18th-century Scandinavian painting · art-to-room palette

Count Giacomo Durazzo (1717–1794) and Ernestine Aloisia Ungnad von Weissenwolff (1732–1794) Color Palette & Paint Colors

This palette comes from Martin van Meytens the Younger's oil painting "Count Giacomo Durazzo (1717–1794) and Ernestine Aloisia Ungnad von Weissenwolff (1732–1794)," probably early 1760s, in The Metropolitan Museum of Art. It is built on deep and muted greens, with a pale green, rust and ochre as supporting colors.

Quick answer

Use the pale green #DAEBCA on the walls and the mid-tone sage #7E8366 on large furniture or a paneled section. Add the very dark green as an accent on a door or built-in, and bring in the rust and ochre through textiles and wood.

Date
probably early 1760s
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
79
Count Giacomo Durazzo (1717–1794) and Ernestine Aloisia Ungnad von Weissenwolff (1732–1794) by Martin van Meytens the Younger
Martin van Meytens the Younger, Count Giacomo Durazzo (1717–1794) and Ernestine Aloisia Ungnad von Weissenwolff (1732–1794), probably early 1760s. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep spruce green
#304532 · 37.5% · LRV 5
Muted sage green
#7E8366 · 28.5% · LRV 22
Near-black forest green
#122A16 · 17.4% · LRV 2
Pale celadon green
#DAEBCA · 9.6% · LRV 79
Burnt rust red
#8E4D31 · 3.9% · LRV 11
Antique ochre gold
#87723D · 3.1% · LRV 18

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Count Giacomo Durazzo (1717–1794) and Ernestine Aloisia Ungnad von Weissenwolff (1732–1794) reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep spruce green is strongest
Deep spruce green
Detail of the painting where Muted sage green is strongest
Muted sage green
Detail of the painting where Near-black forest green is strongest
Near-black forest green
Detail of the painting where Pale celadon green is strongest
Pale celadon green
Detail of the painting where Burnt rust red is strongest
Burnt rust red
Detail of the painting where Antique ochre gold is strongest
Antique ochre gold

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep spruce green
#304532
  • Behr BXC-12 Deep Forest Very close
  • Sherwin-Williams SW 41 Dard Hunter Green Close
  • Valspar 6011-5 Aged Pine Similar
5 One bold piece
Muted sage green
#7E8366
  • Sherwin-Williams SW 6179 Artichoke Near-identical
  • Valspar 6001-4B Native Henna Very close
  • Behr 720D-5 Mocha Accent Very close
  • Farrow & Ball No. 34 Calke Green Close
22 Bed, sofa, curtains
Near-black forest green
#122A16
  • Behr BXC-12 Deep Forest Similar
2 Small accents, art, accessories
Pale celadon green
#DAEBCA
  • Valspar 6004-7B Sprig of Mint Very close
  • Sherwin-Williams SW 6928 Green Vibes Very close
  • Behr S370-2 Feng Shui Very close
  • Farrow & Ball No. 206 Green Ground Similar
79 Main walls
Burnt rust red
#8E4D31
  • Behr 240D-7 Chestnut Stallion Close
  • Sherwin-Williams SW 6342 Spicy Hue Close
  • Valspar 2009-6 Autumn Russet Close
  • Farrow & Ball No. 42 Picture Gallery Red Similar
11 One small textile
Antique ochre gold
#87723D
  • Sherwin-Williams SW 6411 Bengal Grass Very close
  • Behr PPU6-20 Eden Prairie Very close
  • Valspar 6008-4C Valencia Moss Similar
18 Wood and frames

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale celadon green looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#C4D3C1

North light is cool and soft, so the pale green (LRV 79) can read slightly grayer and quieter. Its green undertone will stay gentle. Keep the wall as the lightest surface in the room so it does not look flat.

South-facing room#E2EAC8

Strong south light makes the pale green brighter and more luminous, and it may look lighter than the swatch. Bounce from the wall will be strong, so check a large test patch at midday before committing.

Evening, warm lamps (2700K)#BDB891

Warm evening bulbs push the pale green toward a creamy yellow tone. The rust and ochre will look warmer and richer, and the deep greens will look more brown. Compare the colors under your own bulbs before you paint.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Antique ochre gold and the rug border takes Burnt rust red in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale celadon green
Muted sage green
Deep spruce green
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Count Giacomo Durazzo (1717–1794) and Ernestine Aloisia Ungnad von Weissenwolff (1732–1794)

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color should I use on the walls?

Use the pale green #DAEBCA, which measures LRV 79. It is the lightest color in the palette and it bounces the most light, so it suits walls in rooms that need brightness.

Can I use the very dark green in a small room?

Use it in small amounts, such as a door, trim or a single built-in, rather than on all the walls. The color measures LRV 5, so it will make a small room feel closed in if it covers too much.

What do the rust and ochre colors work with?

Use the burnt rust #8E4D31 and antique ochre #87723D in textiles, pillows, rugs or wood furniture. They warm the greens and balance the cool undertones of the pale green wall.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.