Dark room · Bathroom · colors from 6 paintings

Small Bathroom Paint Colors with No Windows

A small bathroom with no windows has two good options: a light color that bounces what light there is, or a deep color that makes the room feel chosen. This page offers three of each, measured from paintings.

Quick answer

For a bright room use #EFE3C9 or #E2E0D3. For a cozy room paint everything in #31434D or #403C2F.

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Portrait of Fred Adelbert Haywood by School of William Matthew Prior Anne Dashwood (1743–1830), Later Countess of Galloway by Sir Joshua Reynolds The Presentation in the Temple by Alvaro Pirez Portrait of a Man in a Red Cap by German
Every color on this page was measured from one of these public-domain paintings.

Wall colors

#EFE3C9LRV 78

Raffia Cream

A very light warm cream with an LRV of 78, the lightest here and best for a windowless bathroom. It comes from the School of William Matthew Prior's Portrait of Fred Adelbert Haywood, 1848.

From Portrait of Fred Adelbert Haywood, School of William Matthew Prior
Closest paints
  • Valspar 3007-6C Crafted White Near-identical
  • Sherwin-Williams SW 6392 Vital Yellow Near-identical
  • Behr 710C-2 Raffia Cream Near-identical
  • Farrow & Ball No. 59 New White Very close
#E2E0D3LRV 74

Nonchalant Cream White

A very light warm white with an LRV of 74 that feels clean without looking stark. It comes from Sir Joshua Reynolds's portrait of Anne Dashwood, 1764.

From Anne Dashwood (1743–1830), Later Countess of Galloway, Sir Joshua Reynolds
Closest paints
  • Valspar 7006-14 Madison Avenue Near-identical
  • Behr 720C-2 Chocolate Froth Near-identical
  • Sherwin-Williams SW 6161 Nonchalant White Near-identical
  • Farrow & Ball No. 252 Pavilion Blue Very close
#E0CAB1LRV 61

Almond Latte

A light warm beige with an LRV of 61, a softer choice for a powder room. It comes from Alvaro Pirez's The Presentation in the Temple, ca. 1405-15.

From The Presentation in the Temple, Alvaro Pirez
Closest paints
  • Behr N260-2 Almond Latte Near-identical
  • Sherwin-Williams SW 9101 Tres Naturale Very close
  • Valspar 3004-10B Holmes Cream Very close
  • Farrow & Ball No. 264 Oxford Stone Very close

Deep colors

#291A12LRV 1

Espresso Black Brown

A very dark warm color with an LRV of 1, for a bold powder room with matching trim and ceiling. It comes from a German Portrait of a Man in a Red Cap, c. 1480.

From Portrait of a Man in a Red Cap, German
Closest paints
  • Sherwin-Williams SW 2838 Polished Mahogany Similar
  • Behr 780B-7 Bison Brown Similar
#403C2FLRV 5

Andiron Olive Brown

A very dark warm olive with an LRV of 5, a moody choice that suits brass fittings. It comes from Albert Bierstadt's Mountain Brook, 1863.

From Mountain Brook, Albert Bierstadt
Closest paints
  • Behr S-H-710 Dried Leaf Very close
  • Sherwin-Williams SW 6174 Andiron Very close
  • Valspar 6010-3 Olive Suede Similar
  • Farrow & Ball No. 256 Pitch Black Similar
#31434DLRV 5

Gale Force Navy

A very dark cool blue with an LRV of 5, good for a deep, calm bathroom with white fixtures. It comes from Paul Gauguin's Two Women, 1901 or 1902.

From Two Women, Paul Gauguin
Closest paints
  • Sherwin-Williams SW 7605 Gale Force Very close
  • Behr 750F-6 Sled Very close
  • Farrow & Ball No. 30 Hague Blue Close
  • Valspar 5011-3 Everglade Deck Close

How the lighter colors change with the light

The same paint reads differently in cool north light, warm south sun and under evening lamps. Find the column closest to your room.

ColorNeutral daylight North light South light Evening lamps
Raffia Cream
Nonchalant Cream White
Almond Latte

Try these colors in a room

Pick which color goes on the walls, the big furniture and the bold piece. Floors, shadows and trim follow your choice.

