Connor's Lakefront Close
  • Farrow & Ball No. 30 Hague Blue Similar

Trim

  • Behr N140-1 White City Near-identical
  • Sherwin-Williams SW 6259 Spatial White Near-identical
  • Valspar 4005-1A Polar Star Very close
  • Farrow & Ball No. 2011 Blackened Very close

Front door & shutters

  • Sherwin-Williams SW 9183 Dark Clove Similar
  • Behr 780B-7 Bison Brown Similar
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Lichen and Teal

  • Walls #757569
  • Trim #D9D9D9
  • Front door & shutters #2B5863
  • Roof: charcoal

Lichen green-gray walls with light gray trim, teal door and shutters and a charcoal roof feel quiet and natural.

Colors from Inter artes et naturam (Between Art and Nature), Pierre Puvis de Chavannes.

Closest paints for this scheme

Walls

  • Behr HDC-AC-20 Halls Of Ivy Very close
  • Sherwin-Williams SW 2851 Sage Green Light Close
  • Valspar 5008-2C Cosmopolitan Olive Close
  • Farrow & Ball No. 47 Green Smoke Close

Trim

  • Behr N140-1 White City Near-identical
  • Sherwin-Williams SW 6259 Spatial White Near-identical
  • Valspar 4005-1A Polar Star Very close
  • Farrow & Ball No. 2011 Blackened Very close

Front door & shutters

  • Behr QE-47 Petro Blue Near-identical
  • Valspar 5011-8 Classic Teal Close
  • Sherwin-Williams SW 9060 Connor's Lakefront Close
  • Farrow & Ball No. 30 Hague Blue Similar
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Ochre and Forest

  • Walls #977442
  • Trim #D9D9D9
  • Front door & shutters #3A4B2C
  • Roof: brown

Old gold walls with light gray trim, forest green door and shutters and a brown roof give a warm, traditional look.

Colors from Interior of St. Mark's, Venice, David Dalhoff Neal.

Closest paints for this scheme

Walls

  • Behr 270F-6 Fudge Truffle Very close
  • Sherwin-Williams SW 6398 Sconce Gold Close
  • Valspar 3005-9A Magic Lamp Close

Trim

  • Behr N140-1 White City Near-identical
  • Sherwin-Williams SW 6259 Spatial White Near-identical
  • Valspar 4005-1A Polar Star Very close
  • Farrow & Ball No. 2011 Blackened Very close

Front door & shutters

  • Behr 430F-7 Windsor Moss Close
  • Sherwin-Williams SW 6447 Evergreens Similar
  • Valspar 6010-5 Dark Meadow Similar
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How these colors look outside

Exterior paint is seen in much stronger light than a room. Full sun bleaches a color by a shade or two, while the shaded side of the house and overcast days pull it cooler and darker. Test a large sample on two sides of the house.

ColorSwatch Full sun Overcast In shade Golden hour
Sage Gray Siding LRV 36
Deep Teal Blue LRV 8
Lichen Green Gray LRV 18
Old Gold Ochre LRV 20
Soft Trim Gray LRV 69

Try these colors on a house

Pick a color for the walls, the trim, the front door and the roof, and switch between house styles. Shadows and siding lines follow your choice.

Walls
Trim & garage door
Front door & shutters
Roof

Roof colors are typical shingle, tile and metal colors, not paint. Every other color comes from a painting on this page.

Colors for the walls

#A2A294LRV 36

Sage Gray Siding

A mid-tone green-gray with an LRV of 36, the lightest body color here. It was measured from James Peale's Mary (Polly) Lawton Bringhurst, and it is a near-identical match for Sherwin-Williams SW 6199 Rare Gray.

From Mary (Polly) Lawton Bringhurst, James Peale
Closest paints
  • Behr HDC-NT-01 Woodland Sage Near-identical
  • Farrow & Ball No. 25 Pigeon Near-identical
  • Sherwin-Williams SW 6199 Rare Gray Very close
  • Valspar 6002-2A Tornado Watch Very close
#2B5863LRV 8

Deep Teal Blue

A deep cool blue with an LRV of 8, strong enough for siding or for a door. It comes from the French Portrait of a Monk in Prayer.

From Portrait of a Monk in Prayer, French Painter
Closest paints
  • Behr QE-47 Petro Blue Near-identical
  • Valspar 5011-8 Classic Teal Close
  • Sherwin-Williams SW 9060 Connor's Lakefront Close
  • Farrow & Ball No. 30 Hague Blue Similar
#757569LRV 18

Lichen Green Gray

A deep green-gray with an LRV of 18, a quiet body color. It comes from Puvis de Chavannes's Inter artes et naturam.

From Inter artes et naturam (Between Art and Nature), Pierre Puvis de Chavannes
Closest paints
  • Behr HDC-AC-20 Halls Of Ivy Very close
  • Sherwin-Williams SW 2851 Sage Green Light Close
  • Valspar 5008-2C Cosmopolitan Olive Close
  • Farrow & Ball No. 47 Green Smoke Close
#977442LRV 20

Old Gold Ochre

A mid-tone warm yellow with an LRV of 20, a traditional siding color. It comes from David Dalhoff Neal's Interior of St. Mark's, Venice.

