House exterior · Traditional · colors from 8 paintings

Classic House Color Combinations: Four Exterior Schemes

Classic house color combinations pair one calm wall color with clear trim and a deeper door. These four traditional exterior schemes come from museum paintings and include the roof color.

Quick answer

For the safest classic look, use sand #D4C2A7 walls with #DDDED8 trim and a dark brown #5F3D23 door and shutters under a charcoal roof.

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A State Yacht and Other Craft in Calm Water by Jan van de Cappelle Portrait of a Woman by Piero del Pollaiuolo (Piero di Jacopo Benci) View of Cotopaxi by Frederic Edwin Church Arrival of the Normandy Train, Gare Saint-Lazare by Claude Monet Every wall, trim and door color here was measured from one of these public-domain paintings.

4 complete exterior color schemes

Walls, trim, front door and roof together. Each scheme takes its colors from public-domain paintings, so the pairings are ones a painter already put side by side.

Sand Colonial

  • Walls #D4C2A7
  • Trim #DDDED8
  • Front door & shutters #5F3D23
  • Roof: charcoal

Sand walls with soft white trim and a dark brown door and shutters suit a two-story colonial. A charcoal roof keeps the look calm.

Colors from A State Yacht and Other Craft in Calm Water, Jan van de Cappelle.

Closest paints for this scheme

Walls

  • Behr MQ2-23 Almond Butter Near-identical
  • Farrow & Ball No. 213 Savage Ground Near-identical
  • Valspar 3005-10B Gardenia Very close
  • Sherwin-Williams SW 7529 Sand Beach Very close

Trim

  • Sherwin-Williams SW 7666 Fleur de Sel Near-identical
  • Behr N200-1 Moth Gray Near-identical
  • Valspar 7006-18 Blizzard Fog Near-identical
  • Farrow & Ball No. 277 Dimpse Very close

Front door & shutters

  • Sherwin-Williams SW 6097 Sturdy Brown Close
  • Behr 240F-7 Root Beer Close
  • Valspar 2009-10 Roasted Coffee Similar
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Blue Colonial

  • Walls #798F9B
  • Trim #DDDED8
  • Front door & shutters #A58161
  • Roof: black

Mid-tone blue walls with soft white trim and a warm brown door and shutters give a colonial a traditional look. The black roof matches the dark frame.

Colors from Portrait of a Woman, Piero del Pollaiuolo (Piero di Jacopo Benci).

Closest paints for this scheme

Walls

  • Valspar 4008-4A Pulitzer Blue Very close
  • Behr 760F-5 Milestone Very close
  • Sherwin-Williams SW 6242 Bracing Blue Very close
  • Farrow & Ball No. 86 Stone Blue Close

Trim

  • Sherwin-Williams SW 7666 Fleur de Sel Near-identical
  • Behr N200-1 Moth Gray Near-identical
  • Valspar 7006-18 Blizzard Fog Near-identical
  • Farrow & Ball No. 277 Dimpse Very close

Front door & shutters

  • Sherwin-Williams SW 9105 Almond Roca Near-identical
  • Valspar 3003-7B Leather Satchel Very close
  • Behr MQ2-11 Outdoor Land Very close
  • Farrow & Ball No. 40 Mouse's Back Similar
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Pale Green Colonial

  • Walls #CFDAD2
  • Trim #23201C
  • Front door & shutters #57816A
  • Roof: charcoal

Very pale green walls with black trim and a jadite green door make a crisp colonial. The charcoal roof sits well with the black trim.

Colors from View of Cotopaxi, Frederic Edwin Church.

Closest paints for this scheme

Walls

  • Behr MQ3-21 Breezeway Very close
  • Valspar 5003-3A Sage Bud Very close
  • Sherwin-Williams SW 6210 Window Pane Very close
  • Farrow & Ball No. 204 Pale Powder Close

Trim

  • Sherwin-Williams SW 6258 Tricorn Black Similar
  • Behr 790B-7 Bitter Chocolate Similar
  • Farrow & Ball No. 256 Pitch Black Similar

Front door & shutters

  • Sherwin-Williams SW 6459 Jadite Very close
  • Behr S430-6 Forest Edge Close
  • Valspar 5004-6B Moonlit Surf Similar
  • Farrow & Ball No. 34 Calke Green Similar
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Slate Colonial

  • Walls #596A6A
  • Trim #CED5D9
  • Front door & shutters #282C1A
  • Roof: black

Deep blue-gray walls with pale trim and near-black green shutters give a colonial a strong, formal look. A black roof completes it.

Colors from Arrival of the Normandy Train, Gare Saint-Lazare, Claude Monet.

