19th-century American painting · art-to-room palette

Nantasket Beach Color Palette & Paint Colors

This palette comes from Emil Carlsen's 1876 oil painting "Nantasket Beach," held by the Art Institute of Chicago. It pairs soft sage and spruce greens with warm sand, cream, and walnut tones, which suits rooms that need a calm, earthy base.

Quick answer

Use the pale cream #F6E1B7 on the main walls and the light sand #DEBA8E on large surfaces or trim. Bring in the sage #96AA96 through textiles, the walnut #6E533B through wood pieces, and the warm ochre #AF9670 as a small accent.

Date
1876
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
77
Nantasket Beach by Emil Carlsen
Emil Carlsen, Nantasket Beach, 1876. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Soft sage green
#96AA96 · 40.7% · LRV 37
Muted spruce green
#77958C · 24.8% · LRV 27
Deep walnut brown
#6E533B · 10% · LRV 10
Pale cream yellow
#F6E1B7 · 9.4% · LRV 77
Warm ochre tan
#AF9670 · 8.2% · LRV 32
Light sand beige
#DEBA8E · 6.8% · LRV 53

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Nantasket Beach reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Soft sage green is strongest
Soft sage green
Detail of the painting where Muted spruce green is strongest
Muted spruce green
Detail of the painting where Deep walnut brown is strongest
Deep walnut brown
Detail of the painting where Pale cream yellow is strongest
Pale cream yellow
Detail of the painting where Warm ochre tan is strongest
Warm ochre tan
Detail of the painting where Light sand beige is strongest
Light sand beige

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Soft sage green
#96AA96
  • Behr N380-4 Strong Winds Close
  • Valspar 5004-4A Field of Pines Close
  • Farrow & Ball No. 81 Breakfast Room Green Close
  • Sherwin-Williams SW 6458 Restful Close
37 One small textile
Muted spruce green
#77958C
  • Behr N460-5 Slate Rock Close
  • Sherwin-Williams SW 20 Peacock Plume Close
  • Valspar 5003-6A Water's Edge Close
  • Farrow & Ball No. 85 Oval Room Blue Similar
27 Small accents, art, accessories
Deep walnut brown
#6E533B
  • Sherwin-Williams SW 6146 Umber Near-identical
  • Behr PPU4-20 Ancient Root Near-identical
  • Valspar 3011-8 Dark Earth Very close
  • Farrow & Ball No. 290 Salon Drab Similar
10 Wood and frames
Pale cream yellow
#F6E1B7
  • Behr PPU6-12 Calla Near-identical
  • Valspar 3004-4C Pretty Pretty Picture Near-identical
  • Sherwin-Williams SW 6680 Friendly Yellow Very close
  • Farrow & Ball No. 67 Farrow's Cream Very close
77 Main walls
Warm ochre tan
#AF9670
  • Sherwin-Williams SW 6137 Burlap Near-identical
  • Valspar 3006-7B Caramel Gold Very close
  • Behr 280F-4 Burnt Almond Very close
  • Farrow & Ball No. 6 London Stone Similar
32 One bold piece
Light sand beige
#DEBA8E
  • Behr UL150-4 Fortune Cookie Near-identical
  • Sherwin-Williams SW 9023 Dakota Wheat Very close
  • Valspar 3003-5C Imperial Gold Very close
  • Farrow & Ball No. 37 Hay Similar
53 Bed, sofa, curtains

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale cream yellow looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D5CCB5

North light is cool and dim, so the pale cream can look flat or slightly grey. Choose a sample in the upper part of the palette and check it at several times of day before you commit.

South-facing room#F8E2B9

Strong south light brings out the brightness of the cream, and it can look nearly white at midday. The sand and ochre tones hold their warmth well in this light.

Evening, warm lamps (2700K)#CDB286

Warm evening bulbs push the yellow undertones forward, so the cream turns golden and the sage reads softer. The walnut and ochre become richer, which makes this palette especially comfortable for lamp-lit rooms.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Deep walnut brown and the rug border takes Soft sage green in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale cream yellow
Light sand beige
Warm ochre tan
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Nantasket Beach

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color should I use on the walls?

The pale cream #F6E1B7 has a light reflectance value of 77, so it bounces light well and suits main walls in most rooms. The light sand #DEBA8E, with a value of 53, works well if you want a little more warmth and depth.

How do I add the darker colors without making the room feel heavy?

Keep the deep walnut #6E533B to wood furniture, frames, or a single large piece. Use the sage #96AA96 on textiles such as curtains or upholstery, which spreads the darker tones across the room without covering walls in them.

Can I use this palette in a room with little natural light?

Yes, but test your samples first. The cream and sand will look warmer under lamps, and the greens can look greyer in dim daylight. Keep the walnut to small areas so the room does not feel closed in.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.