Walls
Bed, sofa, island
Bold piece

The framed picture on the wall is Portrait of Fred Adelbert Haywood.

Which bathroom paint color works best with no window?

There are two approaches, and both work. The first is to go light. The three wall colors here have LRVs of 78, 74 and 61. A color above about 60 reflects most of the light it receives, so in a room lit only by bulbs it makes the space brighter.

The raffia cream #EFE3C9 is the lightest and the best choice if you want the room to feel as open as possible. The cream white #E2E0D3 is slightly cooler and looks cleaner beside white tile. The almond latte #E0CAB1 is warmer and suits a powder room.

The second approach is to go deep. The navy #31434D, the olive brown #403C2F and the espresso #291A12 have LRVs of 5, 5 and 1. They will not brighten the room, but they hide its lack of windows by making the walls disappear. For a small room, this can feel intentional and cozy.

What goes with these colors: trim, ceiling and floors?

In a light bathroom, keep the ceiling and trim the same as the wall or one step lighter. The raffia cream on all surfaces gives a soft, glowing box. A stark white ceiling can make cream walls look yellow.

In a deep bathroom, paint the ceiling, walls and trim all the same dark color. A change of color at the ceiling line shows how small the room is, and a single color hides it. Use a matte or eggshell finish so the surface does not reflect hot spots.

For flooring, the suggested wood tone is #8B6B4A, a mid-brown. Warm tile, wood-look tile or a brown bath mat suits both approaches. White fixtures look crisp against the navy and the olive brown. Brass or bronze hardware suits the espresso and olive brown, and chrome suits the navy.

How do these colors behave with only artificial light?

Without a window, your bulbs decide the color. Warm white bulbs make the cream colors golden and the dark colors richer. Cool white bulbs make the cream look flatter and the navy look bluer. Choose one temperature and use it throughout the room.

The raffia cream #EFE3C9 has a warm yellow undertone, and under warm bulbs it can look slightly yellow. If you want it to look neutral, choose the cream white #E2E0D3 instead.

For the dark colors, put lights on both sides of the mirror. A single ceiling light casts shadows on the face in a deep room. Wall sconces at eye level give an even, flattering glow, and they pick up the warm undertone in the olive brown and the espresso.

How do you test paint colors in a windowless bathroom?

Test in the room itself, with the lights you plan to use. A sample that looks right in your living room will look different here.

Paint a board at least two feet square and tape it on the wall opposite the mirror. Turn on the lights and look at it with the door closed. Then look at it again with the door open, since light from the hallway will change it.

The paints listed with each color are the closest measured matches, and the espresso lists none, so you may need to ask a store to mix it from the hex. Use a bathroom paint with mildew resistance, and choose an eggshell or satin finish so the walls can be wiped. Let two coats dry fully before you judge the color.

FAQ

What is the best paint color for a small powder room with no windows?

A light warm cream such as #EFE3C9, with an LRV of 78, reflects the most light. A deep color such as #31434D is a good choice if you want a cozy look.

Should I paint a windowless bathroom white?

A warm white or cream such as #E2E0D3 usually looks better than a stark white, which can look cold under bulbs.

Can I use a dark color in a small bathroom with no windows?

Yes. Painting the walls, ceiling and trim the same deep color, such as #403C2F, can make the room feel intentional instead of cramped.

Which finish is best for a bathroom without windows?

Eggshell or satin, in a mildew-resistant paint. These can be wiped, and they resist the humidity that builds up without a window.

What light bulbs should I use with these colors?

Choose warm white bulbs and keep the temperature the same throughout the room. Sconces on both sides of the mirror give the most even light.

Palette card: Small Bathroom Paint Colors with No Windows

Save these colors

A card with every color on this page, its LRV and the paintings it comes from. Pin it, or take it to the paint store.

Save to Pinterest Download card

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Related guides

The paintings behind these colors

Painting images: The Art Institute of Chicago, The Metropolitan Museum of Art, public domain (CC0). Colors measured by Light & Pigment. Paint names belong to their brands and matches are approximate. Colors look different on screen than on a wall, so always test a sample.