19th-century French painting · art-to-room palette

Young Girl in a Pink-and-Black Hat Color Palette & Paint Colors

This palette is taken from Auguste Renoir's Young Girl in a Pink-and-Black Hat, painted around 1891 and held by The Metropolitan Museum of Art. It is built on deep greens, warm tans and a soft cream, so it suits rooms that want warmth without bright color.

Quick answer

Use the cream #F2E0BE on the walls, the warm tan #A98E6B for the main furniture or large cover, and the sage #677760 as an accent on a door, cabinet or chair. Bring in the dusty terracotta #996A59 through textiles such as pillows or a throw.

Date
ca. 1891
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
76
Young Girl in a Pink-and-Black Hat by Auguste Renoir
Auguste Renoir, Young Girl in a Pink-and-Black Hat, ca. 1891. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

deep green-gray
#495248 · 29.1% · LRV 8
pale warm cream
#F2E0BE · 19% · LRV 76
near-black charcoal
#272625 · 17.4% · LRV 2
warm camel tan
#A98E6B · 16.9% · LRV 29
muted sage green
#677760 · 14.1% · LRV 17
dusty terracotta rose
#996A59 · 3.5% · LRV 18

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Young Girl in a Pink-and-Black Hat reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where deep green-gray is strongest
deep green-gray
Detail of the painting where pale warm cream is strongest
pale warm cream
Detail of the painting where near-black charcoal is strongest
near-black charcoal
Detail of the painting where warm camel tan is strongest
warm camel tan
Detail of the painting where muted sage green is strongest
muted sage green
Detail of the painting where dusty terracotta rose is strongest
dusty terracotta rose

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
deep green-gray
#495248
  • Sherwin-Williams SW 7730 Forestwood Very close
  • Valspar 6011-5 Aged Pine Close
  • Behr 790D-7 Black Bean Close
  • Farrow & Ball No. 93 Studio Green Close
8 Small accents, art, accessories
pale warm cream
#F2E0BE
  • Behr 320E-2 Cracked Wheat Near-identical
  • Valspar 3007-8C Paper Moon Near-identical
  • Sherwin-Williams SW 7681 Tea Light Very close
  • Farrow & Ball No. 67 Farrow's Cream Very close
76 Main walls
near-black charcoal
#272625
  • Sherwin-Williams SW 6258 Tricorn Black Close
  • Behr 790B-7 Bitter Chocolate Similar
  • Farrow & Ball No. 256 Pitch Black Similar
  • Valspar 4011-2 Dark Kettle Black Similar
2 Small accents, art, accessories
warm camel tan
#A98E6B
  • Valspar 3004-9C River Oak Very close
  • Behr 280F-4 Burnt Almond Close
  • Sherwin-Williams SW 6137 Burlap Close
  • Farrow & Ball No. 40 Mouse's Back Similar
29 Bed, sofa, curtains
muted sage green
#677760
  • Behr BXC-44 Pepper Mill Very close
  • Valspar 5008-4C April Arbor Close
  • Sherwin-Williams SW 6439 Greenfield Close
  • Farrow & Ball No. 47 Green Smoke Similar
17 One bold piece
dusty terracotta rose
#996A59
  • Valspar 2005-7A Rio Grande Mud Very close
  • Sherwin-Williams SW 6053 Reddened Earth Close
  • Behr S210-6 Cinnamon Crunch Close
  • Farrow & Ball No. 42 Picture Gallery Red Similar
18 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale warm cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D4CBBA

North light is cooler and softer, so the cream wall can look a little flatter and more muted. It still reads light, with an LRV of 76, and the warm yellow undertone helps keep it from feeling gray.

South-facing room#F5E1BE

Strong south light brings out the warm yellow in the cream, so the wall can look lighter and brighter than it does indoors at other times. Use it in a room that gets a lot of sun if you want the walls to feel airy.

Evening, warm lamps (2700K)#CAB18A

Warm evening bulbs deepen the yellow in the cream and make the tan and terracotta feel richer. The green-gray and sage will look more muted, which helps a room feel settled after dark.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes dusty terracotta rose in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

pale warm cream
warm camel tan
muted sage green
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Young Girl in a Pink-and-Black Hat

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Where should I use the near-black #272625?

This color has an LRV of 2, so it reads very dark. Use it in small amounts, such as a single accent wall, trim or a piece of furniture. In a small room, a full wall of it can feel closed in.

How much of each color should I use?

In the painting, the deep green-gray covers the largest share, followed by the cream, the near-black and the tan. In a room, the cream and tan work best as the main colors, with the greens and terracotta as smaller accents. The deep green-gray and near-black suit trim, doors or a single feature wall.

How do I pair the terracotta rose with the other colors?

The dusty terracotta #996A59 has a deep red-orange undertone and an LRV of 18. It works well in fabrics, such as pillows, a rug or a throw, against the cream wall and tan furniture. Keep it to textiles at first, then add more if the room feels balanced.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.