From Interior of St. Mark's, Venice, David Dalhoff Neal
Closest paints
  • Behr 270F-6 Fudge Truffle Very close
  • Sherwin-Williams SW 6398 Sconce Gold Close
  • Valspar 3005-9A Magic Lamp Close

Trim colors

#D9D9D9LRV 69

Soft Trim Gray

A very light neutral with an LRV of 69, used for trim, fascia and the garage door in all four schemes. It comes from Jacob Eichholtz's portrait of Mrs. Benjamin Schaum.

From Mrs. Benjamin Schaum (Anna Maria Heckensweiler), Jacob Eichholtz
Closest paints
  • Behr N140-1 White City Near-identical
  • Sherwin-Williams SW 6259 Spatial White Near-identical
  • Valspar 4005-1A Polar Star Very close
  • Farrow & Ball No. 2011 Blackened Very close

Front door and shutter colors

#70604DLRV 12

Umber Brown Door

A deep warm brown with an LRV of 12, used for the front door and shutters. It comes from the same Eichholtz portrait.

From Mrs. Benjamin Schaum (Anna Maria Heckensweiler), Jacob Eichholtz
Closest paints
  • Farrow & Ball No. 290 Salon Drab Very close
  • Sherwin-Williams SW 7040 Smokehouse Very close
  • Behr HDC-SM14-4 Tan Bark Trail Very close
  • Valspar 3008-9A Stampede Close
#352818LRV 2

Dark Brown Door

A very dark warm brown with an LRV of 2, for a front door and shutters. It comes from Fragonard's A Shaded Avenue and has no close commercial match.

From A Shaded Avenue, Jean Honoré Fragonard
Closest paints
  • Sherwin-Williams SW 9183 Dark Clove Similar
  • Behr 780B-7 Bison Brown Similar
#3A4B2CLRV 6

Forest Door Green

A very dark green with an LRV of 6, for a front door and shutters. It comes from Monet's On the Bank of the Seine, Bennecourt.

From On the Bank of the Seine, Bennecourt, Claude Monet
Closest paints
  • Behr 430F-7 Windsor Moss Close
  • Sherwin-Williams SW 6447 Evergreens Similar
  • Valspar 6010-5 Dark Meadow Similar

How do you choose the wall color for a Victorian exterior?

Start with the parts of the house that will not change: the roof, brick, stone and any foundation. Each scheme here lists a roof color, charcoal, black or brown, so choose the scheme whose roof is closest to yours. Roof colors are typical shingle, tile or metal colors, not paint.

Then choose the wall color. The sage gray #A2A294 is the lightest, with an LRV of 36. The lichen green-gray #757569 and old gold ochre #977442 are deeper, at 18 and 20. The deep teal #2B5863, at LRV 8, is the boldest.

If your house has a lot of detail, a mid-tone body color keeps it from looking busy.

How much contrast should trim and the front door have?

All four schemes use the same light trim, #D9D9D9, with an LRV of 69. It is a soft gray, not a stark white, so it frames the house without glare. Its closest match is Sherwin-Williams SW 6259 Spatial White.

The front door and shutters are where the schemes differ. Dark brown and forest green are very dark, with LRVs of 2 and 6, and give strong contrast against the walls. The umber brown, at LRV 12, is a softer choice.

For a calm look, keep the door close in depth to the walls. For a more formal look, choose a door that is much darker than the siding. Keep the shutters the same color as the door.

How do exterior colors look in sun and shade?

Outdoors, colors look lighter in full sun and cooler in shade. A color that seems right on a chip often looks paler on a large sunny wall, so choose a shade darker than your first instinct.

The deep teal and the forest green stay rich in sun and look almost black in shade. The sage and ochre change the most: sage looks more gray in shade and greener in sun, and ochre looks more golden in sun.

Walls with decorative trim and porches create shadows during the day. That means the same wall can look two or three different colors from morning to evening.

How do you test exterior samples?

Paint large samples, at least two feet square, on two sides of the house. Choose one wall that gets morning sun and another that sits in shade for most of the day.

Put the trim sample beside the wall sample, and the door sample near the entry. Colors change when they sit next to each other, and you need to see all three together.

Look at the samples in the morning, at midday and in the evening, and on a cloudy day. Wait until they are dry. Walk to the street and look from a distance, because that is how most people will see your house.

FAQ

What are good Victorian exterior paint schemes?

Sage gray with light trim and a brown door, or deep teal with a dark brown door, are two of the four schemes shown here.

What color should I paint Victorian house trim?

A soft light gray such as #D9D9D9, with an LRV of 69, frames the walls without looking stark.

What front door color goes with a Victorian house?

Dark brown, forest green or umber, depending on how much contrast you want against the walls.

Can a Victorian house be painted a dark color?

Yes. The deep teal #2B5863 has an LRV of 8. Choose a darker trim contrast carefully, and test it on a large sample first.

How do I match my Victorian exterior to my roof?

Choose the scheme with the closest roof color, such as charcoal, black or brown, then test the wall color beside a roof sample.

Palette card: Victorian Exterior Paint Schemes

Save these colors

A card with these house color schemes: walls, trim, front door and roof. Pin it, or take it to the paint store.

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Related guides

The paintings behind these colors

Painting images: The Art Institute of Chicago, The Metropolitan Museum of Art, public domain (CC0). Colors measured by Light & Pigment. Paint names belong to their brands and matches are approximate. Colors look different on screen than on a wall, so always test a sample.