19th-century painting · art-to-room palette

Nocturne: Blue and Gold—Southampton Water Color Palette & Paint Colors

This palette is a family of soft, grayed greens taken from Whistler's 1872 nocturne, running from a pale pistachio-tinted white to a deep sage gray. It suits calm rooms such as bedrooms, studies and bathrooms, where you want color that stays quiet.

Quick answer

Use the very light green (#E6EBD9) on the walls, the light sage (#B7BCB1) for the main surfaces like cabinetry or a large piece of furniture, and the mid-tone gray green (#9A9E93) as an accent such as a door or built-in shelving. Keep the pale #D0D5CA for curtains, bedding and rugs, and the deepest gray green (#8C8F85) for small touches.

Date
1872
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
81
Nocturne: Blue and Gold—Southampton Water by James McNeill Whistler
James McNeill Whistler, Nocturne: Blue and Gold—Southampton Water, 1872. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 5 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Mist Sage Gray
#9A9E93 · 40.8% · LRV 33
Pale Lichen Green
#B7BCB1 · 27.5% · LRV 49
Deep Sage Gray
#8C8F85 · 22.5% · LRV 27
Soft Celadon Linen
#D0D5CA · 7.6% · LRV 65
Pistachio Cream White
#E6EBD9 · 1.7% · LRV 81

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Nocturne: Blue and Gold—Southampton Water reduced to its palette colors
The same scene in 5 flat colors.
Detail of the painting where Mist Sage Gray is strongest
Mist Sage Gray
Detail of the painting where Pale Lichen Green is strongest
Pale Lichen Green
Detail of the painting where Deep Sage Gray is strongest
Deep Sage Gray
Detail of the painting where Soft Celadon Linen is strongest
Soft Celadon Linen
Detail of the painting where Pistachio Cream White is strongest
Pistachio Cream White

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Mist Sage Gray
#9A9E93
  • Sherwin-Williams SW 9132 Acacia Haze Very close
  • Valspar 5007-2A Gray Exposé Very close
  • Behr N200-4 Rustic Taupe Very close
  • Farrow & Ball No. 25 Pigeon Close
33 One bold piece
Pale Lichen Green
#B7BCB1
  • Valspar 5005-3C Nuance Near-identical
  • Sherwin-Williams SW 6191 Contented Very close
  • Behr HDC-AC-21 Keystone Gray Very close
  • Farrow & Ball No. 22 Light Blue Very close
49 Bed, sofa, curtains
Deep Sage Gray
#8C8F85
  • Valspar 5003-2A Cottage Lattice Green Very close
  • Sherwin-Williams SW 9164 Illusive Green Very close
  • Behr N200-5 Woodcraft Close
  • Farrow & Ball No. 79 Card Room Green Close
27 Small accents, art, accessories
Soft Celadon Linen
#D0D5CA
  • Valspar 5005-1C Sage Morsel Near-identical
  • Behr N320-2 Toasty Gray Very close
  • Sherwin-Williams SW 6190 Filmy Green Very close
  • Farrow & Ball No. 204 Pale Powder Very close
65 One small textile
Pistachio Cream White
#E6EBD9
  • Behr BWC-17 Shark Tooth Near-identical
  • Valspar 7005-6 Parisian Mist Near-identical
  • Sherwin-Williams SW 6434 Spinach White Very close
  • Farrow & Ball No. 252 Pavilion Blue Close
81 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pistachio cream white looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#CBD3CB

The wall color #E6EBD9 (LRV 81) will look cooler and a bit grayer in north light, but it still bounces plenty of light, so a north-facing room feels open rather than dim. Pair it with warm wood or cream trim to keep the green from turning chilly.

South-facing room#ECEAD3

In strong south light, #E6EBD9 will read as a fresh, pale green-white and its green undertone will show more clearly. It will not glare at LRV 81, but test a large sample if you want the green to stay subtle.

Evening, warm lamps (2700K)#C4B89A

Under warm evening bulbs, the green in #E6EBD9 softens toward a creamy, yellowish white. Choose bulbs around 2700K for a cozy glow, and expect the walls to look warmer than they do by day.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes Soft Celadon Linen in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pistachio Cream White
Pale Lichen Green
Mist Sage Gray
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Nocturne: Blue and Gold—Southampton Water

Save this palette

A card with the painting, all 5 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

Which color from this palette should go on the walls?

The lightest one, #E6EBD9 with an LRV of 81, is the wall color in this scheme. It reflects light well and gives the other greens a soft backdrop.

How do I use the darker grays without making the room heavy?

Keep #9A9E93 (LRV 33) and #8C8F85 (LRV 27) to accents like a door, shelving or a few pieces of furniture. Both are mid-tones, so a little goes a long way against the light walls.

What should I use for fabrics and soft furnishings?

The pale #D0D5CA (LRV 65) works well for curtains, bedding and rugs. It sits between the wall and the main sage, so it ties the room together without adding contrast.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.