Closest paints for this scheme

Walls

  • Farrow & Ball No. 289 Inchyra Blue Very close
  • Behr 770F-5 Dark Ash Very close
  • Sherwin-Williams SW 6222 Riverway Close
  • Valspar 5002-4C Sequoia Glade Close

Trim

  • Sherwin-Williams SW 6533 Mild Blue Very close
  • Behr PPU14-17 Polar Drift Very close
  • Valspar 4007-3A Ghost Ship Very close
  • Farrow & Ball No. 235 Borrowed Light Very close

Front door & shutters

  • Behr S-H-780 Thorny Branch Similar
  • Sherwin-Williams SW 6216 Jasper Similar
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How these colors look outside

Exterior paint is seen in much stronger light than a room. Full sun bleaches a color by a shade or two, while the shaded side of the house and overcast days pull it cooler and darker. Test a large sample on two sides of the house.

ColorSwatch Full sun Overcast In shade Golden hour
Sand Beach Wall LRV 55
Bracing Blue Wall LRV 26
Window Pane Wall LRV 68
Riverway Slate Wall LRV 14
Fleur Trim White LRV 73

Try these colors on a house

Pick a color for the walls, the trim, the front door and the roof, and switch between house styles. Shadows and siding lines follow your choice.

Walls
Trim & garage door
Front door & shutters
Roof

Roof colors are typical shingle, tile and metal colors, not paint. Every other color comes from a painting on this page.

Colors for the walls

#D4C2A7LRV 55

Sand Beach Wall

A light warm sand with an LRV of 55, the softest wall color here. It comes from Jan van de Cappelle's A State Yacht and Other Craft in Calm Water, ca. 1660.

From A State Yacht and Other Craft in Calm Water, Jan van de Cappelle
Closest paints
  • Behr MQ2-23 Almond Butter Near-identical
  • Farrow & Ball No. 213 Savage Ground Near-identical
  • Valspar 3005-10B Gardenia Very close
  • Sherwin-Williams SW 7529 Sand Beach Very close
#798F9BLRV 26

Bracing Blue Wall

A mid-tone cool blue with an LRV of 26, suited to a colonial with white trim. It comes from Piero del Pollaiuolo's Portrait of a Woman, ca. 1480.

From Portrait of a Woman, Piero del Pollaiuolo (Piero di Jacopo Benci)
Closest paints
  • Valspar 4008-4A Pulitzer Blue Very close
  • Behr 760F-5 Milestone Very close
  • Sherwin-Williams SW 6242 Bracing Blue Very close
  • Farrow & Ball No. 86 Stone Blue Close
#CFDAD2LRV 68

Window Pane Wall

A very light green-gray with an LRV of 68 that gives a fresh, pale wall. It comes from Frederic Edwin Church's View of Cotopaxi, 1857.

From View of Cotopaxi, Frederic Edwin Church
Closest paints
  • Behr MQ3-21 Breezeway Very close
  • Valspar 5003-3A Sage Bud Very close
  • Sherwin-Williams SW 6210 Window Pane Very close
  • Farrow & Ball No. 204 Pale Powder Close

Trim colors

#DDDED8LRV 73

Fleur Trim White

A very light neutral with an LRV of 73 for trim, fascia and a garage door. It comes from Piet Mondrian's Composition (No. 1) Gray-Red, 1935.

From Composition (No. 1) Gray-Red, Piet Mondrian
Closest paints
  • Sherwin-Williams SW 7666 Fleur de Sel Near-identical
  • Behr N200-1 Moth Gray Near-identical
  • Valspar 7006-18 Blizzard Fog Near-identical
  • Farrow & Ball No. 277 Dimpse Very close
#23201CLRV 2

Tricorn Trim Black

A very dark neutral with an LRV of 2, for dramatic trim against a pale wall. It comes from Peter Wtewael's Kitchen Scene, 1620s.

From Kitchen Scene, Peter Wtewael
Closest paints
  • Sherwin-Williams SW 6258 Tricorn Black Similar
  • Behr 790B-7 Bitter Chocolate Similar
  • Farrow & Ball No. 256 Pitch Black Similar
#CED5D9LRV 66

Mild Blue Trim

A light neutral with an LRV of 66, a soft trim beside a dark wall. It comes from Claude Monet's Arrival of the Normandy Train, Gare Saint-Lazare, 1877.

From Arrival of the Normandy Train, Gare Saint-Lazare, Claude Monet
Closest paints
  • Sherwin-Williams SW 6533 Mild Blue Very close
  • Behr PPU14-17 Polar Drift Very close
  • Valspar 4007-3A Ghost Ship Very close
  • Farrow & Ball No. 235 Borrowed Light Very close

Front door and shutter colors

#5F3D23LRV 6

Sturdy Brown Door

A very dark red-brown with an LRV of 6, for a front door and shutters on a sand house. It comes from Jan van de Cappelle's A State Yacht and Other Craft in Calm Water, ca. 1660.

From A State Yacht and Other Craft in Calm Water, Jan van de Cappelle
Closest paints
  • Sherwin-Williams SW 6097 Sturdy Brown Close
  • Behr 240F-7 Root Beer Close
  • Valspar 2009-10 Roasted Coffee Similar
#A58161LRV 25

Almond Roca Door

A mid-tone warm brown with an LRV of 25, a lighter door for a blue house. It comes from Piero del Pollaiuolo's Portrait of a Woman, ca. 1480.

