19th-century painting · art-to-room palette

The Advance-Guard, or The Military Sacrifice (The Ambush) Color Palette & Paint Colors

Six colors measured from The Advance-Guard, or The Military Sacrifice (The Ambush) by Frederic Remington, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Deep Blue on most walls, use Light Yellow for the bed, sofa or curtains, and keep Deep Red to one bold piece. Deep Ochre suits floors, wood and frames, and Warm Ochre works best in a single textile.

Date
1890
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
61
The Advance-Guard, or The Military Sacrifice (The Ambush) by Frederic Remington
Frederic Remington, The Advance-Guard, or The Military Sacrifice (The Ambush), 1890. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Light Yellow
#E2C09D · 47.9% · LRV 56
Light Blue
#96A9B9 · 24.7% · LRV 38
Deep Blue
#B3D2E6 · 15.1% · LRV 61
Deep Red
#814E38 · 5.9% · LRV 10
Warm Ochre
#997160 · 5.7% · LRV 19
Deep Ochre
#B97C5F · 0.7% · LRV 26

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Advance-Guard, or The Military Sacrifice (The Ambush) reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Light Yellow is strongest
Light Yellow
Detail of the painting where Light Blue is strongest
Light Blue
Detail of the painting where Deep Blue is strongest
Deep Blue
Detail of the painting where Deep Red is strongest
Deep Red
Detail of the painting where Warm Ochre is strongest
Warm Ochre
Detail of the painting where Deep Ochre is strongest
Deep Ochre

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Light Yellow
#E2C09D
  • Behr S270-3 Tostada Near-identical
  • Valspar 3002-8A Sun Tan Very close
  • Sherwin-Williams SW 7687 August Moon Very close
  • Farrow & Ball No. 213 Savage Ground Close
56 Bed, sofa, curtains
Light Blue
#96A9B9
  • Behr BNC-09 Heather Gray Near-identical
  • Sherwin-Williams SW 6241 Aleutian Near-identical
  • Valspar 4006-3C Blue Skylights Very close
  • Farrow & Ball No. 89 Lulworth Blue Close
38 Small accents, art, accessories
Deep Blue
#B3D2E6
  • Behr S530-2 Elevated Very close
  • Valspar 4006-9B Gentle Wind Very close
  • Sherwin-Williams SW 6807 Wondrous Blue Close
  • Farrow & Ball No. 89 Lulworth Blue Similar
61 Main walls
Deep Red
#814E38
  • Valspar 2010-6 Burnt Caramel Close
  • Behr BXC-42 Bricktone Close
  • Sherwin-Williams SW 9100 Umber Rust Close
  • Farrow & Ball No. 42 Picture Gallery Red Similar
10 One bold piece
Warm Ochre
#997160
  • Sherwin-Williams SW 6060 Moroccan Brown Close
  • Valspar 2007-7A Rustic Earth Close
  • Behr MQ1-60 Sienna Close
  • Farrow & Ball No. 295 Sulking Room Pink Similar
19 One small textile
Deep Ochre
#B97C5F
  • Valspar 2007-5A Cattle Drive Very close
  • Sherwin-Williams SW 2854 Caribbean Coral Very close
  • Behr HDC-AC-06 Campfire Blaze Very close
  • Farrow & Ball No. 64 Red Earth Close
26 Wood and frames

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How deep blue looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#ABC2D4

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#C4D6DD

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#A7AAA1

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Deep Ochre and the rug border takes Warm Ochre in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Deep Blue
Light Yellow
Deep Red
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Advance-Guard, or The Military Sacrifice (The Ambush)

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

What colors are in The Advance-Guard, or The Military Sacrifice (The Ambush)?

Measured from the image, the painting's six main colors are Light Yellow (#E2C09D, 47.9% of the canvas), Light Blue (#96A9B9, 24.7% of the canvas), Deep Blue (#B3D2E6, 15.1% of the canvas), Deep Red (#814E38, 5.9% of the canvas), Warm Ochre (#997160, 5.7% of the canvas), Deep Ochre (#B97C5F, 0.7% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 61% of the light that hits it (LRV 61), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Art Institute of Chicago releases this image as public domain (cc0), so it can be reused freely.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.