17th-century Dutch painting · art-to-room palette

The Music Lesson Color Palette & Paint Colors

This palette comes from The Music Lesson, painted by Gerard ter Borch the Younger around 1670 and now at The Art Institute of Chicago. It is a warm, low-contrast scheme of deep browns and soft creams that suits a quiet living room, study or dining room.

Quick answer

Use the pale cream (#F4E9D3) on the walls and the sandy beige (#CEC3AF) as the main color on larger furniture or a secondary wall. Keep the deep brown (#41382D) for an accent such as a door, built-in shelving or one feature wall, and let the mid-brown (#715A41) show up in wood, with the muted rose-tan (#D0AA8E) in textiles.

Date
c. 1670
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
82
The Music Lesson by Gerard ter Borch the Younger
Gerard ter Borch the Younger, The Music Lesson, c. 1670. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep Umber Brown
#41382D · 66.3% · LRV 4
Warm Walnut Brown
#715A41 · 15.6% · LRV 11
Muted Olive Taupe
#8B8372 · 9.8% · LRV 23
Sandy Parchment Beige
#CEC3AF · 5.2% · LRV 55
Soft Clay Rose
#D0AA8E · 1.6% · LRV 44
Pale Candle Cream
#F4E9D3 · 1.5% · LRV 82

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Music Lesson reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep Umber Brown is strongest
Deep Umber Brown
Detail of the painting where Warm Walnut Brown is strongest
Warm Walnut Brown
Detail of the painting where Muted Olive Taupe is strongest
Muted Olive Taupe
Detail of the painting where Sandy Parchment Beige is strongest
Sandy Parchment Beige
Detail of the painting where Soft Clay Rose is strongest
Soft Clay Rose
Detail of the painting where Pale Candle Cream is strongest
Pale Candle Cream

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep Umber Brown
#41382D
  • Behr N210-7 Havana Coffee Close
  • Sherwin-Williams SW 9183 Dark Clove Close
  • Farrow & Ball No. 256 Pitch Black Similar
  • Valspar 6010-2 Deep Earth Similar
4 One bold piece
Warm Walnut Brown
#715A41
  • Behr N240-7 Joshua Tree Near-identical
  • Sherwin-Williams SW 6111 Coconut Husk Very close
  • Valspar 3011-8 Dark Earth Close
  • Farrow & Ball No. 290 Salon Drab Similar
11 Wood and frames
Muted Olive Taupe
#8B8372
  • Sherwin-Williams SW 6172 Hardware Near-identical
  • Behr N230-5 Dry Brown Near-identical
  • Valspar 6002-2B Mossy Aura Very close
  • Farrow & Ball No. 292 Treron Close
23 Small accents, art, accessories
Sandy Parchment Beige
#CEC3AF
  • Farrow & Ball No. 4 Old White Near-identical
  • Behr 700C-3 Pecan Sandie Near-identical
  • Sherwin-Williams SW 7542 Naturel Near-identical
  • Valspar 6006-1B Oatbran Very close
55 Bed, sofa, curtains
Soft Clay Rose
#D0AA8E
  • Behr MQ2-4 Butterscotch Amber Very close
  • Valspar 2007-8A Cosy Chair Very close
  • Sherwin-Williams SW 7720 Deer Valley Close
  • Farrow & Ball No. 231 Setting Plaster Similar
44 One small textile
Pale Candle Cream
#F4E9D3
  • Sherwin-Williams SW 7556 Crème Near-identical
  • Valspar 7003-12 Frolic Near-identical
  • Behr S300-1 French Creme Near-identical
  • Farrow & Ball No. 59 New White Near-identical
82 Main walls

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale candle cream looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D5D1C8

The wall color, Pale Candle Cream (LRV 82), stays light in north light, but the cool daylight can make its yellow undertone look a little flatter and grayer. Pair it with the warm wood and textile tones to keep the room from feeling chilly.

South-facing room#F6E8CF

In strong south light, Pale Candle Cream (LRV 82) reflects a lot of brightness and reads as a soft, buttery white. If glare is a problem, use the sandy beige (LRV 55) on the walls instead.

Evening, warm lamps (2700K)#CCB696

Under warm evening bulbs, the yellow undertone in Pale Candle Cream deepens and the walls take on a gentle glow. Expect the room to feel cozier, and the brown accents to look richer and darker.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Warm Walnut Brown and the rug border takes Soft Clay Rose in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale Candle Cream
Sandy Parchment Beige
Deep Umber Brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Music Lesson

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Can I use the darkest brown on all four walls?

You can, but it has an LRV of 4, so it absorbs almost all light and will make a room feel small and dim unless it has strong lighting. It works best on one wall, a door or built-in cabinetry, with the cream colors elsewhere.

Which color works best for a small room?

Pale Candle Cream (LRV 82) is the best choice for the walls, because it bounces light and keeps the space open. Add the deeper browns in small doses, such as a picture frame, a chair or a table.

How do I use the rose-tan color without it taking over?

Keep it to textiles such as cushions, a throw or curtains. At LRV 44 with a warm red-orange undertone, it adds a soft note of warmth against the cream walls and brown wood.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.