From Portrait of a Woman, Piero del Pollaiuolo (Piero di Jacopo Benci)
Closest paints
  • Sherwin-Williams SW 9105 Almond Roca Near-identical
  • Valspar 3003-7B Leather Satchel Very close
  • Behr MQ2-11 Outdoor Land Very close
  • Farrow & Ball No. 40 Mouse's Back Similar
#57816ALRV 19

Jadite Door

A mid-tone green with an LRV of 19, a fresh door and shutter color on a pale wall. It comes from Vasily Kandinsky's Landscape with Two Poplars, 1912.

From Landscape with Two Poplars, Vasily Kandinsky
Closest paints
  • Sherwin-Williams SW 6459 Jadite Very close
  • Behr S430-6 Forest Edge Close
  • Valspar 5004-6B Moonlit Surf Similar
  • Farrow & Ball No. 34 Calke Green Similar
#282C1ALRV 2

Thorny Branch Door

A very dark green with an LRV of 2, almost black, for doors and shutters on a dark house. It comes from Joachim Patinir's The Penitence of Saint Jerome, ca. 1515.

From The Penitence of Saint Jerome, Joachim Patinir
Closest paints
  • Behr S-H-780 Thorny Branch Similar
  • Sherwin-Williams SW 6216 Jasper Similar

How do you choose the wall color for a classic exterior?

Start with what cannot change. The roof, brick, stone and foundation are fixed, so the wall color must agree with them. All four schemes here use a charcoal or black roof, which pairs with both warm and cool walls.

The sand #D4C2A7 is the easiest wall color. Its LRV of 55 reads light, and its warm yellow undertone suits brick and stone with a warm cast. The blue #798F9B and the slate #596A6A suit a house with gray stone or a black roof. The pale green #CFDAD2 has an LRV of 68, so it makes a house look larger and brighter.

If you are unsure, choose the lighter color. A wall color will look stronger across a whole house than it does on a small chip. The darker slate, with an LRV of 14, works best on a house with trees or a large lot, where the dark mass looks natural.

How much contrast should trim and the front door have?

Classic schemes use clear contrast. A light wall with light trim, such as the sand with #DDDED8, looks soft. A light wall with black trim, such as the pale green with #23201C, looks sharp and graphic.

A dark wall needs lighter trim to define it. On the slate #596A6A, the pale trim #CED5D9 has an LRV of 66 and outlines windows and corners clearly. The shutters and door go darker, in the near-black green #282C1A.

Choose the front door by temperature. The brown #5F3D23 and #A58161 suit warm and blue walls. The jadite #57816A suits a pale wall and adds the most color. Keep the door and shutters the same on a classic house. Two different shades will make it look busy, and the point of a classic scheme is that every color has a clear job.

How do exterior colors look in sun and in shade?

Outdoor light is much stronger than indoor light, so colors look lighter in full sun and cooler in shade. This is why you should choose one shade darker than you think.

The sand #D4C2A7 can look almost white at midday on a south wall, and golden at sunset. The blue #798F9B looks brighter in sun and grayer on a north wall under trees. The slate #596A6A is the most stable, because its low LRV keeps it from washing out.

Trim shows the most difference. The soft white #DDDED8 will look bright against the sand but dull next to a bright blue sky. If the house is shaded most of the day, avoid the cool pale tones on the wall and choose the sand or the blue, which hold their color. Look at your house in the morning, at midday and in the evening before you decide.

How do you test exterior paint samples?

Paint a large board, at least two feet square, in each wall color you are considering. Use two coats and prime if the surface is dark.

Place the boards on two sides of the house, one in the sun and one in the shade. Look at them at different times of day and in different weather. Put the trim sample next to the wall board, and check how the door color looks against both.

The paints listed with each color are the closest measured matches. The black trim lists a close match from one brand only, and the dark green door lists a close match from another, so you may need to ask a store to mix from the hex. Check the sample beside your roof and any brick or stone, and wait a few days before you order enough paint for the whole house.

FAQ

What are classic house color combinations?

A single calm wall color, a lighter or darker trim, and a front door and shutters in a deeper color. The four schemes on this page follow that pattern.

What color trim goes with a classic exterior?

Soft white such as #DDDED8 is the safest. Black trim #23201C gives more contrast on a pale wall.

What roof color suits classic exterior schemes?

Charcoal and black, which match both warm and cool walls. The schemes on this page use one of the two.

Is a blue house a classic color?

Yes. The blue #798F9B with white trim and a brown door is a traditional scheme for a colonial.

How do I pick a front door color for a classic house?

Choose a deep brown, green or near-black from this page, and use the same color on the shutters for a unified look.

Palette card: Classic House Color Combinations: Four Exterior Schemes

Save these colors

A card with these house color schemes: walls, trim, front door and roof. Pin it, or take it to the paint store.

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Related guides

The paintings behind these colors

Painting images: The Metropolitan Museum of Art, The Art Institute of Chicago, public domain (CC0). Colors measured by Light & Pigment. Paint names belong to their brands and matches are approximate. Colors look different on screen than on a wall, so always test a sample.