19th-century painting · art-to-room palette

Mrs. Benjamin Schaum (Anna Maria Heckensweiler) Color Palette & Paint Colors

Six colors measured from Mrs. Benjamin Schaum (Anna Maria Heckensweiler) by Jacob Eichholtz, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Pale Linen on most walls, use Light Linen for the bed, sofa or curtains, and keep Shadow Umber to one bold piece. Deep Umber suits floors, wood and frames, and Warm Linen works best in a single textile.

Date
1808–10
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
89
Mrs. Benjamin Schaum (Anna Maria Heckensweiler) by Jacob Eichholtz
Jacob Eichholtz, Mrs. Benjamin Schaum (Anna Maria Heckensweiler), 1808–10. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Shadow Umber
#55463C · 33.3% · LRV 7
Pale Grey
#D9D9D9 · 24.9% · LRV 69
Warm Linen
#81735F · 18.3% · LRV 18
Deep Umber
#70604D · 14.8% · LRV 12
Light Linen
#C5A491 · 6.7% · LRV 41
Pale Linen
#FBF1DE · 2.1% · LRV 89

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Mrs. Benjamin Schaum (Anna Maria Heckensweiler) reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Shadow Umber is strongest
Shadow Umber
Detail of the painting where Pale Grey is strongest
Pale Grey
Detail of the painting where Warm Linen is strongest
Warm Linen
Detail of the painting where Deep Umber is strongest
Deep Umber
Detail of the painting where Light Linen is strongest
Light Linen
Detail of the painting where Pale Linen is strongest
Pale Linen

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Shadow Umber
#55463C
  • Behr BXC-79 Center Earth Very close
  • Sherwin-Williams SW 7027 Well‐Bred Brown Very close
  • Valspar 6010-2 Deep Earth Close
  • Farrow & Ball No. 36 Mahogany Close
7 One bold piece
Pale Grey
#D9D9D9
  • Behr N140-1 White City Near-identical
  • Sherwin-Williams SW 6259 Spatial White Near-identical
  • Valspar 4005-1A Polar Star Very close
  • Farrow & Ball No. 2011 Blackened Very close
69 Small accents, art, accessories
Warm Linen
#81735F
  • Sherwin-Williams SW 6159 High Tea Very close
  • Valspar 6007-2C Olive Sawdust Close
  • Behr 700D-6 Belgian Sweet Close
  • Farrow & Ball No. 290 Salon Drab Similar
18 One small textile
Deep Umber
#70604D
  • Farrow & Ball No. 290 Salon Drab Very close
  • Sherwin-Williams SW 7040 Smokehouse Very close
  • Behr HDC-SM14-4 Tan Bark Trail Very close
  • Valspar 3008-9A Stampede Close
12 Wood and frames
Light Linen
#C5A491
  • Sherwin-Williams SW 6059 Interface Tan Very close
  • Valspar 2006-7C Cinnamon Brulee Very close
  • Behr S230-4 Granola Close
  • Farrow & Ball No. 28 Dead Salmon Close
41 Bed, sofa, curtains
Pale Linen
#FBF1DE
  • Behr W-D-720 Innocence Near-identical
  • Sherwin-Williams SW 7106 Honied White Near-identical
  • Farrow & Ball No. 2002 White Tie Very close
  • Valspar 7002-19 Night Light Very close
89 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale linen looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D9D6CE

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#FCEFD7

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#CFBB9C

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Deep Umber and the rug border takes Warm Linen in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Linen
Light Linen
Shadow Umber
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Mrs. Benjamin Schaum (Anna Maria Heckensweiler)

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

What colors are in Mrs. Benjamin Schaum (Anna Maria Heckensweiler)?

Measured from the image, the painting's six main colors are Shadow Umber (#55463C, 33.3% of the canvas), Pale Grey (#D9D9D9, 24.9% of the canvas), Warm Linen (#81735F, 18.3% of the canvas), Deep Umber (#70604D, 14.8% of the canvas), Light Linen (#C5A491, 6.7% of the canvas), Pale Linen (#FBF1DE, 2.1% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 89% of the light that hits it (LRV 89), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Art Institute of Chicago releases this image as public domain (cc0), so it can be reused freely.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.