19th-century French painting · art-to-room palette

Alfred Sisley Color Palette & Paint Colors

This palette comes from Pierre-Auguste Renoir's 1876 oil painting "Alfred Sisley," held at The Art Institute of Chicago. It pairs deep, cool blacks and greens with a pale blush and warm golds, so it suits rooms that want depth with a soft, lived-in light.

Quick answer

Use the pale warm blush on the main walls and the soft sage green on one large wall or built-ins, with the very dark blue on a door, trim, or cabinetry. Bring in the muted mustard through cushions or a throw, and keep the deep green and burnt amber for small accents.

Date
1876
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
73
Alfred Sisley by Pierre-Auguste Renoir
Pierre-Auguste Renoir, Alfred Sisley, 1876. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Midnight Slate Blue
#272835 · 59.8% · LRV 2
Soft Sage Green
#8FA390 · 18.4% · LRV 34
Deep Spruce Green
#2C4E45 · 11.8% · LRV 6
Pale Warm Blush
#EBDBD5 · 5.7% · LRV 73
Burnt Amber Ochre
#B07A40 · 2.8% · LRV 24
Muted Mustard Gold
#B79E41 · 1.4% · LRV 35

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Alfred Sisley reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Midnight Slate Blue is strongest
Midnight Slate Blue
Detail of the painting where Soft Sage Green is strongest
Soft Sage Green
Detail of the painting where Deep Spruce Green is strongest
Deep Spruce Green
Detail of the painting where Pale Warm Blush is strongest
Pale Warm Blush
Detail of the painting where Burnt Amber Ochre is strongest
Burnt Amber Ochre
Detail of the painting where Muted Mustard Gold is strongest
Muted Mustard Gold

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Midnight Slate Blue
#272835
  • Behr BXC-09 Dark Burgundy Wine Close
  • Sherwin-Williams SW 9179 Anchors Aweigh Similar
  • Valspar 4010-2 Twilight Purple Similar
  • Farrow & Ball No. 256 Pitch Black Similar
2 One bold piece
Soft Sage Green
#8FA390
  • Behr N360-4 Battleship Gray Very close
  • Valspar 5004-4A Field of Pines Very close
  • Farrow & Ball No. 81 Breakfast Room Green Close
  • Sherwin-Williams SW 7742 Agate Green Close
34 Bed, sofa, curtains
Deep Spruce Green
#2C4E45
  • Sherwin-Williams SW 6468 Hunt Club Very close
  • Behr 480F-7 Sycamore Tree Close
  • Valspar 5011-4 Favorite Green Close
6 Small accents, art, accessories
Pale Warm Blush
#EBDBD5
  • Valspar 7001-13 Mosaic Pink Near-identical
  • Behr PPU17-07 Vienna Lace Very close
  • Sherwin-Williams SW 6329 Faint Coral Very close
  • Farrow & Ball No. 230 Calamine Close
73 Main walls
Burnt Amber Ochre
#B07A40
  • Behr S250-5 Roasted Cashew Near-identical
  • Valspar 3011-4 Wet Riverbanks Very close
  • Sherwin-Williams SW 6377 Butterscotch Very close
24 Small accents, art, accessories
Muted Mustard Gold
#B79E41
  • Behr 330F-5 Golden Bear Very close
  • Sherwin-Williams SW 6705 High Strung Close
  • Valspar 6008-6C City Chartreuse Close
  • Farrow & Ball No. 66 India Yellow Similar
35 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale warm blush looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#CFC9C9

In north light, the pale blush tends to look cooler and a little greyer. It still reads light and calm, so it works well in a room that gets soft daylight all day.

South-facing room#EFDDD0

Strong south light warms the pale blush and makes it look brighter. Its high reflectance means it bounces a lot of light, which can make a sunny room feel open.

Evening, warm lamps (2700K)#C7AF97

Under warm evening bulbs, the pale blush takes on a richer, rosier glow. The sage green may look greyer, so test it next to lamps before you commit.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes Muted Mustard Gold in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Warm Blush
Soft Sage Green
Midnight Slate Blue
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Alfred Sisley

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Can I paint a whole room in the very dark blue?

You can, but it works best in a room with plenty of light or in a small space like a powder room or study. Its reflectance is very low, so it absorbs most of the light that hits it.

Do I need all six colors in one room?

No. Pick the wall color and one or two supporting colors. The dark blue, deep green, and amber work well as small accents, so you do not need to use them all at full strength.

Will the paint matches look exactly like the painting?

The matches are the closest commercial paints we measured against each color. Paint looks different on a wall than on a screen or canvas, so buy sample pots and test them in your own light.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.