17th-century painting · art-to-room palette

Saint Francis Color Palette & Paint Colors

This palette is built from browns, clay tones, and warm creams taken from a dark, warm-toned oil painting. It suits rooms that need warmth and a settled, grounded feel, such as a dining room, a study, or a bedroom with wood furniture.

Quick answer

Use the palest shade, #FFE2B1, on the walls. Bring in #DFBC93 on trim or cabinets, and use the deeper browns on wood pieces, accent details, and textiles.

Date
c. 1615
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
79
Saint Francis by Peter Paul Rubens
Peter Paul Rubens, Saint Francis, c. 1615. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Near-black warm umber
#413731 · 40.2% · LRV 4
Deep terracotta brown
#725F50 · 30.4% · LRV 12
Weathered oak brown
#89705D · 18% · LRV 18
Muted clay tan
#CE9C77 · 5.6% · LRV 38
Soft sand beige
#DFBC93 · 3.7% · LRV 54
Pale warm cream
#FFE2B1 · 2% · LRV 79

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Saint Francis reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Near-black warm umber is strongest
Near-black warm umber
Detail of the painting where Deep terracotta brown is strongest
Deep terracotta brown
Detail of the painting where Weathered oak brown is strongest
Weathered oak brown
Detail of the painting where Muted clay tan is strongest
Muted clay tan
Detail of the painting where Soft sand beige is strongest
Soft sand beige
Detail of the painting where Pale warm cream is strongest
Pale warm cream

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Near-black warm umber
#413731
  • Behr 780B-7 Bison Brown Very close
  • Sherwin-Williams SW 6006 Black Bean Close
  • Farrow & Ball No. 256 Pitch Black Close
  • Valspar 1011-10 Brown Velvet Similar
4 Small accents, art, accessories
Deep terracotta brown
#725F50
  • Valspar 2008-9A Sumatra Blend Very close
  • Sherwin-Williams SW 7515 Homestead Brown Very close
  • Behr HDC-SM14-4 Tan Bark Trail Very close
  • Farrow & Ball No. 290 Salon Drab Close
12 One bold piece
Weathered oak brown
#89705D
  • Sherwin-Williams SW 7525 Tree Branch Very close
  • Behr 250F-5 Fudge Bar Very close
  • Valspar 2006-9B Scented Candle Close
  • Farrow & Ball No. 244 London Clay Similar
18 Wood and frames
Muted clay tan
#CE9C77
  • Valspar 2006-5C Sweet Cardamom Very close
  • Behr HDC-AC-02 Copper Moon Very close
  • Sherwin-Williams SW 6353 Chivalry Copper Close
  • Farrow & Ball No. 66 India Yellow Similar
38 One small textile
Soft sand beige
#DFBC93
  • Sherwin-Williams SW 9023 Dakota Wheat Very close
  • Valspar 3002-8A Sun Tan Very close
  • Behr UL150-4 Fortune Cookie Very close
  • Farrow & Ball No. 213 Savage Ground Similar
54 Bed, sofa, curtains
Pale warm cream
#FFE2B1
  • Behr P250-2 Golden Nectar Very close
  • Valspar 2008-2B Spun Honey Very close
  • Sherwin-Williams SW 9015 They call it Mellow Very close
  • Farrow & Ball No. 68 Dorset Cream Close
79 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale warm cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#DCCCB2

North light is cool and dim, so the warm undertone on the wall can look grayer and flatter. The high LRV of 79 still keeps the room from feeling closed in.

South-facing room#FFE3B4

Strong south light makes the wall glow and brings out its yellow undertone. The room will feel brighter, so check a large sample before committing.

Evening, warm lamps (2700K)#D2B383

Warm evening bulbs deepen the cream and push it toward gold. The browns will look richer and more saturated after dark.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Weathered oak brown and the rug border takes Muted clay tan in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale warm cream
Soft sand beige
Deep terracotta brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Saint Francis

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color should I use for the walls?

Use #FFE2B1, the palest shade, on the walls. Its LRV of 79 bounces light and keeps the room from feeling heavy, even with the darker browns in the furniture and details.

Can I use the darkest brown on a whole room?

The darkest shade, #413731, has an LRV of 4, so it reads very dark. Use it on one surface, such as a single door or a piece of furniture, rather than covering a full room.

How do I pair the browns with the lighter tones?

Place the mid browns on wood pieces and textiles, and balance them with the lighter sand and cream shades. Keep the wall in the lightest tone so the deeper colors stand out without crowding the space.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.