19th-century French painting · art-to-room palette

Arrival of the Normandy Train, Gare Saint-Lazare Color Palette & Paint Colors

Six colors measured from Arrival of the Normandy Train, Gare Saint-Lazare by Claude Monet, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.

Quick answer

Put Light Grey on most walls, use Soft Green for the bed, sofa or curtains, and keep Soft Blue to one bold piece. Deep Umber suits floors, wood and frames, and Shadow Blue works best in a single textile.

Date
1877
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
66
Arrival of the Normandy Train, Gare Saint-Lazare by Claude Monet
Claude Monet, Arrival of the Normandy Train, Gare Saint-Lazare, 1877. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Shadow Teal
#596A6A · 27.4% · LRV 14
Soft Green
#7D8B7C · 23.9% · LRV 24
Shadow Blue
#303E46 · 19.7% · LRV 5
Light Grey
#CED5D9 · 17.2% · LRV 66
Soft Blue
#6C859E · 10.4% · LRV 22
Deep Umber
#6B5E4A · 1.4% · LRV 12

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Arrival of the Normandy Train, Gare Saint-Lazare reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Shadow Teal is strongest
Shadow Teal
Detail of the painting where Soft Green is strongest
Soft Green
Detail of the painting where Shadow Blue is strongest
Shadow Blue
Detail of the painting where Light Grey is strongest
Light Grey
Detail of the painting where Soft Blue is strongest
Soft Blue
Detail of the painting where Deep Umber is strongest
Deep Umber

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Shadow Teal
#596A6A
  • Farrow & Ball No. 289 Inchyra Blue Very close
  • Behr 770F-5 Dark Ash Very close
  • Sherwin-Williams SW 6222 Riverway Close
  • Valspar 5002-4C Sequoia Glade Close
14 Small accents, art, accessories
Soft Green
#7D8B7C
  • Valspar 5006-4B Ginkgo Tree Very close
  • Sherwin-Williams SW 6193 Privilege Green Very close
  • Behr N360-5 Mossy Oak Very close
  • Farrow & Ball No. 79 Card Room Green Close
24 Bed, sofa, curtains
Shadow Blue
#303E46
  • Behr N500-7 Night Club Very close
  • Sherwin-Williams SW 7605 Gale Force Very close
  • Farrow & Ball No. 30 Hague Blue Similar
  • Valspar 4011-4 Royal Navy Similar
5 One small textile
Light Grey
#CED5D9
  • Sherwin-Williams SW 6533 Mild Blue Very close
  • Behr PPU14-17 Polar Drift Very close
  • Valspar 4007-3A Ghost Ship Very close
  • Farrow & Ball No. 235 Borrowed Light Very close
66 Main walls
Soft Blue
#6C859E
  • Behr PPU15-09 Hilo Bay Very close
  • Sherwin-Williams SW 6522 Sporty Blue Very close
  • Valspar 4005-6B Blue Sash Close
  • Farrow & Ball No. 237 Cook's Blue Similar
22 One bold piece
Deep Umber
#6B5E4A
  • Valspar 6008-2C Prairie Foliage Very close
  • Behr PPU7-25 Clove Brown Very close
  • Sherwin-Williams SW 7054 Suitable Brown Close
  • Farrow & Ball No. 290 Salon Drab Close
12 Wood and frames

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How light grey looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#BCC4CB

Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.

South-facing room#D9D9D3

Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.

Evening, warm lamps (2700K)#B6AB9A

Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Deep Umber and the rug border takes Shadow Blue in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Light Grey
Soft Green
Soft Blue
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Arrival of the Normandy Train, Gare Saint-Lazare

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

What colors are in Arrival of the Normandy Train, Gare Saint-Lazare?

Measured from the image, the painting's six main colors are Shadow Teal (#596A6A, 27.4% of the canvas), Soft Green (#7D8B7C, 23.9% of the canvas), Shadow Blue (#303E46, 19.7% of the canvas), Light Grey (#CED5D9, 17.2% of the canvas), Soft Blue (#6C859E, 10.4% of the canvas), Deep Umber (#6B5E4A, 1.4% of the canvas).

Does this palette work in a small room?

Yes. The wall color reflects about 66% of the light that hits it (LRV 66), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.

Can I use this image on my own mood board?

The Art Institute of Chicago releases this image as public domain (cc0), so it can be reused freely.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.